Indigenous Studies Commons^™

The Night Woman, Sia Figiel

Pacific Studies

This evocative poem honors the resilience, knowledge, and sacred power of the “Night Woman”—a symbolic figure who endures judgment and violence from the dominant “Day People.” Though wounded, she hides her pain behind silence and laughter, carrying ancient wisdom of the natural and cosmic world. In a transformative act at the ocean’s edge, she sheds societal expectations (“Day Skin”) to embrace her true self, birthing new generations whose identities are written in the stars. It’s a lyrical celebration of hidden strength, ancestral legacy, and feminine sovereignty.

Diagnosis, Caroline Sinavaiana

Pacific Studies

This poem captures a moment of tense uncertainty, likely surrounding a medical diagnosis revealed by ultrasound. The natural imagery—sea of shadows, swaying grass, warring rain and wind—mirrors the speaker’s emotional turbulence. Faced with a 50/50 prognosis, they turn inward, preparing for struggle or protection by invoking ancestral strength, symbolized by “ancient arrows” and a tightened bowstring. It’s a poetic meditation on fear, resilience, and readiness in the face of potential loss.

Butterfly Thighs Flutter By The Bye, Rosanna Raymond

Pacific Studies

An artwork displaying a woman in sepia tones in front of a background of text.

Waimanalo Litany, Caroline Sinavaiana

Pacific Studies

This elegiac poem, “Waimanalo Litany,” written in memory of Mahealani Dudoit, is a lyrical meditation on loss, healing, and the sacred presence of place. With vivid imagery of ocean, land, and ancestral spirits, the poet weaves a prayerful plea for mercy and peace across beloved Pacific landscapes. The repeated invocations to the spirits of moana, Koʻolau, Makapuʻu, and Waimānalo evoke a sense of cultural rootedness and spiritual continuity, even amid physical pain and environmental disruption. It is both a personal tribute and a collective chant of remembrance.

My Pigeon, From The Samoan, Caroline Sinavaiana

Pacific Studies

This poem is a lyrical elegy expressing love, longing, and loss through the metaphor of a pigeon in flight. Rooted in Samoan tradition, it evokes a deep emotional landscape where nature mirrors the ache of separation. The forest becomes both a literal and symbolic space of mystery and mourning, as the speaker watches and waits in vain for a beloved who has disappeared. Through its gentle cadence and sensory imagery, the poem captures the enduring ache of absence and the hope—however faint—that love might return on silent wings.

Dialoguing Across The Pacific: Kūkā Kūkā And The Cultivation Of Wahine Maoli Identities, Noelani Goodyear-Ka'opua, Lana Sue Ka‘O ̄Pua

Pacific Studies

Hilihewa ka mana‘o ke‘ole ke kūkākūkā. As thoughts can become miswoven when there is no discussion, so it is with our identities as Wahine Maoli, Native Hawaiian women, and the ensuing choices we make about how to live in this world. Other recent collaborative articles by Kānaka Maoli have used kūkākūkā to refer to face-to-face “talk-story” sessions. This kūkākūkā is different, as one of us is living in Hawai‘i and the other in California. We used e-mail and telephone conversations to enable kūkākūkā spanning distances of time and space. As we communicate across generations and across our ocean home, we …

Not Exotic, Lisa Kahaleole Hall

Pacific Studies

This sensual poem explores desire and self-discovery through the metaphor of mangoes—ripe, tart, messy, and irresistible. The speaker recalls the intense flavors and sensations of mango eating, paralleling them with a complex, bold woman who resists sweetness in favor of spice. It captures the tension between sharp edges and tender longing in a relationship that ripens slowly, but promises depth and heat in time.

Maori Women Researching Ourselves, Ngahuia Te Awekotuku

Pacific Studies

This essay, based on a keynote address titled "Maori Women and Research: Researching Ourselves," explores the significance of Maori women conducting research on their own identities, experiences, and communities. Challenging the dominance of non-Maori scholarship, the author advocates for self-representation and sovereignty in knowledge production. Drawing from intergenerational dialogue, collective reflection, and lived realities, the essay unpacks questions of gender, cultural protocol, positionality, and access within Maori society. It highlights the layered complexities faced by Maori women researchers—navigating traditional expectations, community dynamics, and academic gatekeeping—while affirming the transformative power of research as a tool for empowerment, reclamation, and cultural continuity.

