Reading and Language Commons^™

New Engagements With Documentary Editions: Audiences, Formats, Contexts, Andrew Jewell

University of Nebraska-Lincoln Libraries: Conference Presentations and Speeches

This paper is an effort to think about something different than the creation of documentary editions. It is an effort to think about the reading of them. Specifically, I want to think about the ways the reading of documentary editions is changing, or how it might change. First, however, a caveat: much of what I say is speculative and anecdotal. Though others’ research has been consulted, I’m heavily influenced by what I observe is happening with readers of my own editing project, The Willa Cather Archive, a digital thematic research collection dedicated to the life, work, and environs of the …

Shakespeare And The Making Of Early Modern Science: Resituating Prospero's Art, Elizabeth Spiller

Department of English: Faculty Publications

Some readers may ask what it means to use the term "science" in conjunction with Shakespeare. From a modern perspective, science may not seem to be able to tell us much about Shakespeare or Shakespeare about science. Looking backwards, it is fair to say that Aristotle would probably have agreed with such a perspective: what scholasticism came to call scientia has nothing to do with ars. In between Aristotle and Einstein, though, matters stood differently. The late sixteenth and early seventeenth century saw the historic transition from Aristotelian models of scientia to modern "science." Both classic and modern epistemologies of …

Review Of The Eleanor Roosevelt Papers, Volume I: The Human Rights Years, 1945–1948; Allida M. Black, Editor; John F. Sears And Mary Jo Binker, Associate Editors; Craig Daigle And Michael Weeks, Assistant Editors, And Christopher Alhambra, Electronic Editor, Kathlleen Dalton

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

The publication of the first volume of the Eleanor Roosevelt Papers Project (ERPP), edited by Allida Black and her associates at George Washington University, is an event of the utmost significance to documentary editors and historians alike. Nothing like this pathbreaking volume exists in the ER literature, and this resource will forever change the research landscape. This volume stands for documentary editing at its best, and the larger ERPP itself, with its informative website and teacher training workshops, is a model of the highest editorial scholarship applied innovatively to the mission of public education.

Association For Documentary Editing 2008–9 Annual Plan

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

The ADE is at an important crossroads. Much has changed in the documentary editing profession in the past three decades. New methods of publication have emerged; the era of the large projects is diminishing; and the number of users of published historical documents has exploded as a result of the Web. Many more people are engaged in the practices that we call documentary editing (the selection, transcription, and explication of documents), but these same individuals don’t define their work or their profession as such. Scholars use new and changing tools to produce their work in ways that weren’t imaginable when …

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4: 2008-2009-Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

Front matter -- Officers -- Publication Committee -- Editorial Staff -- Table of Contents -- Contributors

Association For Documentary Editing Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona And 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

Association for Documentary Editing:

• Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona
• 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

President’S Letter 2009 : Documentary Editing Is Alive And Well, Cathy Moran Hajo

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

As experienced editors, we sometimes see change as a negative—complaining about the paucity of funding, or about the new requirements that digital publishing has forced on our projects. But when you meet so many enthusiastic newcomers, it is hard to remain a pessimist.We have made great strides in the last thirty years, bringing our editions to a far broader segment of the public than the founders of ADE had ever thought possible.We have honed our practices, paving the way for new editors to follow using our publications in microfilm, book, and digital format as examples of best practices, a massive …

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

No abstract provided.

Review Of The Moravian Springplace Mission To The Cherokees, Volume I, 1805–1813 And The Moravian Springplace Mission To The Cherokees, Volume Ii, 1814–1821. Edited And With An Introduction By Rowena Mcclinton; Preface By Chad Smith., Angela Pulley Hudson

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

Noted historian William G. McLoughlin once observed that in addition to mirroring U.S. political structures, the nineteenth-century Cherokee Nation shared two other trends with the young Republic: slavery and Christianity.1 Indeed, even as Cherokee people fought to retain their eastern lands in the first decades of the nineteenth century, they often adopted the ideologies of the land-hungry Americans they tried to resist. Few sources document this complex and contradictory process more vividly than The Moravian Springplace Mission to the Cherokees. Rarely do Cherokee, Christian, and slave histories appear in such intimate relation to one another. In the secondary works on …

Presidential Address--Why Documentary Editing Matters, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

The title of my talk tonight is “Why Documentary Editing Matters.” The question I seek to answer is critical, especially in an era that has seen rapid change in how we make information accessible.We need to know the answer to the question in order to explain our work to funders. But we also must also explain to ourselves why we choose to dedicate our energies to this endeavor. The significance of what we do is not based on how we publish our work, but in the value we add.

