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Articles 1 - 15 of 15
Full-Text Articles in Radio
تأثير وسائل الإعلام الجديد على المجال العام والتسويق السياسي, عبد ربه عبدالقادر العنزي استاذ مساعد
تأثير وسائل الإعلام الجديد على المجال العام والتسويق السياسي, عبد ربه عبدالقادر العنزي استاذ مساعد
Journal of Al-Azhar University – Gaza (Humanities)
ملخص:
يسعى البحث إلى الإحاطة بدينامية الفعل السياسي الذي تقوم بإحداثه وسائل الإعلام الجديد، وتأثيرها المتسارع والفعال الذي عززت به المجال السياسي العام من خلال استعادة الفكرة الكلاسيكية التي تجسد تمثيل الحكومة الديمقراطية لإرادة الشعب عبر الدفع بوسائل الإعلام الجديد والتفاعلية التي تعين الجمهور في العملية الديمقراطية التداولية والتشاركية، وتكريسها لخطاب يتضمن طائفة واسعة من القضايا المتعلقة بالصالح العام. وكونها ركيزة مستحدثة وجادة في التحليل النقدي لأعمال الحكومات جراء تقنيتها الفاعلة، وسرعة انتشارها، وتكلفتها الرخيصة، وعدم هرميتها، وتوافرها لدى أكثر الطبقات والفئات الاجتماعية، وتصاعد استخدامها بشكل غير تقليدي في تعزيز المشاركة السياسية والتأثير في تصورات وسلوك الناخبين. ويسعى البحث إلى …
Sounds Of The Reich: Nazi Party Radio And Speeches, Katelyn Hanners
Sounds Of The Reich: Nazi Party Radio And Speeches, Katelyn Hanners
Undergraduate Research Symposium
Radio broadcasts and speeches were key aspects of Nazi regime propaganda. From March 1927 to when the Nazi party won power in March 1933, Hitler made 455 public appearances, reaching close to 4.5 million people. Radio was the leading medium during the Great Depression and during all of WWII. Nazi propaganda focused on the effectiveness of the message, not the means through which it was relayed. Nazis liked simplistic and straightforward ideas with no underlying interpretations. Studies have shown that campaigns do not change the opinions of the masses. Rather, they confirm what the people already believe. In the case …
تَغْطِيَةُ قَضَايَا الطِّفْلِ فِي الصُّحُفِ الفِلَسْطِينِيَّةِ اليَوْمِيَّةِ: دِرَاسَةٌ تَحْلِيلِيَّةٌ مُقَارَنَةٌ, أيمن أبو نقيرة استاذ مساعد, أبرار الأغا
تَغْطِيَةُ قَضَايَا الطِّفْلِ فِي الصُّحُفِ الفِلَسْطِينِيَّةِ اليَوْمِيَّةِ: دِرَاسَةٌ تَحْلِيلِيَّةٌ مُقَارَنَةٌ, أيمن أبو نقيرة استاذ مساعد, أبرار الأغا
Journal of Al-Azhar University – Gaza (Humanities)
الملخص:
هدفت الدراسة التعرف إلى دور الصحف الفلسطينية اليومية في تغطية قضايا الطفل المحلية والعربية والعالمية، برصد محتواها وشكلها، والوقوف على أوجه الاتفاق والاختلاف بينها. وهي دراسة وصفية، استخدمت منهج المسح، وفي إطاره تمّ استخدام أسلوب تحليل المضمون، كما واستخدمت الدراسة منهج دراسة العلاقات المتبادلة، وفي إطاره تمّ استخدام أسلوب المقارنة المنهجية، وكانت استمارة تحليل المضمون أداة الدراسة.
وأجريت الدراسة على جميع الصحف الفلسطينية اليومية، باستخدام أسلوب الحصر الشامل، وباختيار عينة زمنية منتظمة مدتها (16) يومًا، من1-1-2015م حتّى 31-12-2015م، واعتمدت الدراسة على نظرية ترتيب الأولويات.
وأظهرت نتائج الدراسة؛ تركيز الصحف الفلسطينية اليومية على قضايا اعتداءات الاحتلال الإسرائيلي على الأطفال بالمركز …
Music Video Review: "O Superman" - Laurie Anderson, Jacob Thomas (Kiko) F. Yago
Music Video Review: "O Superman" - Laurie Anderson, Jacob Thomas (Kiko) F. Yago
Backstage Pass
Laurie Anderson's "O Superman" music video is a commentary about the progression of technology. https://www.youtube.com/watch?v=Vkfpi2H8tOE
A Line In The Sand Album Review, Robert N. Moore
A Line In The Sand Album Review, Robert N. Moore
Backstage Pass
On July 3rd, 2020, American Arson released their first full-length album. A Line In The Sand has a tight and powerful sound while still feeling raw and untamed, thanks to the help of high production standards. The lyrics somehow find a balance between bold, catchy, and beautiful. Their message mainly revolves around the current American socio-political sphere, challenging their listeners to seek compassion and unity instead of giving into apathy and ignorance.
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Ishmael Album Review, Robert N. Moore
Ishmael Album Review, Robert N. Moore
Backstage Pass
This is an extensive review of the metal album Ishmael, written, performed, mixed, mastered, and released all by Jared Smith. The album combines religion, intricate guitar riffs, and metal to create an avant-garde piece of art.