Walking With My Grandmothers #2, Jewel Castro

Pacific Studies

Artwork portrays three women, two are grandmothers.

Prologue: Special Issue Women Writing Oceania–Weaving The Sails Of Vaka, Caroline Sinavaiana, J. Kehaulani Kauanui

Pacific Studies

This editorial introduction to Women Writing Oceania reflects on the physical, emotional, and spiritual toll of neocolonial legacies in the Pacific, especially among indigenous women. Editors, writing as activist-scholars, discuss the urgency of storytelling as survival, anchoring their reflections in personal experiences with illness, loss, and the weight of cultural and academic responsibilities. Framed by the broader health and social crises facing Oceanic communities, the collection is both testimony and tribute—dedicated to resilience, community, and the healing power of collective indigenous voice.

Piharamata Tumahai Smoking Her Taho, Marie-Hélène Villierme

Pacific Studies

Photograph of an elderly woman smoking.

Niudity (I-Iv), Teresia Teaiwa

Pacific Studies

The "Niudity" poem sequence by Teresia Teaiwa explores the layered metaphor of the coconut (niu) to reflect on identity, vulnerability, and postcolonial femininity in Oceania. The poems interweave bodily imagery with cultural symbolism—where the coconut’s husk, shell, and flesh represent stages of exposure, resilience, and inner worth. In playful yet poignant verse, Teaiwa deconstructs the idea of nudity into niudity—a state shaped not just by nakedness, but by misrecognition, resistance, and cultural disguise. Her fictional dictionary entries parody colonial linguistic authority while empowering indigenous reinterpretation. The final poem subverts expectations with sharp commentary on exploitation, voice, and …

Tradition, Jewel Castro

Pacific Studies

A painting of a woman's chest, opened to reveal people, perhaps her heritage.

Woven Worlds, Konai Helu Thaman

Pacific Studies

This poem beautifully portrays the act of weaving—both literal and metaphorical—as a shared practice of memory, creativity, and cultural continuity. The speaker reflects on how hands, once weaving traditional materials like voivoi (pandanus), now craft art through movement and color. Together, the weavers form a collective bond, connecting generations and geographies in a creative act that honors ancestral legacy and reimagines the world through shared expression.

Communicating Tradition In Samoan American Art: An Artist’S Reflection, Jewel Castro

Pacific Studies

This reflective essay explores the profound influence of Samoan tradition—particularly the sasa dance—on the author's identity and artistic practice. Through vivid childhood memories of her great-aunties' powerful and spiritually charged performances, the writer illustrates how traditional movement becomes a portal to ancestral connection and cultural affirmation. As a Samoan American artist, she uses these embodied experiences as inspiration for her installation-based storytelling environments, blending painting, sculpture, sound, scent, and space to express tradition as a living, multisensory force. Grounded in both memory and innovation, the essay positions tradition as a universal, transformative language that transcends cultural barriers and invites shared …

2nd Stanza, "Samoa," From Meet You In Hawaiki, Rosanna Raymond

Pacific Studies

An image of a woman with a poem.

Walking With My Grandmothers #3, Jewel Castro

Pacific Studies

An artwork portraying a woman flanked by two women, her grandmothers.

Vol. 30, No. 1/2 (2007): Pacific Studies Full Issue; Special Issue: Women Writing Oceania: Weaving The Sails Of Vaka, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Native American Heritage, South Dakota State University

Ethnic History

Bibliography and photographs of a display of government documents from South Dakota State University.

Native Americans, Southwest State University

Ethnic History

Bibliography and photographs of a display of government documents from Southwest State University, Marshall.

Indian Gaming And Tribal Sovereignty: Vulnerable, Provisional, Contested, Sandra Faiman-Silva

Anthropology Faculty Publications

No abstract provided.

American Indian Heritage Month, Minnesota State University, Mankato

Ethnic History

Photographs of a display of government documents from Minnesota State University, Mankato.

Meet Our Native Americans, Poplar Creek Public Library

Ethnic History

Bibliography and photographs of a display of government documents from Poplar Creek Public Library, Illinois.

