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Articles 31 - 47 of 47
Full-Text Articles in Chicana/o Studies
Introduction
First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience
Inside the introduction of "Pure Vida: Reflections from Costa Rica", readers will find an illustration by Leyna Tran, “Meet the Team” section and a detailed table of contents, guiding readers through this edition.
“Esta Es Mi Tierra/Esta Soy Yo”: Teaching Us Colonialism And Puerto Rican Resistance Through Bad Bunny, Vanessa Díaz, Petra R. Rivera‑Rideau
“Esta Es Mi Tierra/Esta Soy Yo”: Teaching Us Colonialism And Puerto Rican Resistance Through Bad Bunny, Vanessa Díaz, Petra R. Rivera‑Rideau
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
From Spanish To English To Spanish: How Shakira’S Vma Performance Showcases The New Moment In Latin Music “Crossover”, Petra Rivera-Rideau, Vanessa Díaz
From Spanish To English To Spanish: How Shakira’S Vma Performance Showcases The New Moment In Latin Music “Crossover”, Petra Rivera-Rideau, Vanessa Díaz
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Chicana/O Art Since The Sixties: From Errata To Remix, Karen Mary Davalos
Chicana/O Art Since The Sixties: From Errata To Remix, Karen Mary Davalos
Faculty Pub Night
No abstract provided.
Editors' Commentary: We Should Opt To Be Turtles And Sing To One Another: Protection, Community, Poetry, Eliza Rodriguez Y Gibson
Editors' Commentary: We Should Opt To Be Turtles And Sing To One Another: Protection, Community, Poetry, Eliza Rodriguez Y Gibson
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Revelation, Tanya Diaz
Revelation, Tanya Diaz
First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience
There can sometimes be a gap between first-gen students and parents who have not experienced the stress of higher education. Children may believe this stress to be a necessary sacrifice for their future wellness; however, they often cannot feel their parents' sacrifices, just as their parents cannot feel their child's mental strain. Diaz creates this poem in an effort to examine her relationship with her mother from an outsider's point of view, in the end realizing that although her parents cannot always understand her experiences, they care and will support her decisions.
Editor's Commentary: Our Bodies Of Work, Eliza Rodriguez Y Gibson
Editor's Commentary: Our Bodies Of Work, Eliza Rodriguez Y Gibson
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Work That Matters: Tending To Chicana/Latina Studies As Home., Eliza Rodriguez Y Gibson
Work That Matters: Tending To Chicana/Latina Studies As Home., Eliza Rodriguez Y Gibson
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Editors' Commentary: No Straight Lines Here: Cartographies Of Home, Eliza Rodriguez Y Gibson
Editors' Commentary: No Straight Lines Here: Cartographies Of Home, Eliza Rodriguez Y Gibson
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Editor's Commentary: Demanding Dialogue And Pushing The Conversation, Eliza Rodriguez Y Gibson
Editor's Commentary: Demanding Dialogue And Pushing The Conversation, Eliza Rodriguez Y Gibson
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Crossing Over: Assimilation, Utopia And The Bildungsroman On Stage And Screen In Real Women Have Curves, Eliza Rodriguez Y Gibson
Crossing Over: Assimilation, Utopia And The Bildungsroman On Stage And Screen In Real Women Have Curves, Eliza Rodriguez Y Gibson
Chicana/o and Latina/o Studies Faculty Works
Patricia Cardoso’s Real Women Have Curves (2002) opened to widespread critical acclaim and moderate commercial success, garnering two awards at the Sundance film festival for its starring actors América Ferrara and Lupe Ontiveros for their roles as Ana, the film’s protagonist and Carmen, her mother. Based on Josefina López’s play of the same name, the cinematic adaptation directed by Patricia Cardoso, and written by López in collaboration with producer George Lavoo, the film was the first theatrical release from HBO films. As it is one of the first Hollywood films with Latinas in prominent roles behind and in front of …
"Who Do You Love? Stories And Social Justice”: Review Of Their Dogs Came With Them., Eliza Rodriguez Y Gibson
"Who Do You Love? Stories And Social Justice”: Review Of Their Dogs Came With Them., Eliza Rodriguez Y Gibson
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Editor's Commentary, Alicia Partnoy, Karen Mary Davalos
Editor's Commentary, Alicia Partnoy, Karen Mary Davalos
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Editors' Commentary, Alicia Partnoy, Karen Mary Davalos
Editors' Commentary, Alicia Partnoy, Karen Mary Davalos
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Embracing Equity: Discussing Inequity, Deena J. González
Embracing Equity: Discussing Inequity, Deena J. González
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Editors’ Commentary, Alicia Partnoy, Karen Mary Davalos
Editors’ Commentary, Alicia Partnoy, Karen Mary Davalos
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.
Editors’ Commentary, Alicia Partnoy, Karen Mary Davalos
Editors’ Commentary, Alicia Partnoy, Karen Mary Davalos
Chicana/o and Latina/o Studies Faculty Works
No abstract provided.