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Latin American Languages and Societies

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Full-Text Articles in Ethnic Studies

Francisco Pedro Do Amaral (C. 1780-1830), Amy J. Buono Jun 2016

Francisco Pedro Do Amaral (C. 1780-1830), Amy J. Buono

Art Faculty Books and Book Chapters

A biographical essay on Francisco Pedro do Amaral (c. 1780–1830), Afro- Brazilian painter, stage designer, and decorative artist.


Choral Theatre, Albert Joseph Wolfe Jr. May 2016

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …


Latinos And Afro-Latino Legacy In The United States: History, Culture, And Issues Of Identity, Refugio I. Rochin Apr 2016

Latinos And Afro-Latino Legacy In The United States: History, Culture, And Issues Of Identity, Refugio I. Rochin

Professional Agricultural Workers Journal

Introduction

Since my first visit to the campus in 1992, I have looked forward to this event. Tuskegee University is a world famous campus with many firsts in science and higher education. And it gives me great pleasure to speak about Latinos and Afro-Latinos.

My presentation has three objectives: first, to address the historical origins, and challenges facing U.S. Latinos; second, to expand on the national interest in U.S. Latinos and the surfacing issues of our relations with African-Americans, and, third, to advocate coalition building and suggest ways of working together.

I wish to begin by citing a few caveats …


Furendei Wama Garifuna Aprendemos En Garifuna, Emmanuel Melgoza-Alfaro Oct 2015

Furendei Wama Garifuna Aprendemos En Garifuna, Emmanuel Melgoza-Alfaro

Independent Study Project (ISP) Collection

Entre el Pacífico y la Costa de Nicaragua hay una brecha cultural. En la Costa hay comunidades étnicas y una de ellas es la comunidad Garífuna. Esta comunidad ha estado trabajando en la revitalización de su lengua y su cultura. Durante mi primer viaje a Orinoco, escuché a la maestra de lengua Garífuna hablar de la importancia de la revitalización de la lengua garífunas en la cultura. Se han hecho muchos esfuerzos por medio del gobierno regional, la comunidad Garífuna y organizaciones internacionales para revitalizar esta lengua. Esta comunidad ha estado trabajando para revitalizar tanto la lengua como la cultura …


Performing Blackness In A Mulatto Society: Negotiating Racial Identity Through Music In The Dominican Republic, Angelina Maria Tallaj-García Feb 2015

Performing Blackness In A Mulatto Society: Negotiating Racial Identity Through Music In The Dominican Republic, Angelina Maria Tallaj-García

Dissertations, Theses, and Capstone Projects

My dissertation analyzes Dominican racial and ethnic identity through an examination of music and music cultures. Previous studies of Dominican identity have focused primarily on the racialized invention of the Dominican nation as white, or non-black, often centering on the building of Dominican identity in (sometimes violent) opposition to the Haitian nation and to Haitian racial identity. I argue that although Dominicans have not developed an explicit verbal discourse of black affirmation, blackness (albeit a contextually contingent articulation) is embedded in popular conceptions of dominicanidad ("Dominicanness") and is enacted through music. My dissertation explores ways in which popular notions of …


Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono Jan 2015

Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono

Art Faculty Articles and Research

"In this essay, I use three nontraditional forms from the visual culture of colonial Brazil—Tupinambá featherwork, Portuguese Atlantic mandinga pouches, and azulejos (tilework)— in order to meditate upon materiality and temporality as methodological problems with which our discipline should engage. Each of these art forms has historical trajectories that span cultures, continents, and centuries, a circumstance that raises questions as to how such diverse and stubbornly nonhistoricizable genres can be melded into a coherent historical narrative of the visual and material cultures specific to 'Brazil,' especially when two of them — the mandinga bags and azulejos — are not intrinsically …


Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono Dec 2014

Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono

Art Faculty Articles and Research

"In this article I look at two early modern texts that pertain to the natural history of Brazil and its usage for medicinal purposes. These texts present an informative contrast in terms of information density and organization, raising important methodological considerations about the ways that inventories and catalogues become sources for colonial scholarship in general and art history in particular."


Fearless: Emily Hauck, Emily G. Hauck Jan 2014

Fearless: Emily Hauck, Emily G. Hauck

SURGE

Beginning with an interest in Spanish language that led her to Argentina and Spain, Emily decided to use the language skills she acquired during her gap year after high school and time spent studying abroad to get herself connected to the Latino community in Adams County. Volunteering with different organizations and programs like the LIU #12 Migrant Education Programs, Casa de la Cultura, and El Centro, Emily started seeing the big picture—making connections between the immigration stories, people she was meeting, and the greater national dialogue on immigration issues. [excerpt]


El Esclavo Y El Letrado: Máscaras De La Auto-Representación En La Temprana Narrativa Antiesclavista Cubana, Maria A. Aguilar-Dornelles Apr 2013

El Esclavo Y El Letrado: Máscaras De La Auto-Representación En La Temprana Narrativa Antiesclavista Cubana, Maria A. Aguilar-Dornelles

Languages, Literatures and Cultures Faculty Scholarship

Los tres textos aquí discutidos, Autobiografía de un esclavo,Francisco y Sab,narran la experiencia de la esclavitud desde la perspectiva del esclavo.Sinembargo, laperspectiva del narrador de Autobiografía de un esclavopermite establecer una distancia ideológica con la imagen del esclavo creada por Suárez y Romero y Gómez de Avellaneda. A pesar de que Autobiografíafue editada y alterada para adecuarla a la norma lingüística de la ciudad letrada, es posible identificar estrategias de negociación y desafío a la autoridad de los intelectuales que intentaron controlar sus condiciones de emisión y difusión.A este respecto, elnarradorno enfatiza lavictimizacióndel esclavo, como síhacen Suárez y Romero y …


Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono Jan 2013

Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono

Art Faculty Articles and Research

A review of Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall.


