Indigenous Studies Commons^™

Drawing Survivance, Embodying Survivance: The Work Of Contemporary Ledger Artists Dwayne Wilcox And Monte Yellow Bird Sr., Keira B. Koch

Student Publications

This paper examines the work of two contemporary Indigenous Artists, Dwayne Wilcox and Monte Yellow Bird Sr. using Gerald Vizenor's theory of suriviance. I first discuss survivance, drawing on the ways both Vizenor and other scholars have used survivance in their academic works. I then move on to situating ledger art in its historical context, analyzing the ways ledger art has been historically examined and written about. The last two sections of this paper are dedicated to highlighting the ways in which two contemporary Indigenous artists, Dwayne Wilcox and Monte Yellow Bird Sr., have embodied Vizenor’s theory of survivance in …

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

Defining Authentic: The Relationship Between Native Art And Federal Indian Policy, 1879-1961, Aurora Kenworthy

Honors Program: Senior Projects (Public)

Between 1879 and 1961, non-Native perceptions of what constituted authentic Native art shifted. These changing perceptions were influenced by, and then in turn influenced, federal policy and legislation. While non-Native individuals and groups worked to improve conditions for Native communities and to protect “authentic” Native art forms, Native reformers also attempted to enact change to help Native communities and Native artists exercised control over their own art and identity.

Chaco Canyon, New Mexico: A Caretaker City And A Pilgrimage Destination, Larry Benson, Deanna N. Grimstead, John R. Stein, David A. Roth, Terry I. Plowman

United States Geological Survey: Staff Publications

Some Southwestern archaeologists continue to ascribe to the hypothesis that Chaco was agriculturally productive to the point that it could support at least a few thousand full-time residents. This paper suggests an alternative hypothesis; i.e., Chaco was marginally productive and could only support a few hundred permanent residents. Isotopic analysis of mammal teeth found in trenches cut through platform mounds fronting Pueblo Bonito indicate the possibility that much of the meat consumed by Chacoan residents and visitors came from higher elevation sites bordering the San Juan Basin. We suggest that resident population estimates based on great house room numbers and …

Laughing Out Loud: American Indian Comedy As A Force For Social Change, Jacob M. Ward

College of Graduate Studies: Theses & Dissertations

Activism entails not only individuals overtly campaigning for changes in public spheres, but in other ways and strategies as well. One of these other avenues is the use of political satire and humor. Comedy publicizes frustrations of American issues, just as sit-ins, walk-outs, or marches do. For the most part, scholars fail to address the importance of humor. This work researches not only the comedic works of Charlie Hill, the 1491s, and other American Indian comedians, but also how their craft possibly alters stances and opinions. These comedians have a voice, and, therefore, deserve examination. This work shows the influence …

The Bioarchaeology Of The Tugalo Site (9st1): Diet, Disease, And Health Of The Past, Nompumelelo Beryl Hlophe

College of Graduate Studies: Theses & Dissertations

The Tugalo site is a prehistoric and early historic Native American site located in northeast Georgia along the upper Savannah River basin, near the junction of Toccoa Creek and the Tugalo River. According to archaeological materials analyzed from the site it was occupied from ca. A.D. 1100 to 1600 (Anderson et al. 1995). Although archaeological investigations of the site revealed basic characteristics of its chronology and architecture, very little analysis and reporting of the skeletal remains from Tugalo has been completed. By analyzing data collected by Williamson (1998) concerning the age and sex of the burials, the presence or absence …

Lords From The Desert, Caroline Mercado

Capstones

Lords from the Desert

This work explores a reality that is little talked about: how the most prestigious pre-Columbian art exhibits in the United States hide a murky origin. From looting of temples to illicit art trafficking, to smuggling and collectors’ affairs, the pieces gain value in proportion to the social prestige of their owner. Along the way, the most important is lost: research that provides context and allows us to know history. The First World wins a seductive, but simplistic story. The Third World, from which all these cultures emerge, loses patrimony and possibilities of understanding themselves. A pair …

North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb

Electronic Theses and Dissertations

This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.

Modern Arts And Pueblo Traditions In Santa Fe, 1909–1931, Elizabeth S. Hawley

Dissertations, Theses, and Capstone Projects

This dissertation examines art produced in and around Santa Fe, New Mexico during the early twentieth century, putting the works of Pueblo artists who lived in the area into dialogue with the works of Anglo-American modernists who traveled there. I take as case studies three artists whose practices are linked by both circumstance and agenda: Maria Martinez, a famed Pueblo potter; John Sloan, a leading member of The Eight and the Ashcan School; and Tonita Peña, a Pueblo watercolor painter. Weaving together Anglo-American and American Indian art history – which are too often bifurcated into separate accounts, omitting rich histories …

The Larger Conversation: Contemplation And Place By Tim Lilburn, Emory Shaw

The Goose

Review of Tim Lilburn's The Larger Conversation: Contemplation and Place.

