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Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd Jan 2012

Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd

Drew Todd

In this article, I analyse the function of Art Deco designs in the 1930s gangster genre and, in particular, Warner Brothers' Marked Woman (Bacon, 1937). Like many gangster films of the period, it associates high-style Art Deco with excess and the criminal underworld. My findings, however, reveal a tension between the film's moralist stance and its visual excess. Compelling visual signifiers of leisure, style and social mobility, the modern designs are free to circumvent the film's critical message and reinforce American capitalist ideologies. My analyses underscore Art Deco as an emblematic style of commercial modernity. Marked Woman and other gangster …


Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd Jan 2012

Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd

Faculty Publications

In this article, I analyse the function of Art Deco designs in the 1930s gangster genre and, in particular, Warner Brothers' Marked Woman (Bacon, 1937). Like many gangster films of the period, it associates high-style Art Deco with excess and the criminal underworld. My findings, however, reveal a tension between the film's moralist stance and its visual excess. Compelling visual signifiers of leisure, style and social mobility, the modern designs are free to circumvent the film's critical message and reinforce American capitalist ideologies. My analyses underscore Art Deco as an emblematic style of commercial modernity. Marked Woman and other gangster …


Networks Of Dissent: Emergent Forms In Media Based Collective Action, Ted Coopman May 2009

Networks Of Dissent: Emergent Forms In Media Based Collective Action, Ted Coopman

Faculty Publications

The micro radio movement expanded over the course of 1990s and resulted in the creation of a Low Power Radio Service in 2000. Micro radio activists successfully leveraged the then emerging Internet and other digital technologies to further their cause. By doing so, participants developed new modes of organization and repertoires of action unique to the new interface between analog and digital worlds. In exploring this phenomenon, I developed dissentworks theory – describing how collective action emerges within digital environments. I offer his approach as a tool to reassess the impacts of an infrastructural approach to media based dissent collective …


Micro Radio And The Internet: Dissent Network Formation In Media Based Collective Action, Ted Coopman Nov 2008

Micro Radio And The Internet: Dissent Network Formation In Media Based Collective Action, Ted Coopman

Faculty Publications

The movement to establish a grassroots community radio system in the U.S. in the 1990s coincided with the rise of the internet. The impact of internet on media based collective action highlighted shortcomings in existing theory. To address this, I develop a dissent network approach. Utilizing participant observation I apply my measures of consensus on system failure, relational density, process and resource sharing, and the centrality of digital networks to the case of micro radio.