Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Art (1)
- Art markets (1)
- D'este (1)
- Early Modern England (1)
- Early print culture (1)
-
- Elizabethan Portraiture (1)
- Estensi (1)
- Ferrara (1)
- Gender and Queen Elizabeth I (1)
- Il cibo (1)
- Il corpo (1)
- Il dipinti rinascimento (1)
- Il genere (1)
- Il piacere (1)
- Il potere (1)
- Influence (1)
- L'identità (1)
- L'umanesimo (1)
- La classe (1)
- La frutta (1)
- La natura morta (1)
- La pittura di genere (1)
- Medieval manuscripts (1)
- Medieval studies (1)
- Patronage (1)
- Power (1)
- Queen Elizabeth I (1)
- Renaissance history (1)
- Renaissance studies (1)
- Section 5: Renaissance Humanism and Patronage (1)
- Publication
- Publication Type
Articles 1 - 4 of 4
Full-Text Articles in Renaissance Studies
Il Cibo E Il Corpo Nell’Immagine- I Dipinti Rinascimentale Del Cibo E Del Corpo, Lainey Tomasoski
Il Cibo E Il Corpo Nell’Immagine- I Dipinti Rinascimentale Del Cibo E Del Corpo, Lainey Tomasoski
Italian Renaissance Foodways
Questo progetto esamina il modo in cui l'arte rinascimentale rappresentava la cultura del cibo nella prima era moderna e cosa dice questo sulle dinamiche sociali dell'identita.
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
School of Art Undergraduate Honors Theses
Manuscript and print scholars of the fifteenth and sixteenth centuries have deemed Rouen a ‘poor third’ to the workshops in Paris and Lyon. Lacking the cultural status and political influence of these two major centers of book production, Rouen’s manuscript tradition has been coined an “eclectic” group of illuminators who were limited to a local, discontinuous demand for books and whose regional role hardly even bears examination. However, Between 1419 and 1449, Rouen was an epicenter of political and economic exchange between Normandy and England. The city’s manuscript ateliers experienced a period of unparalleled patronage from an international, elite clientele, …
Art And Power: How The D'Este Family Ruled Renaissance Ferrara, Luke Ziegler
Art And Power: How The D'Este Family Ruled Renaissance Ferrara, Luke Ziegler
Tenor of Our Times
During the Renaissance, the d'Este family ruled the Northern Italian city of Ferrara. To make up for their modest land holdings, the d'Este chose to exert influence and control over Italian politics through artistic patronage. The court of Ferrara became known for its beauty, intelligence, and sophistication. All the dukes of Ferrara contributed to the city's cultural significance, and elevated Ferrara as one of the dominant cities on the Italian peninsula.
Navigating Femininity: Queen Elizabeth I And The Armada Portrait, Julia Maurer
Navigating Femininity: Queen Elizabeth I And The Armada Portrait, Julia Maurer
Capstone Showcase
By analyzing the iconographic program of the Armada Portrait, this essay demonstrates the various visual strategies that Queen Elizabeth I employed in order to navigate certain gendered, cultural barriers present in Early Modern England. I argue throughout this essay that Elizabeth was meticulous in her delicate dance of bolstering her individual authority, while not radically undermining the patriarchal dispensation in which she lived and ruled. In particular, I demonstrate that Queen Elizabeth I effectively utilized the visual arts to control the public perception of her reign in ways unique to female regnants, as she both confirmed and denied her femininity. …