Latina/o Studies Commons^™

Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Outline (2 Of 2), Sarah Aponte, Dania Diaz

Open Educational Resources

With the use of primary source materials from the Dominican Archives collection housed at the CUNY Dominican Studies Institute, students at the middle and high school level will learn about two Dominican artists who made an enormous contribution to the world of music and art in the early twentieth century.

Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Overview, Sarah Aponte, Dania Diaz

Open Educational Resources

The exhibit El Músico y el Pintor/ The Musician and the Painter: An Exhibit Documenting the Lifetime, Work, and Artistic Trajectory of Two Early Twentieth Century Dominican Artists in New York consists of documents, photographs, musical scores, and paintings from the Dominican Archives collections that highlight the careers of musician Rafael Petitón Guzmán (1894-1983) and painter Tito Enrique Cánepa (1916-2014). Both were enormously influential in their chosen professions, contributing to the development of new hybrid artistic forms that combine traditional and modern elements and incorporate styles from different cultures. Cánepa used his art to express political themes, chiefly his opposition …

La Voz Winter 2018, El Instituto

La Voz

In this issue:

• Hurricane María
• Metanoia events
• Speakers: Sir Hilary Beckles; Ailyn Morera
• Mead Lecture
• PRCAP: Puerto Rico Citizenship Archives Project
• Tinker Field Research
• Spotlight: Joseline Tlacomulco
• Poetry: Nicole Delgado

"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono

Art Faculty Articles and Research

"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."

Evangelizing Neoliberalism Through Megachurches In Latin America And The United States, William O. Collazo

Dissertations and Theses

The most prominent and influential feature of worldwide Evangelicalism, is the megachurch. In Latin America megachurches have proliferated and grown in political influence when they first came into contact with neoliberalism during Pinochet's dictatorship in Chile. As Latin America's poor first migrated out of rural areas into Latin American cities, then north, to the United States, they have brought with them their religion. Increasingly, this religion is Protestant, evangelical, and for many, it is Pentecostalism. Misunderstood by the early literature on Pentecostalism, is the strain of neoliberalism that has become infused in the religion's most powerful institution - the megachurch. …

Evangelical Dictatorship Driving The Guatemalan Civil War: Reconsidering Ríos Montt, The “Savior Of La Nueva Guatemala”, Miho Egoshi

Dissertations and Theses

The devastating earthquake that hit Guatemala in 1976 was used as a pretext for American born Protestant evangelicalism—mainly Pentecostalism—to gain entry in the Guatemalan society. A major consequence of the earthquake relief efforts by American evangelicals, is that their meddling also intensified the Mayan genocide during the Guatemalan Civil War (1960-96). This thesis explores the complicit relationship of religion and politics in the Guatemalan Civil War, focusing on the evangelical dictator Efraín Ríos Montt’s regime (1982-83). Firstly, it examines how Christian evangelicalism played a pivotal role for conservative Republican candidate Ronald Reagan and, later through his administration, for Ríos Montt’s …

La Voz Fall 2017, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies

La Voz

In this issue:

• Mark Overmyer-Velazquez
• Feria Internacioinal de Libros
• Racismo y Lenguaje
• Pre-doctoral research funding
• Tinker Field Research
• Latino Fraternities
• Latino Sororities
• Daisy Reyes
• DACA
• Hurricane Study
• La Comunidad Intelectual
• Maria del Mar Olmedo-Malagon

Exorcising Power, John Jarzemsky

Theses and Dissertations

This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …

Mybarrio: Emigdio Vasquez And Chicana/O Identity In Orange County, Natalie Lawler, Denise Johnson, Marcus Herse, Jessica Bocinski, Manon Wogahn

Exhibition Catalogs

"Emigdio Vasquez created artwork that challenged Orange County’s more prominent narrative of wealthy beachside neighborhoods. He painted the brown bodies and brown histories that defined our earliest communities and economy... Vasquez produced much of the local art history that Orange County should be known for and should protect. It is with this perspective that Chapman University is proud to present the exhibition, My Barrio: Emigdio Vasquez and Chicana/o Identity in Orange County, in conjunction with the Getty Pacific Standard Time: LA/LA initiative. We hope to initiate discourse not only about Vasquez’s prolific career, but also about the larger political …

Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono

Art Faculty Articles and Research

A review of Peruvian Featherworks: Art of the Precolumbian Era, edited by Heidi King.

