Open Access. Powered by Scholars. Published by Universities.®

Indigenous Studies Commons™

Open Access. Powered by Scholars. Published by Universities.®

University of Nebraska at Omaha

Discipline
Keyword
Publication Year
Publication
Publication Type

Articles 1 - 30 of 48

Full-Text Articles in Indigenous Studies

Tuktuit: Caribou, William L. Blizek, Monica Blizek Feb 2026

Tuktuit: Caribou, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a review of the short film, Tuktuit: Caribou (2026), directed by Lindsay Aksarniq McIntyre.


Taga, William L. Blizek, Monica Blizek Feb 2026

Taga, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a review of the short film, Taga (2026), directed by Jill Marie Sachs.


Aanikoobijigan [Ancestor/Great-Grandparent/Great-Grandchild], Sheila Nayar Feb 2026

Aanikoobijigan [Ancestor/Great-Grandparent/Great-Grandchild], Sheila Nayar

Journal of Religion & Film

This is a film review of Aanikoobijigan [ancestor/great-grandparent/great-grandchild] (2026), directed by Adam Khalil and Zack Khalil.


Blood Lines, Sherry Coman Oct 2025

Blood Lines, Sherry Coman

Journal of Religion & Film

This is a film review of Blood Lines (2025), directed by Gail Maurice.


Last Days, Sheila Nayar Feb 2025

Last Days, Sheila Nayar

Journal of Religion & Film

This is a film review of Last Days (2024) directed by Justin Lin.


Endless Cookie, Sheila Nayar Feb 2025

Endless Cookie, Sheila Nayar

Journal of Religion & Film

This is a film review of Endless Cookie (2025), directed by Seth Scriver and Peter Scriver.


My Father's Daughter, Sherry Coman Oct 2024

My Father's Daughter, Sherry Coman

Journal of Religion & Film

This is a film review of My Father's Daughter (2024), directed by Egil Pedersen.


Marungka Tjlatjunu (Dipped In Black), William L. Blizek, Monica Blizek Jan 2024

Marungka Tjlatjunu (Dipped In Black), William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a film review of Marungka Tjlatjunu (Dipped in Black) (2023), directed by Matthew Thorne and Derik Lynch.


Winding Path, Monica Blizek Jan 2024

Winding Path, Monica Blizek

Journal of Religion & Film

This is a film review of Winding Path (dêtetsi vo’i oninjakan) (2023), directed by Alexandra Lazarowich and Ross Kauffman.


Ekbeh, Monica Blizek Jan 2024

Ekbeh, Monica Blizek

Journal of Religion & Film

This is a film review of Ekbeh (2023), directed by Mariah Hernadez-Fitch.


The Moogai, Dereck Daschke Jan 2024

The Moogai, Dereck Daschke

Journal of Religion & Film

This is a film review of The Moogai (2024), directed by John Bell.


Demon Mineral, Brady Desanti Jan 2024

Demon Mineral, Brady Desanti

Journal of Religion & Film

This is a film review of Demon Mineral (2024), directed by Hadley Austin.


The New Boy, Sherry Coman Oct 2023

The New Boy, Sherry Coman

Journal of Religion & Film

This is a film review of The New Boy (2023), directed by Warwick Thornton.


Hey, Viktor!, Ken Derry Oct 2023

Hey, Viktor!, Ken Derry

Journal of Religion & Film

This is a film view of Hey, Viktor! (2023) directed by Cody Lightning.


Limbo, Ken Derry Oct 2023

Limbo, Ken Derry

Journal of Religion & Film

This is a film review of Limbo (2023), directed by Ivan Sen.


The Convert, J. Barton Scott Oct 2023

The Convert, J. Barton Scott

Journal of Religion & Film

This is a film review of The Convert (2023), directed by Lee Tamahori.


Mami Wata, John C. Lyden Jan 2023

Mami Wata, John C. Lyden

Journal of Religion & Film

This is a film review of Mami Wata (2023), directed by C.J. "Fiery" Obasi.


Sorcery, John C. Lyden Jan 2023

Sorcery, John C. Lyden

Journal of Religion & Film

This is a film review of Sorcery (2023), directed by Christopher Murray.


Stellar, Ken Derry Nov 2022

Stellar, Ken Derry

Journal of Religion & Film

This is a film review of Stellar (2022), directed by Darlene Naponse.


The Territory, John C. Lyden Apr 2022

The Territory, John C. Lyden

Journal of Religion & Film

This is a film review of The Territory (2022), directed by Alex Pritz.


Long Line Of Ladies, William L. Blizek Apr 2022

Long Line Of Ladies, William L. Blizek

Journal of Religion & Film

This is a film review of Long Line of Ladies (2022), directed by Rayka Zehtabchi and Shaandiin Tome.


What They've Been Taught, William L. Blizek Apr 2022

What They've Been Taught, William L. Blizek

Journal of Religion & Film

This is a film review of What They've Been Taught (2022), directed by Brit Hensel.


Maidenhood, William L. Blizek Apr 2022

Maidenhood, William L. Blizek

Journal of Religion & Film

This is a film review of Maidenhood (2022) directed by Xóchitl Enríquez Mendoza.


Utama, Sheila J. Nayar Apr 2022

Utama, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Utama (2022), directed by Alejandro Loayza Grisi.


End Of The Line: The Women Of Standing Rock, Gary Saul Apr 2021

End Of The Line: The Women Of Standing Rock, Gary Saul

Journal of Religion & Film

This is a film review of End of the Line: The Women of Standing Rock (2021), directed by Shannon Kring.


This Is The Way We Rise, Michele M. Desmarais Jan 2021

This Is The Way We Rise, Michele M. Desmarais

Journal of Religion & Film

This is a review of the short film, This Is the Way We Rise (2019), directed by Ciara Lacy.


Now Is The Time, Jodi Mcdavid Feb 2020

Now Is The Time, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Now is the Time (2019) directed by Christopher Auchter.


Kuessipan, Sherry Coman Oct 2019

Kuessipan, Sherry Coman

Journal of Religion & Film

This is a film review of Kuessipan (2019), directed by Myriam Verreault.


Lapü, John C. Lyden Jan 2019

Lapü, John C. Lyden

Journal of Religion & Film

This is a film review of Lapü (2019), directed by Juan Pablo Polanco and César Alejandro Jaimes.


Myth And Monstrosity: Teaching Indigenous Films, Ken Derry Dec 2018

Myth And Monstrosity: Teaching Indigenous Films, Ken Derry

Journal of Religion & Film

The past few times that I have taught my course on religion and film I have included a number of Indigenous movies. The response from students has been entirely positive, in part because most of them have rarely encountered Indigenous cultural products of any kind, especially contemporary ones. Students also respond well to the way in which many of these films use notions of the monstrous to explore, and explode, colonial myths. Goldstone, for example, by Kamilaroi filmmaker Ivan Sen, draws on noir tropes to peel back the smiling masks of the people responsible for the mining town’s success, …