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Articles 121 - 150 of 190

Full-Text Articles in African American Studies

Cover, Editors And Editorial Board, Sponsors, Table Of Contents Jan 2016

Cover, Editors And Editorial Board, Sponsors, Table Of Contents

Journal of Hip Hop Studies

No abstract provided.


Philosophy And Hip-Hop: Ruminations On Postmodern Cultural Form, Michael D. Royster Jan 2016

Philosophy And Hip-Hop: Ruminations On Postmodern Cultural Form, Michael D. Royster

Journal of Hip Hop Studies

Book review of Philosophy and Hip-Hop: Ruminations on Postmodern Cultural Form. By Julius Bailey (2014).


Religion And Hip Hop, Travis Harris Jan 2016

Religion And Hip Hop, Travis Harris

Journal of Hip Hop Studies

Book review of Religion and Hip Hop, by Monica Miller (2013).


Chocolate Star, Brandon White Jan 2016

Chocolate Star, Brandon White

Journal of Hip Hop Studies

Short story.


Foot Notes On Equality, Karl Carter Jan 2016

Foot Notes On Equality, Karl Carter

Journal of Hip Hop Studies

Poem.


Boardwalk Empire, Truth Thomas Jan 2016

Boardwalk Empire, Truth Thomas

Journal of Hip Hop Studies

Poem.


About Gods, I Don't Believe In None Of That Shit, The Facts Are Backwards: Slaughterhouse's Lyrical Atheism, Marquis Bey Jan 2016

About Gods, I Don't Believe In None Of That Shit, The Facts Are Backwards: Slaughterhouse's Lyrical Atheism, Marquis Bey

Journal of Hip Hop Studies

Hip Hop group Slaughterhouse's multi-membered, perversely holy quadrinity provides a fertile site for a pseudo-non-theological theological reading-a theology with and without god, that is, with god's titular presence but bereft of any ethos of a mover and shaker god. God, in my reading of Slaughterhouse's lyrics, is impotent. Rather than the Word, Slaughterhouse publishes sacred texts (albums and mixtapes) that speak to Black embodied life; their albums are the scriptural holy ghetto-Word, the Gospels that of Royce, Crooked, Joell, and Joey, rather than Matthew, Mark, Luke, and John. Through the lyrics of Slaughterhouse's songs, they craft a god that is …


Representations And Discourses Of Black Motherhood In Hip Hop And R&B Over Time, Cassandra Chaney, Arielle Brown Jan 2016

Representations And Discourses Of Black Motherhood In Hip Hop And R&B Over Time, Cassandra Chaney, Arielle Brown

Journal of Hip Hop Studies

This study will examine how representations and discourses regarding Black motherhood have changed in the Hip Hop and R&B genres over time. Specifically, this scholarly work will contextualize the lyrics of 79 songs (57 Hip Hop songs; 18 R&B songs; 2 songs represented the Hip Hop and R&B genre; 2 songs represented artists who produce music in 5 or 6 genres) from 1961-2015 to identify the ways that Black male and Black female artists described motherhood. Through the use of Black Feminist Theory, and by placing the production of these songs within a sociohistorical context, we provide an in-depth qualitative …


The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes Jan 2016

The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes

Theses and Dissertations

This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …


A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams Jan 2016

A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams

Theses and Dissertations

A (dis)Assemblage of the Gallery-Growlery exhibition and writing presents itself as a site of a morphological exploration of language, sound, and objects in tandem with the irreducibly venting black expression. Venting, the black expression never seeks wholeness within objects or language itself for it is a thing-in-itself. Its presence affords critical reception to a residue of delimiting forms. All growls eschew verbal objects for the manifestation of pure phonetics. A growl in a gallery is the growl. The growl resounds through the physicality of the objects and gallery. Also, it unwinds the object-among-objects as the phono-present stretches the discursive …


Black Feminist Discourse Analysis Of Portrayals Of Gender Violence Against Black Women: A Social Work Dissertation, Avina Ross Jan 2016

Black Feminist Discourse Analysis Of Portrayals Of Gender Violence Against Black Women: A Social Work Dissertation, Avina Ross

Theses and Dissertations

This study explored media discourse of gender violence against Black women in Black contemporary films. Four Tyler Perry films were examined using a novel, qualitative and analytical framework: Black Feminist Discourse Analysis. Discourses that were studied include, but were not limited to: portrayals of gender violence and victims, character dispositions and interactions, stereotypes, relationship dynamics as well as portrayals of race, gender, sexuality and religion. The use of new and existing controlling images based on systems of race, gender, sexuality and religion were revealed in a transitional and systemic model. Common themes across the films are provided. This research closes …


Cover, Editors And Editorial Board, Sponsors, Table Of Contents Jan 2015

Cover, Editors And Editorial Board, Sponsors, Table Of Contents

Journal of Hip Hop Studies

No abstract provided.