Modeling Sound In Ancient Maya Cities: Moving Towards A Synesthetic Experience Using Gis And 3d Simulation, Graham Goodwin

Department of Anthropology: Theses and Student Research

Digital technologies enable modeling of the potential role of sound in past environments. While digital approaches have limitations in objectively rendering reality, they provide an expanded platform that potentially increases our understanding of experience in the past and enhances the investigation of ancient landscapes. Digital technologies enable new experiences in ways that are multi-sensual and move us closer toward reconstructing holistic views of past landscapes. Archaeologists have successfully employed 2D and 3D tools to measure vision and movement within cityscapes. However, built environments are often designed to invoke synesthetic experiences that also include sound and other senses. Geographic Information Systems …

Heroes Of Indian Head Rock, Rick Duncan

Indian Head Rock Project

A series of posters created by Rick Duncan to commemorate the Heroes of Indian Head Rock in July of 2018.

Treehouses: Civilizing The Wildness Of Men And Nature, Courtney Mckinney

English Undergraduate Distinction Projects

In this paper, I explore how treehouses operate symbolically in tandem with culture. Through an analysis of British and American print culture, I argue that the treehouse building project became bound to boyhood at the turn of the twentieth century as the naturalist movement spread and youth organizations embraced treehouses as part of their vision for the development of boys. Parents and youth leaders intend for treehouse projects to build self-reliance, independence, imagination, and courage in their boys. Congruously, this activity associated with a child’s personal growth takes place in an actual growing organism. I analyze how treehouses juxtapose humans …

Radical Social Ecology As Deep Pragmatism: A Call To The Abolition Of Systemic Dissonance And The Minimization Of Entropic Chaos, Arielle Brender

Student Theses 2015-Present

This paper aims to shed light on the dissonance caused by the superimposition of Dominant Human Systems on Natural Systems. I highlight the synthetic nature of Dominant Human Systems as egoic and linguistic phenomenon manufactured by a mere portion of the human population, which renders them inherently oppressive unto peoples and landscapes whose wisdom were barred from the design process. In pursuing a radical pragmatic approach to mending the simultaneous oppression and destruction of the human being and the earth, I highlight the necessity of minimizing entropic chaos caused by excess energy expenditure, an essential feature of systems that aim …

Understanding Complex Late And Terminal Woodland Sites In The Red Wing, Minnesota, Area, Jaclyn Ann Skinner

All Graduate Theses, Dissertations, and Other Capstone Projects

The Late Woodland and Terminal Woodland traditions encompass a number of Native American cultural groups living in the Upper Midwest United States, dating between A.D. 400/500 and 1100/1200. Although archeological work has been done on many Woodland and Terminal Woodland sites in Illinois, Iowa, Michigan, Wisconsin, comparatively little has been done in Minnesota, and only a small amount has been done in southeastern Minnesota. As a result, Late Woodland and Terminal Woodland pottery complexes in the Red Wing, Minnesota area are still poorly understood.

Pottery types are the single most important artifact class used to identify population segments and trace …

Representing Wilderness In The Shaping Of America's National Parks: Aesthetics, Boundaries, And Cultures In The Works Of James Fenimore Cooper, John Muir, And Their Artistic Contemporaries, Alana Jajko

Master’s Theses

This project studies the works of James Fenimore Cooper, John Muir, and their artistic contemporaries in relation to the shaping of America’s national parks and what it means for the parks and their attending wilderness to be symbolic of the nation. It seeks to reveal the national parks as artistic representations of a constructed wilderness, while also emphasizing the physical experience of the natural world as a means of supplementing our subjective views. Through the lenses of aesthetics, boundaries, and cultures, I narrow my study to focus on three distinct perspectives by which we can understand the national parks and …

Precolumbian Textile Conference Vii / Jornadas De Textiles Precolombinos Vii, Lena Bjerregaard, Ann H. Peters

Zea E-Books Collection

Contents:

Introduction — Lena Bjerregaard and Ann Peters

Mexico

1. Mesoamerican Archaeological Textiles: An Overview of Materials, Techniques, and Contexts — Laura Filloy Nadal

2. Urdimbres enlazadas de Mesoamérica. Textil de la Cueva del Gallo, Morelos, México — Patricia Ochoa Castillo & Rosa Lorena Román Torres •

3. Los textiles procedentes del actual estado de Guerrero, México: una revisión a su estudio desde la perspectiva arqueológica y etnohistórica — Elizabeth Jiménez García