Bloody Bay: Grassroots Policeways, Community Control, And Power In San Francisco And Its Hinterlands, 1846-1915, Darren A. Raspa

History ETDs

“Bloody Bay: Grassroots Policeways, Community Control, and Power in San Francisco and its Hinterlands, 1846–1915” follows the history of San Francisco’s spectrum of formal and informal policing from the American takeover of California in 1846 during the U.S.–Mexico War to Police Commissioner Jesse B. Cook’s nationwide law enforcement advisory team tour in 1912 and San Francisco’s debut as the Jewel of a new American Pacific world during the Panama Pacific International Exposition in 1915. These six decades functioned as a unique period wherein a culture of popular justice and grassroots community peacekeeping were fostered. This policing environment was forged in …

Diversas De Sí, Entre El Hoy Y El Ayer: Rememoria De Tres Íconos Femeninos Espirituales, La Condesa De Malibrán, Sor Juana Inés De La Cruz Y La Falsa Teresa De Jesús, Ana Gabriela Hernandez Gonzalez 5059749397

Spanish and Portuguese ETDs

This dissertation traces the cultural memory of three magical/religious women of the colonial period: Sor Juana Inés de la Cruz, La Condesa de Malibrán and La Falsa Teresa de Jesús. It studies these icons specifically in three different discourses that construct cultural identities in Mexico: colonial discourse (XVI-XVII Centuries), the discourse of national consolidation (XIX-XX centuries) and postcolonial discourse (XX-XIX Centuries). First I describe how the narratives of the colonial period and of national consolidation employ an official lens to place magical/religious women within traditional gender roles. Then I delineate how historical novels in the 21st century employ a postcolonial …

“Tú Hablas Ahora:” Viequense Female Archetype And Agency In The Works Of Carmelo Rodríguez Torres, Emma T. Comery

Kentucky Journal of Undergraduate Scholarship

Author Carmelo Rodríguez Torres incorporates many of his experiences with the U.S. naval occupation of Vieques, Puerto Rico into his novels and short stories. Few scholars have written on Torres, and even fewer have discussed him in terms of womanhood and feminism. Yet central to many of his works are figures of womanhood that are at once archetypal and progressive. In my paper I investigate Torres' treatment of his female characters in all his novels and two of his short stories. I place his presentation of women within the context of the U.S. occupation of Puerto Rico and its feminist …

American Immigration: Differing Views On The Threat From Immigrants, Carl Karpinski

Political Science Theses and Capstones

Immigration has been a hot button issue in politics across the world, especially in recent years in the United States. People’s views on immigration vary broadly among political parties and from every corner of the country. Why do people believe the things they do about immigrants? I researched this question to determine why immigration is at the forefront of American politics and how different aspects of one’s life affect his or her sentiments. Using General Social Survey data, I explored why some people feel threatened by immigrants coming to their country and others do not. Variables analyzed include income, church …

Yes! I..., Chican@/Latino Lives Class - Fall 2016

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Hand-Me-Down, Briana Yah-Díaz

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Familia Vázquez, Kimberly Vázquez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Esta, Es Para Mis Padres, Lucero Vargas Mendoza

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

The Truth Is, Alejandra Valdez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Carrying A Secret, Alejandra Valdez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Expect The Unexpected, Gabriela Emelyn Torres

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

No Sé Porqué Nos Dejó, Jacqueline Santos

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

What They Don’T Know, Marissa Lisette Sánchez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Shit Gringos Have Said To Me, Marissa Lisette Sánchez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Mi Viejo, Christian Sánchez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Nuestros Sueños, Nancy L. Roman

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Capella: Two Golden Stars, Gabriela Rivera Almansa

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Changes, Christian Rivera

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Beautiful Home And Family, Guadalupe Reynosa

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

5:38 P.M., Geneba Revuelta

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.