The End Of Prisons: Reflections From The Decarceration Movement, Carmen Lanos Williams Jan 2015

The End Of Prisons: Reflections From The Decarceration Movement, Carmen Lanos Williams

Journal of Hip Hop Studies

Book review of The End of Prisons: Reflections from the Decarceration Movement, edited by Mechtild E. Nagel and Anthony J. Nocella (2013).


Out Of Time, Truth Thomas Jan 2015

Out Of Time, Truth Thomas

Journal of Hip Hop Studies

Poem.


Hip Hop On Film: Performance Culture, Urban Space, And Genre Transformation In The 1980s, Renette Smith Mccargo Jan 2015

Hip Hop On Film: Performance Culture, Urban Space, And Genre Transformation In The 1980s, Renette Smith Mccargo

Journal of Hip Hop Studies

Book review of Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s, by Kimberly Monteyne (2013).


The End Of Prisons: Reflections From The Decarceration Movement, Carmen Lanos Williams Jan 2015

The End Of Prisons: Reflections From The Decarceration Movement, Carmen Lanos Williams

Journal of Hip Hop Studies

Book review of The End of Prisons: Reflections from the Decarceration Movement, edited by Mechtild E. Nagel and Anthony J. Nocella (2013).


From A-Town To Atl: The Politics Of Translation In Global Hip Hop Culture, Holger Droessler Jan 2015

From A-Town To Atl: The Politics Of Translation In Global Hip Hop Culture, Holger Droessler

Journal of Hip Hop Studies

This article examines the linguistic and cultural tensions in global Hip Hop culture through an analysis of the performance of Gsann, an emcee from the Tanzanian Hip Hop crew X Plastaz, at the 2009 Black Entertainment Television (BET) Hip Hop Awards in Atlanta. Gsann's rhymes in Swahili, his emphasis on religion, and his global travels distinguished him from his African American colleagues in the cipha. At the same time, the decision by the BET producers to translate Gsann's Swahili rhymes into English has to be seen within the longer history of cultural and linguistic politics in Tanzania and the United …


Is Black Motherhood A Marker Of Oppression Or Empowerment? Hip-Hop And R&B Lessons About "Mama", Cassandra Chaney, Arielle Brown Jan 2015

Is Black Motherhood A Marker Of Oppression Or Empowerment? Hip-Hop And R&B Lessons About "Mama", Cassandra Chaney, Arielle Brown

Journal of Hip Hop Studies

A qualitative content analysis was conducted on the lyrics of 59 songs (40 Hip Hop songs; 17 R&B songs; 2 songs that represented the Hip Hop and R&B genre) from 1961-2013 to identify the ways that Black male and Black female artists described motherhood. The songs were determined by Billboard Chart Research Services, and Black Feminist Theory provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black motherhood in R&B and Hip Hop to be based on the following four typologies: (1) Motherhood as Source of Emotional Comfort and Support; (2) Motherhood as …


Out Of Time, Truth Thomas Jan 2015

Out Of Time, Truth Thomas

Journal of Hip Hop Studies

Poem.


Hip Hop On Film: Performance Culture, Urban Space, And Genre Transformation In The 1980s, Renette Smith Mccargo Jan 2015

Hip Hop On Film: Performance Culture, Urban Space, And Genre Transformation In The 1980s, Renette Smith Mccargo

Journal of Hip Hop Studies

Book review of Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s, by Kimberly Monteyne (2013).


Song For A Passbook Torch, Truth Thomas Jan 2015

Song For A Passbook Torch, Truth Thomas

Journal of Hip Hop Studies

Poem.