Copyright And Copywrong, Noah Granard
Copyright And Copywrong, Noah Granard
Backstage Pass
This paper attempts to offer a critique of the music industry and modern copyright law via analysis/individual case study in order to provide suggestions for possible reform. Topics include: background information and commentary on the status of the public domain, why the current laws/statures hamper creativity, and what steps should be taken next to remedy these issues. In order to both promote new music, while also respecting the intellectual property of artists and groups with existing content, there must be genuine reform at the highest levels; copyright and music industry laws must stem from the basis of supporting artists and …
A Guide To Digital Marketing For New Creators, Lexi Gerbino
A Guide To Digital Marketing For New Creators, Lexi Gerbino
Backstage Pass
This is a guidebook and primer in the use of social media for marketing music, arts or any product or service using freely available online resources. The author explains the basic approaches to building up an online audience and following, emphasizing do-it-yourself (DIY) organic, cost-effective outreach tactics. Paid strategies are also discussed. The author has been involved in various grass roots social media marketing campaigns and draws on their own experience, as well as that of other marketing practitioners who were interviewed as part of the project to inform the recommendations found in this guidebook.
Producer Interview: Teak Underdue, Kris Jones
Producer Interview: Teak Underdue, Kris Jones
Backstage Pass
This interview is with three-time Grammy-nominated music producer Teak Underdue of Hallway Productions. He discusses his background and the path he has taken to become a well respected music creator and producer. The interviewee offers advice for aspiring producers on how to build their reputation and credits in the music industry.
Industry Profile: Tour Manager, Lisa Policaro, Elizabeth Shearrow
Industry Profile: Tour Manager, Lisa Policaro, Elizabeth Shearrow
Backstage Pass
Lisa Policaro is a Tour Manager from Long Island, New York with over 20 years of experience in the music business. She has worked in all areas of the industry from Interning for Columbia Records to working her way up to being Tour Manager. In this interview, Lisa talks with Elizabeth Shearrow (‘23) about how she got her start in the industry, what qualities students need to have to become a Tour Manager, and how COVID-19 has impacted her career.
Letter From The Editor-In-Chief, Keith Hatschek
Letter From The Editor-In-Chief, Keith Hatschek
Backstage Pass
Outgoing Editor-in-Chief, Keith Hatschek, relates what accomplishments the editors of the journal have achieved, as well as previewing the content from this issue.
A Feminist History Of The Roland Mc-505, Cameron Davis
A Feminist History Of The Roland Mc-505, Cameron Davis
Seaver College Research And Scholarly Achievement Symposium
A Feminist History of the Roland MC-505
Abstract
Roland’s MC 505 is a small portable music production instrument also known as agroovebox that functions as a programmable sixty-four note polyphonic synthesizer and drummachine with twenty-six interchangeable drum kits to use in various combinations. (1) The groovebox is equipped for both audio recording and live performance, both of which are analyzed in this research. The machine has many innovative elements that have carried over into modern music technology as well as some limitations that have since been left behind. This study acts as a historical evaluation of the growth and improvements …
The View From Somewhere: A Review, Robert S. Boynton
The View From Somewhere: A Review, Robert S. Boynton
RadioDoc Review
Lewis Raven Wallace was fired from Marketplace for questioning the mainstream media's conception of journalistic neutrality. He developed his critique in his 2019 book, The View From Somewhere: Undoing the Myth of Journalistic Objectivity, a podcast of the same name, and in several ancillary products. Wallace concludes that “objectivity is a false ideal that upholds the status quo”, and news judgement has less to do with objective criteria than with “who controls the narrative, whose narratives matter, and how the appearance of mattering is created in a society rife with entrenched inequality”.
Mf024 Maine Public Broadcasting Network, Special Collections, Raymond H. Fogler Library, University Of Maine
Mf024 Maine Public Broadcasting Network, Special Collections, Raymond H. Fogler Library, University Of Maine
Northeast Archives of Folklore and Oral History Finding Aids
Collection of various recordings by Maine Public Broadcasting Network. Copyright belongs to original broadcaster. For reference and educational use only. May not be copied.
NA1346 Esther Wood, interviewed by Virgil Bisset, Maine Public Broadcasting Network, 1980, Blue Hill, Maine. 29 pp. Tape: 2 hrs. w/ cat. Two radio interviews with Wood, Prof. Emeritus, Gorham State Teachers College, about her memories of rural life; Maine schools; spring house cleaning; spring signs; Memorial Day.
NA2132 Susan Tibbets, hosts concert with 20 singer and songwriters, featuring Kendall Morse, Edward D. “Sandy” Ives, Lisa Null, and Slim Clark, deposited by Maine Public Broadcasting Network, …
How Interesting Is This To You: Rating The Interestingness Of Auditory Clips, Hanna Zakharenko, James R. Unverricht, Yusuke Yamani
How Interesting Is This To You: Rating The Interestingness Of Auditory Clips, Hanna Zakharenko, James R. Unverricht, Yusuke Yamani
Psychology Faculty Publications
Modern technological environments integrate multiple devices, competing for limited attentional resources of users. This study aimed to validate the auditory stimuli used in Horrey et al. (2017) with a college student population and examine the psychological structure of task engagement. Thirty-nine students listened to thirty-nine auditory stimuli used in Horrey et al. (2017) for their level of engagement. Participants rated how interesting they found the material on a slider from -7 (boring) to 7 (interesting) while listening to each clip. Participants also rated levels of difficulty, entertainment, and likelihood to attend to each clip. Participants who rated high on difficulty, …