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Articles 1 - 30 of 48
Full-Text Articles in Indigenous Studies
Tuktuit: Caribou, William L. Blizek, Monica Blizek
Tuktuit: Caribou, William L. Blizek, Monica Blizek
Journal of Religion & Film
This is a review of the short film, Tuktuit: Caribou (2026), directed by Lindsay Aksarniq McIntyre.
Taga, William L. Blizek, Monica Blizek
Taga, William L. Blizek, Monica Blizek
Journal of Religion & Film
This is a review of the short film, Taga (2026), directed by Jill Marie Sachs.
Aanikoobijigan [Ancestor/Great-Grandparent/Great-Grandchild], Sheila Nayar
Aanikoobijigan [Ancestor/Great-Grandparent/Great-Grandchild], Sheila Nayar
Journal of Religion & Film
This is a film review of Aanikoobijigan [ancestor/great-grandparent/great-grandchild] (2026), directed by Adam Khalil and Zack Khalil.
Blood Lines, Sherry Coman
Blood Lines, Sherry Coman
Journal of Religion & Film
This is a film review of Blood Lines (2025), directed by Gail Maurice.
Last Days, Sheila Nayar
Last Days, Sheila Nayar
Journal of Religion & Film
This is a film review of Last Days (2024) directed by Justin Lin.
Endless Cookie, Sheila Nayar
Endless Cookie, Sheila Nayar
Journal of Religion & Film
This is a film review of Endless Cookie (2025), directed by Seth Scriver and Peter Scriver.
My Father's Daughter, Sherry Coman
My Father's Daughter, Sherry Coman
Journal of Religion & Film
This is a film review of My Father's Daughter (2024), directed by Egil Pedersen.
Marungka Tjlatjunu (Dipped In Black), William L. Blizek, Monica Blizek
Marungka Tjlatjunu (Dipped In Black), William L. Blizek, Monica Blizek
Journal of Religion & Film
This is a film review of Marungka Tjlatjunu (Dipped in Black) (2023), directed by Matthew Thorne and Derik Lynch.
Winding Path, Monica Blizek
Winding Path, Monica Blizek
Journal of Religion & Film
This is a film review of Winding Path (dêtetsi vo’i oninjakan) (2023), directed by Alexandra Lazarowich and Ross Kauffman.
Ekbeh, Monica Blizek
Ekbeh, Monica Blizek
Journal of Religion & Film
This is a film review of Ekbeh (2023), directed by Mariah Hernadez-Fitch.
The Moogai, Dereck Daschke
The Moogai, Dereck Daschke
Journal of Religion & Film
This is a film review of The Moogai (2024), directed by John Bell.
Demon Mineral, Brady Desanti
Demon Mineral, Brady Desanti
Journal of Religion & Film
This is a film review of Demon Mineral (2024), directed by Hadley Austin.
The New Boy, Sherry Coman
The New Boy, Sherry Coman
Journal of Religion & Film
This is a film review of The New Boy (2023), directed by Warwick Thornton.
Hey, Viktor!, Ken Derry
Hey, Viktor!, Ken Derry
Journal of Religion & Film
This is a film view of Hey, Viktor! (2023) directed by Cody Lightning.
Limbo, Ken Derry
Limbo, Ken Derry
Journal of Religion & Film
This is a film review of Limbo (2023), directed by Ivan Sen.
The Convert, J. Barton Scott
The Convert, J. Barton Scott
Journal of Religion & Film
This is a film review of The Convert (2023), directed by Lee Tamahori.
Mami Wata, John C. Lyden
Mami Wata, John C. Lyden
Journal of Religion & Film
This is a film review of Mami Wata (2023), directed by C.J. "Fiery" Obasi.
Sorcery, John C. Lyden
Sorcery, John C. Lyden
Journal of Religion & Film
This is a film review of Sorcery (2023), directed by Christopher Murray.
Stellar, Ken Derry
Stellar, Ken Derry
Journal of Religion & Film
This is a film review of Stellar (2022), directed by Darlene Naponse.
The Territory, John C. Lyden
The Territory, John C. Lyden
Journal of Religion & Film
This is a film review of The Territory (2022), directed by Alex Pritz.
Long Line Of Ladies, William L. Blizek
Long Line Of Ladies, William L. Blizek
Journal of Religion & Film
This is a film review of Long Line of Ladies (2022), directed by Rayka Zehtabchi and Shaandiin Tome.
What They've Been Taught, William L. Blizek
What They've Been Taught, William L. Blizek
Journal of Religion & Film
This is a film review of What They've Been Taught (2022), directed by Brit Hensel.
Maidenhood, William L. Blizek
Maidenhood, William L. Blizek
Journal of Religion & Film
This is a film review of Maidenhood (2022) directed by Xóchitl Enríquez Mendoza.
Utama, Sheila J. Nayar
Utama, Sheila J. Nayar
Journal of Religion & Film
This is a film review of Utama (2022), directed by Alejandro Loayza Grisi.
End Of The Line: The Women Of Standing Rock, Gary Saul
End Of The Line: The Women Of Standing Rock, Gary Saul
Journal of Religion & Film
This is a film review of End of the Line: The Women of Standing Rock (2021), directed by Shannon Kring.
This Is The Way We Rise, Michele M. Desmarais
This Is The Way We Rise, Michele M. Desmarais
Journal of Religion & Film
This is a review of the short film, This Is the Way We Rise (2019), directed by Ciara Lacy.
Now Is The Time, Jodi Mcdavid
Now Is The Time, Jodi Mcdavid
Journal of Religion & Film
This is a film review of Now is the Time (2019) directed by Christopher Auchter.
Kuessipan, Sherry Coman
Kuessipan, Sherry Coman
Journal of Religion & Film
This is a film review of Kuessipan (2019), directed by Myriam Verreault.
Lapü, John C. Lyden
Lapü, John C. Lyden
Journal of Religion & Film
This is a film review of Lapü (2019), directed by Juan Pablo Polanco and César Alejandro Jaimes.
Myth And Monstrosity: Teaching Indigenous Films, Ken Derry
Myth And Monstrosity: Teaching Indigenous Films, Ken Derry
Journal of Religion & Film
The past few times that I have taught my course on religion and film I have included a number of Indigenous movies. The response from students has been entirely positive, in part because most of them have rarely encountered Indigenous cultural products of any kind, especially contemporary ones. Students also respond well to the way in which many of these films use notions of the monstrous to explore, and explode, colonial myths. Goldstone, for example, by Kamilaroi filmmaker Ivan Sen, draws on noir tropes to peel back the smiling masks of the people responsible for the mining town’s success, …