Journal Of Hip Hop Studies Jan 2015

Journal Of Hip Hop Studies

Journal of Hip Hop Studies

No abstract provided.


Is Black Motherhood A Marker Of Oppression Or Empowerment? Hip-Hop And R&B Lessons About "Mama", Cassandra Chaney, Arielle Brown Jan 2015

Is Black Motherhood A Marker Of Oppression Or Empowerment? Hip-Hop And R&B Lessons About "Mama", Cassandra Chaney, Arielle Brown

Journal of Hip Hop Studies

A qualitative content analysis was conducted on the lyrics of 59 songs (40 Hip Hop songs; 17 R&B songs; 2 songs that represented the Hip Hop and R&B genre) from 1961-2013 to identify the ways that Black male and Black female artists described motherhood. The songs were determined by Billboard Chart Research Services, and Black Feminist Theory provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black motherhood in R&B and Hip Hop to be based on the following four typologies: (1) Motherhood as Source of Emotional Comfort and Support; (2) Motherhood as …


Cover, Editors And Editorial Board, Sponsors, Table Of Contents Jan 2015

Cover, Editors And Editorial Board, Sponsors, Table Of Contents

Journal of Hip Hop Studies

No abstract provided.


Curricular Goals, Music And Pacing: The Case Study For Hip Hop Music In Children's Educational Television, Creshema R. Murray, Cynthia Nichols Jan 2015

Curricular Goals, Music And Pacing: The Case Study For Hip Hop Music In Children's Educational Television, Creshema R. Murray, Cynthia Nichols

Journal of Hip Hop Studies

As an answer to the McCollum and Bryant (2003) charge for scholars to use the pacing index that they created to measure the pace of current children's programs, this paper examines the use of Hip Hop music in a children's television show, Hip Hop Harry, and the relationship that this show has with the eighty-five shows that were analyzed in McCollum and Bryant's initial study. Hip Hop Harry is an Emmy award nominated show on The Learning Channel, which prides itself on using Hip Hop culture and music as a medium to educate preschoolers from diverse backgrounds. Through content analysis, …


Journal Of Hip Hop Studies Jan 2015

Journal Of Hip Hop Studies

Journal of Hip Hop Studies

No abstract provided.


From A-Town To Atl: The Politics Of Translation In Global Hip Hop Culture, Holger Droessler Jan 2015

From A-Town To Atl: The Politics Of Translation In Global Hip Hop Culture, Holger Droessler

Journal of Hip Hop Studies

This article examines the linguistic and cultural tensions in global Hip Hop culture through an analysis of the performance of Gsann, an emcee from the Tanzanian Hip Hop crew X Plastaz, at the 2009 Black Entertainment Television (BET) Hip Hop Awards in Atlanta. Gsann's rhymes in Swahili, his emphasis on religion, and his global travels distinguished him from his African American colleagues in the cipha. At the same time, the decision by the BET producers to translate Gsann's Swahili rhymes into English has to be seen within the longer history of cultural and linguistic politics in Tanzania and the United …


Song For A Passbook Torch, Truth Thomas Jan 2015

Song For A Passbook Torch, Truth Thomas

Journal of Hip Hop Studies

Poem.


Hip Hop Culture In A Small Moroccan City, Brian Seilstad Jan 2015

Hip Hop Culture In A Small Moroccan City, Brian Seilstad

Journal of Hip Hop Studies

This paper explores Hip Hop culture by tracing its development from the global level through the Arab world to finally its manifestation in Morocco. Hip Hop culture is defined broadly as a wide range of artistic expressions-rap, graffiti, breakdancing, DJing, etc.-and also a mind-set or way of life. The focus on the Moroccan context starts at the national level, pointing out some of the key artists, issues Moroccan Hip Hop faces, and how this has been explored by scholars of Hip Hop. The paper focuses on an ethnographic exploration of Hip Hop culture in Ifrane, a small Moroccan city. An …


Policing The Campus: Academic Repression, Surveillance, And The Occupy Movement, Sandra L. Combs Jan 2015

Policing The Campus: Academic Repression, Surveillance, And The Occupy Movement, Sandra L. Combs

Journal of Hip Hop Studies

Book review of Policing the Campus: Academic Repression, Surveillance, and the Occupy Movement, edited by Anthony J. Nocella II and David Gabbard (2013).