4. Classic Textiles from Cueva del Lazo (Chiapas, Mexico). Archaeological context and conservation issues — Davide Domenici & Gloria Martha Sánchez Valenzuela

5. Textiles y otros materiales arqueológicos …

Classic Textiles From Cueva Del Lazo (Chiapas, Mexico): Archaeological Context And Conservation Issues, Davide Domenici, Gloria Martha Sánchez Valenzuela

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

The excavation of Cueva del Lazo, a cave on the cliffs of the Río La Venta River canyon in the Zoque region of Western Chiapas (Mexico), led to the discovery of a complex Late Classic post-sacrificial context where eleven children were buried wrapped in textile bundles. The environmental conditions of the dry cave allowed an extraordinary preservation of perishable materials including textiles, cordages, botanical remains, etc. In the first part of the paper we provide a brief introduction to the archaeology of the Selva El Ocote, as well as a description and interpretation of the Cueva del Lazo archaeological context. …

Urdimbres Enlazadas De Mesoamérica. Textil De La Cueva Del Gallo, Morelos, México, Patricia Ochoa Castillo, Rosa Lorena Román Torres

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

Los ejemplos de textiles arqueológicos que se encuentran en la República mexicana son muy escasos debido entre otras cosas al suelo húmedo. Los hallazgos de textiles arqueológicos son considerados casi milagros de la arqueología y de la conservación, tal es el caso de la colección de textiles de la Cueva del Gallo, en Ticumán Morelos, México. El objeto de este trabajo es la contextualización y análisis textil de un lienzo completo encontrado en esta cueva en 1991 elaborado con urdimbres enlazadas, teñido con azul índigo o añil y grana cochinilla, que dio inicio al Proyecto Arqueológico de Ticumán (PAT) en …

Mesoamerican Archaeological Textiles: An Overview Of Materials, Techniques, And Contexts, Laura Filloy Nadal

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

In Mesoamerica, unlike the Andean area, there are few instances when climatic conditions allow the preservation of the organic raw materials constituting ancient fabrics. Examples of such textiles conserved in Mexican museums are quite limited, thus even the tiniest fragments recovered in archaeological contexts greatly augment our understanding of ancient weaving technologies and their use in Mesoamerican societies. Most of the surviving fabrics come from dry caves in northern Mexico, but in recent days the exploration of relatively inaccessible rock shelters in southern Mexico has led to the recovery of additional textiles from early times that are associated with funerary …

Archaeological Textiles Of Sechín Bajo – A Formative Site Of The North Coast Of Peru: Preliminarily Results, Katalin Nagy

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

In spring 2014, I took part in an archaeological project carried out by a German-Peruvian team of archeologists in the Sechín Valley, next to the Valley of Casma, on the North Coast of Peru. The project started more than ten years ago and has been taking place parallel to some other important archaeological projects on the North Coast. Its aim was to unearth the temple mounds and to reconstruct the parts of the various phases. The earliest layers date back to the Pre-Ceramic Period. During the wall construction of the temple, many textile fabrics such as nets and ropes were …

Andean Textile Traditions: Material Knowledge And Culture, Part 1, Elena Phipps

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

The development of rich and complex Andean textile traditions spanned millennia, in concert with the development of cultures that utilized textiles as a primary form of expression and communication. Understanding the importance of textiles in the Andean world, we can examine elements of their genesis and look at the trajectory from the earliest developments of fiber- made items to the extraordinarily complex and specific processes of textile making, such as warp-wrapping and discontinuous warp and weft weaving. These processes are examined in the context of the relationship between textiles and the sacred, highlighting the significance and agency of cloth in …

Textiles Y Otros Materiales Arqueológicos Del Valle De Tehuacán, México, En Los Museos Reales De Arte E Historia (Mrah), Bruselas, Julia Montoya

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

En este trabajo se presenta una colección de materiales arqueológicos que provienen de dos cuevas no localizadas del Valle de Tehuacán, estado de Puebla, México. Los materiales datan del período posclásico (1250-1521) y pertenecen a las culturas mixteca y azteca. La colección se conserva en los Museos Reales de Arte e Historia, MRAH, de Bruselas, Bélgica. Incluye entre otros, objetos de madera con mosaico, cerámica, restos humanos, esteras, plantas, textiles de algodón, sandalias y ofrendas de papel amate, entre las cuales, tres fueron teñidas con la técnica de reserva conocida como plangi. Hasta la fecha la colección no ha sido …

Introduction Into The History Of The Textile Collection At The Ethnological Museum Berlin, Beatrix Hoffmann