Photograph Of The Extraction Crew, Steve Shaffer

Indian Head Rock Project

Photograph of the Indian Head Rock extraction crew on the day of the Rock's removal.

Working With Navajos: A Case Study Of A Diversity Training Programme, Bruce Carolan

Other resources

This paper critically analyzes – in a qualitative, exploratory way – a diversity training programme designed by Mr. Marshall Plummer, the former Vice President of the Navajo Nation, called ‘Working with Navajos.’ My research query is whether the training programme is consistent with theoretical models for developing intercultural sensitivity, particularly M.J. Bennett’s Developmental Model of Intercultural Sensitivity. (Bennett, 1993; Bennett & Bennett, 2004) My research has included a document review and semi-structured, in-depth interviews with key informants, including Mr. Plummer.

Marketplace Plants Used In Ceremonial Cleansing Among Andean Qechuans Of Ecuador, Sushma Shrestha

Theses, Dissertations and Capstones

Ceremonial cleansing plays a vital role in indigenous societies where ‘folk illnesses’ such as susto (fright) are common. Indigenous Andean Qechuans commonly use cleansing plants to treat susto, and related ‘folk illnesses’.The purpose of this study was to characterize and compare market plants and to define methods and knowledge used in ceremonial cleansing among Ecuadorian Qechuans. Interviews were conducted with 22 vendors at 13 marketplaces. Regression Analysis (RA) determined preferentially selected plant families and residual value of RA determined the highest and lowest preferentially selected plant families.Hierarchical cluster analysis and coefficient of similarity demonstrated the relationship between marketplaces and cleansing …

Colonial Constructs And Legally Sanctioned Sexually Violent Consequences In R V. Edmondson, Nicholas Bonokoski

Reconstruction: Studies in Contemporary Culture

What kind of a system or process would portray a twelve-year-old girl from the Yellow Quill First Nation as a sexual threat to three twenty-something white men, who promising her a ride home, picked her up and got her drunk? The answer: The Canadian legal system. In R v Edmondson a twelve-year old Aboriginal girl, who was sexually assaulted by Dean Edmondson, Jeffrey Brown, and Jeffrey Kindrat from Tisdale Saskatchewan, was portrayed by the judge as a "sexual aggressor". This paper focuses on the trial of Dean Edmondson in which, according to Judge Kovatch, the girls "sexual aggression" led to …

Draft Effects Report: Potential Transfer Of Garrison Project Lands Within The Fort Berthold Reservation Boundaries, Pursuant To The Fort Berthold Mineral Restoration Act, Us Army Corps Of Engineers, Omaha District, Nebraska

US Government Documents Related to Indigenous Nations

This report, dated May 2006, from the United States (US) Army Corps of Engineers (Omaha District, Nebraska) explains the potential transfer of unused lands from the Garrison Dam Project back to the Three Affiliated Tribes of Fort Berthold Reservation. The land transfer proposed to return a portion of land out of the 153,000 acres taken by the US Government for the construction of the Garrison Dam. The authority of this transfer is granted by the Fort Berthold Mineral Restoration Act of 1984 (Public Law 98-602). This report is broken into four sections: Introduction, Background, Proposed Determination, Public Comment and Response. …

Race, Nation, And Religion In The Americas, Edited By Henry Goldschmidt And Elizabeth Mcalister, R. Bryan Bademan

History Faculty Publications

Book review by R. Bryan Bademan.

Goldschmidt, Henry and Elizabeth McAlister, eds. Race, Nation, and Religion in the Americas. Oxford: Oxford University Press, 2004.

ISBN 978-0195149197

Book Review: Viet Cong At Wounded Knee: The Trail Of A Blackfeet Activist, Tom Holm

Great Plains Quarterly (through 2013)

Woody Kipp's life story is a reflection of a new generation of Native writers and activists. His autobiography has nothing to do with trying to save the white world from itself or to explain Indians to a curious and perhaps even sympathetic white audience. The white world literally and figuratively took aim at Woody Kipp (and a number of other American Indian Vietnam veterans) for daring to oppose the injustices he saw in Indian life. He became, as the title of his book indicates, the then-current enemy of the American state. He was, ironically, a domestic version of the Viet …