Crafts Of Color: Tupi Tapirage In Early Colonial Brazil, Amy Buono Jan 2012

Crafts Of Color: Tupi Tapirage In Early Colonial Brazil, Amy Buono

Art Faculty Books and Book Chapters

"Tyrian purple. Lamp black. Lead white. Cadmium yellow. Ultramarine blue. The materiality of color, as it is often discussed, has a fixed quality. Pigments and dyes derived from many natural substances-minerals, earths, plants, and animals-have stable optic qualities. Lapis lazuli can be reliably counted upon to be blue. Dyes made from cochineal consistently fall within a certain range at the red end of the spectrum. Similarly, we might expect that the green feathers of a bird such as the Festive Parrot (Amazona festiva), after molting, would be replaced by equally green plumes. As the excerpt above suggests, from …


Access And Equity In Higher Education In Antigua And Barbuda, Elsie Hewlett-Thomas Apr 2009

Access And Equity In Higher Education In Antigua And Barbuda, Elsie Hewlett-Thomas

Seton Hall University Dissertations and Theses (ETDs)

Across the international higher education spectrum access represents a significant issue. The literature is replete with analyses of access in various higher education systems. Low and inequitable patterns of participation in higher education are particularly prominent in developing countries. This dissertation is a case study of the higher education system of the state of Antigua and Barbuda, former British territories of the Caribbean region, Focusing on the issue of access and equity of access this study addresses the trends related to participation in higher education in this twin-island state of the Caribbean region, and analyzes factors that affect participation in …


Tupi Featherwork And The Dynamics Of Intercultural Exchange In Early Modern Brazil, Amy J. Buono Jan 2009

Tupi Featherwork And The Dynamics Of Intercultural Exchange In Early Modern Brazil, Amy J. Buono

Art Faculty Books and Book Chapters

"The Tupi of sixteenth- and seventeenth century coastal Brazil were renowned as fiercely warlike and, more sensationally, as cannibals. They were also famed for their ritual featherwork capes made from scarlet ibis feathers, which were closely associated with both war and anthropophagic rituals (see figure). For the semi-nomadic Tupi, featherwork was highly valued, the capes being among the only things that they carefully preserved and carried with them as they moved from site to site."


Jean-Baptiste Debret’S Return Of The Negro Hunters, The Brazilian Roça, And The Interstices Of Empire, Amy J. Buono Oct 2007

Jean-Baptiste Debret’S Return Of The Negro Hunters, The Brazilian Roça, And The Interstices Of Empire, Amy J. Buono

Art Faculty Books and Book Chapters

"Despite the range of subjects that Debret illustrates, historians of Brazil have usually only reproduced his images of Afro-Brazilian slaves. This is understandable, given the political, social and economic interest in the topic and the fact that Debret is one of the few artists who portrayed the horrors of slavery in Brazil at so early date.3 The keen interest in slavery as an historical topic has also led some scholars to assume that all Afro-Brazilians depicted in Debret's volumes are slaves, when many individuals may in fact have been free.4 While acknowledging the importance of examining Debret's images …


Gunther Gerzso: Chronology; Bibliography; Exhibitions; Filmography; And Scenography, Amy J. Buono Jan 2003

Gunther Gerzso: Chronology; Bibliography; Exhibitions; Filmography; And Scenography, Amy J. Buono

Art Faculty Books and Book Chapters

Dr. Buono wrote the Chronology and Bibliography, Exhibitions, Filmography, and Scenography sections for the catalogue for the "Risking the Abstract: Mexican Modernism and the Art of Gunther Gerzso" exhibition at the Santa Barbara Museum of Art.


Toasts With The Inca: Book Review, Charlotte M. Gradie Jan 2003

Toasts With The Inca: Book Review, Charlotte M. Gradie

History Faculty Publications

Book review by Charlotte Gradie.

Cummins, Thomas B. F. Toasts With The Inca: Andean Abstraction And Colonial Images On Quero Vessels. Ann Arbor: University of Michigan Press, 2002.


Rereading The Conquest: Book Review, Charlotte M. Gradie Jan 2002

Rereading The Conquest: Book Review, Charlotte M. Gradie

History Faculty Publications

Book review by Charlotte Gradie.

Krippner-Martinez, James. Rereading the Conquest: Power, Politics and the History of Early Colonial Michoacan, Mexico, 1521-1565. University Park, PA: The Pennsylvania State University Press, 2001.

ISBN 0-271-02129-2