President’S Letter 2008: Moving Forward, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

This past summer, the ADE’s Planning Committee met in Madison for three days to discuss the Association’s future. The group had previously developed background papers, and while in Madison they built on that work. The conversations were stimulating, and participants’ opinions changed as the pros and cons of different ideas were weighed. In the end, the group agreed upon a strategic direction and an action plan for the Association. The plan is printed elsewhere in this issue as well as at www.documentaryhistory.org. I urge you to give it a close read and to think about ways you might want to …

One-Dimensional History, Denton L. Watson

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

I began attending the annual ADE conference on a regular basis in 2000. Since then, I have often wondered how many of you have been aware of my distinction? The lone black in a sea of white. Not the first, of course, just the lone one. Nevertheless, I have always reveled in my distinction, even though, to be truthful, I would have welcomed some company. My distinction, I am sure, has been due to the reality that I am one of just a tiny handful of black documentary editors, which has been the result of a combination of factors. I …

In Memoriam, Thomas E. Dulan, Charlene Bickford, Mary Jo Kline, Raymond W. Smock

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

Beverly Runge--Larry I. Bland--John Y. Simon

Recent Editions, Linnéa Caproni

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

This semiannual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.

In The Beginning: Ade And The Big Bang Revolution, Roger Burns

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

Welcome to the celebration of the thirtieth anniversary of the founding of the Association for Documentary Editing. Some people have compared the origins of the ADE with the American Revolution. Others have linked it to the big bang theory. I prefer to think of it as a Big Bang Revolution. Anyway, today you will get a little of the inside story of the creation of ADE. You see, I was there. And with me today are three individuals who have joined the ADE at different times in its history. Charlene Bickford, editor of the First Congress Project, who was also …

Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

I come to you from the digital world. I am president of the Digital Americanists; I recently received a Digital Humanities Start-Up grant; I edit a digital archive on the life and work of Willa Cather; I am a faculty fellow at the Center for Digital Research in the Humanities; and I even have the word “digital” in my official job title: Assistant Professor of Digital Projects. I don’t begin this way in order to impress you with my credentials, but as a confession: my current professional identity is absolutely entangled with the digital medium. That said, I want to …

A Bibliography Of Editions Prepared By Ade Members, Karen Mylan, Linnéa Caproni, Harriet Simon, Richard Leffler

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

The following is a listing of the many editions and volumes that have been published by members of the ADE. Each edition contains at least one editor, and usually more, who is or has been a member of the Association. It is a remarkable record of scholarly productivity in a wide range of disciplines. These many volumes, microfilms, microfiche, and electronic editions have added greatly to the resources available to scholars and laymen alike. It should also be noted that this list is incomplete. There are many other editions that have escaped the attention of those who prepared this list.

Review Of Emma Goldman: A Documentary History Of The American Years, Volume One: Made For America, 1890–1901 And Emma Goldman: A Documentary History Of The American Years, Volume Two: Making Speech Free, 1902–1909. Edited By Candace Falk; Barry Pateman, Associate Editor; Jessica M. Moran, Assistant Editor., Nancy Marie Robertson

Documentary Editing: Journal of the Association for Documentary Editing (1979-2011)

For more than a quarter of a century, Candace Falk and her comrades at the Emma Goldman Papers Project (EGPP) have worked to make the records of the turn-of the-century anarchist, lecturer, and social critic available.With the assistance of the National Historical Publications and Records Commission (NHPRC), they joined with papers projects for Jane Addams, Elizabeth Cady Stanton and Susan B. Anthony, and Margaret Sanger to form the Consortium for Women’s History, part of an effort to diversify the people represented in historical editing projects. Funded by individual contributions as well as support from NHPRC and the National Endowment for …

Chaos Is The Poetry: From Outcomes To Inquiry In Service-Learning Pedagogy, Shari J. Stenberg, Darby Arant Whealy

Department of English: Faculty Publications

It is no secret that the contemporary university values a model of efficiency, of tangible, quantifiable outcomes. Jan Currie and Lesley Vidovich (qtd. in Downing, Hurlbert, Mathieu 9) contend that since the 1980s, the boundaries between higher education, government, and business have largely deteriorated, and business discourse of "excellence" has come to dominate university culture. Consequently, output, outcomes, and efficiency are valorized over and above process, inquiry, and the inevitable tensions of learning. Stanley Aronowitz puts it this way: "[A]cademic leaders chant the mantra of excellence . . . [which] means ... all parts of the university 'perform' and are …