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

When the Ethnological Museum at Berlin was founded, it counted already with several hundred pieces from South America. Only a minor part them belonged to pre-Columbian cultures from the Andes. While most of these pieces were ceramics almost no ancient fabrics could be found in the collection. This reflected the collector’s interests focusing on objects made of ceramic, stone or metal and on human remains. Consequently, the first pieces of fabric reached the museum at Berlin as parts of mummy cloths. This did not change until 1879, when the collection of Reiss and Stübel was acquired for the museum. It …

Analysis Of Paracas Fibre Material From The Gothenburg Collection, Anna Javér

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

Gothenburg City has in its collection, 2000-year-old textiles from the Paracas peninsula in Peru. After the exhibition ”A Stolen World” at the National Museums of World Culture in 2008, Peru asked for a repatriation of the collection. Following negotiations between the City of Gothenburg and the Ministry of Culture in Peru it was decided that the ownership of the textiles would be returned to Peru. In June 2014, the first four textiles were returned to the National Museum of Archaeology, Anthropology, and History (MNAAHP) in Lima as a start of the repatriation. This was also the beginning of a collaboration …

Headdress Forms In The Paracas Necrópolis Mortuary Tradition, Ann H. Peters

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

The importance of headdress is indicated by its careful arrangement on the head of the recently deceased, display on the apex of a mortuary bundle, and prominent depiction in contemporary artifacts. In woven, embroidered or painted imagery, headdress elements include featherwork, the body of a bird or mammal, draped cloth or intertwined bands, often depicted as serpents. Due to their position above the human body, the headdresses are the most consistently preserved textile artifacts in tombs of the Paracas Necropolis mortuary tradition. Some elements appear only with men, others are found with both men and women and certain headcloths are …

Lambayeque Textile Iconography And Its Continuity In Chimu And Inca Cultures, And Its Link To Modern Ecuadorian Pujilí Corpus Christi Celebrations, Yvonne Fleitman,, Alisa Baginski

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

This paper traces the continuity of the iconography and rituals expressed in the textiles of the Late Intermediate Period (900-1470 CE) of the North Coast of Peru. We suggest a new identification for the Principal Deity of the Lambayeque culture. We propose that this image and its attributes continued to be displayed in ceremonial costumes of the later Chimu culture; that the rituals continued into the Inca Period; through the Colonial evangelization of the Americas; and even into contemporary Corpus Christi processions in Ecuador.

Iconografía textil Lambayeque y su continuidad en las culturas Chimu y Inca, y su vinculación con …

La Imagen Divina Y El Simbolismo Religioso En Textiles Del Antiguo Perú, Uwe Carlson

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

Una gran parte de los antiguos textiles peruanos muestra imágenes divinas en muchas variaciones. Estos se complementan con el simbolismo religioso de la fertilidad, que se presenta en tres alternativas diferentes y muchas variaciones. Algunas culturas también utilizaron imágenes emblemáticas divinas. En la costa del ave marina tenía un estatus casi divino, que se expresa en muchos tejidos. Textiles de las culturas del norte y del sur se acogieron al contenido de las formas de Chavín, pero encontraron sus propias variaciones. Murales, relieves, joyas y otros objetos que contienen la misma información que los textiles. La sociedad del antiguo Perú …

The Arizona Openwork (Tonto) Shirt Project, Carol James

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

In 1923 a pair of hikers came across a series of objects in a cave near the Salt River in Arizona. Among the objects was an elaborate sprang shirt, later given to the Arizona State Museum where it remains to this date. The cotton yarn in the shirt was subjected to Carbon Dating and assigned a probable origin date of the 12th century. In order to better understand the shirt, a replica was made in early 2015. Diverse technical challenges included hand spinning an appropriate cotton yarn, mapping the pattern, accurately copying the irregularities, and creating the neckline. The project …

La Conservación De Dos Fardos Funerarios Provenientes De Contextos Arqueológicos: El Caso De La Cueva Del Lazo, Ocozocoautla, Chiapas Y La Cueva De La Candelaria, Torreón, Coahuila, México, Gloria Martha Sánchez Valenzuela

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

El presente artículo se enfoca en la conservación de dos fardos funerarios localizados en diferentes cuevas dentro de la República Mexicana que, a pesar de encontrarse en polos opuestos, se conservaron gracias a las condiciones de humedad y temperatura estables dentro de un contexto seco. Lamentablemente, en ambos casos, no existe un registro minucioso del contexto (mediciones de humedad, temperatura, análisis de sedimentos, entre otros), así como de las condiciones en las que estos se encontraban (elementos asociados –restos óseos, ornamentos, posición, etc) que permitan realizar una intervención lo más fehaciente posible. Estos ingresan a la CNCPC1 completamente colapsados, después …