Race, Ethnicity and Post-Colonial Studies Commons^™

Dinesh Sabu Interview, Mitch Buangsuwon

Asian American Art Oral History Project

Bio: Dinesh Sabu made his first feature documentary Unbroken Glass with Kartemquin Film. It played at numerous film festivals and was broadcast on America ReFramed’s 5th Season in May 2017. Dinesh was awarded “Best Director” at the Los Angeles Asian Pacific Film Festival in 2017 for his debut feature. Before Unbroken Glass, Dinesh shot parts of American Arab and The Homestretch with Kartemquin filmmakers. He also shot and is co-producing the forthcoming How to Build a School in Haiti with director Jack C. Newell. He is currently attending Stanford University’s Documentary Film and Video MFA program.

Giau Minh Truong Interview, Gin To

Asian American Art Oral History Project

Bio: Giau Minh Truong is a company member of A-Squared Theatre Workshop and an at- large artist for various performing arts companies in the Chicago area. For A-Squared, he directed Ching Chong Chinaman, The Other Shore, and short plays for My Asian Mom, acted in Trial By Water, and designed lights for The Wind Cries Mary. Giau’s other directorial credits include Downward Facing, Lights Out, Everybody, and Theatre of Women for Dream Theatre Company. He directed Sister Outlaw, Mr. and Mrs. LaQuesta Go Dancing, My Name is Flor Contemplacion, and I Dream Electric for CIRCA-Pintig, Chicago’s …

Year Of Cuba 2019-2020, Nashieli Marcano, Leslie Drost

Research Guides & Subject Bibliographies

No abstract provided.

Did You Know That He(She) Had A Stroke?, Preston Love Jr.

Black Studies Faculty Publications

Did you know that he (she) had a stroke? The aforementioned, menacing question is being asked in every city, every social circle and every family, every day. Most recently, this haunting question has been asked about me, 76 years-old, 225 pounds, 6’4,” and by all appearances in great health, but I indeed, had a stroke. I had a stroke on the third day in 2019, and I am writing this article because my experience with my stroke and to increase the awareness of my community to the its dangers and to provide some facts and some precautions as it relates …

Atlantic Lives: A Comparative Approach To Early America, Timothy J. Shannon

Gettysburg College Faculty Books

Atlantic Lives offers insight into the lived experiences of a range of actors in the early modern Atlantic World. Organized thematically, each chapter features primary source selections from a variety of non-traditional sources, including travel narratives from West Africa, the Caribbean, and Latin America. The fully-revised and expanded second edition goes into even greater depth in exploring the diverse roles and experiences of women, Native Americans, and Africans, as well as the critical theme of emerging capitalism and New World slavery. New chapters also address captivity experiences, intercultural religious encounters, and interracial sexuality and marriage.With classroom-focused discussion questions and suggested …

Ua12/2/1 The Hill In Review, Wku Student Affairs

WKU Administration Documents

Newsletter recapping the top stories of the week.

The Unacknowledged Economic And Political Forces Which Shaped The Rise Of Rock And Roll, Mark Naison

Occasional Essays

No abstract provided.

Three Reasons Martin Luther King Jr. Disliked Being Labeled "Civil Rights Leader", Theodore Walker

Perkins Faculty Research and Special Events

Three reasons King disliked being labeled "civil rights leader:"

(1) He was a religious leader, a preacher (not a secular politician).

(2) He advanced "economic rights" ("civil rights" do not include "economic rights").

(3) He opposed war in Vietnam (not a civil rights issue).

The Mixed Reception Of The Hamilton Premiere In Puerto Rico, Daniel Pollack-Pelzner

Faculty Publications

In this article originally published in The Atlantic, Daniel Pollack-Pelzner wonders about the challenges of premiering the famed Broadway musical, Hamilton, during a time of political discord in the aftermath of 2017's Hurricane Maria, in Puerto Rico.

The Agricultural Deities Of Q ’Eqchi’ Mayas, Tzuultaq’As: Agricultural Rituals As Historical Obligation And Avatar Of The Cultural Reservoir In Rural Lanquín , Alta Verapaz, Guatemala, Yishan Lea

All Faculty Scholarship for the College of Education and Professional Studies

This study, based on fieldwork in rural Lanquín, Guatemala, discusses cultural continuity and the sense of historicity through agricultural rituals and worship of the agricultural deity Tzuultaq’as. The place, Lanquín, and the Q’eqchi’ Maya peasant farmers are situated within a two-fold tension and contradiction. Geographically remote in relation to the economic centers in Guatemala, and marginal in infrastructural development, while their cash crop harvests never fail to be effected by the fluctuations of the global market. From the eclectic stance merging both theories of cultural essentialism and constructivism, by juxtaposing the emblematic event of the anti-Monsanto Law movement in 2014 …

Fulfilling Climate Justice And Government Obligations To Alaska Native Villages: What Is The Government Role?, E. Barrett Ristroph

William & Mary Environmental Law and Policy Review

Climate change has had significant impacts on lands and communities across the United States, and particularly on Alaska Native Villages (“ANVs”). These Arctic and sub-Arctic indigenous communities, which are often remote and rural, depend on the land and water for their nutritional and cultural survival. My research draws from 153 interviews and conversations with ANV residents and those who make or influence policy for ANVs, along with local, state, and federal plans and laws relevant to ANVs and climate change. I consider the current and potential role of the federal and Alaskan governments in assisting ANVs and other communities to …

Post Colonial Studies, Nashieli Marcano, Kyle Brooks

Research Guides & Subject Bibliographies

No abstract provided.

David Harris, Kelli Johnson

Oral Histories

Kelli Johnson interviewing David Harris on January 4th, 2019, who is going to take Dr. Johnson on a little driving tour of Fairfield.

African American English And Urban Literature: Creating Culturally Caring Classrooms, Erin E. Campbell, Joseph J. Nicol

#CritEdPol: Journal of Critical Education Policy Studies at Swarthmore College

Language and literacy are a means of delivering care through consideration of students’ home culture; however, a cultural mismatch between the predominantly white, female educator population and the diverse urban student population is reflected in language and literacy instruction. Urban curricula often fail to incorporate culturally relevant literature, in part due to a dearth of texts that reflect student experiences. Dialectal differences between African American English (AAE) and Mainstream American English (MAE) and a history of racism have attached a reformatory stigma to AAE and its speakers. The authors assert that language and literacy instruction that validates children’s lived experience …

Amos Wimbush Papers, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Papers and memorabilia of Amos Wimbush and the Colored Methodist Episcopal Church, including 1918 photo postcard of Camp Robson, Little Rock, Arkansas and newspaper article about Mr. Wimbush.

Jet Magazine: Celebrating Black Female Beauty, Jazmyn Shepherd

XULAneXUS

Once referred to as, “the Negro bible” by famed actor and comedian Redd Foxx^[1], Jet has continued to be a pioneer in representing Black Americans as beyond the stereotypes to which they are so often relegated. The magazine has not only provided accurate coverage throughout momentous Black historical movements such as the Civil Rights Movement in the 1950s, the Black is Beautiful movement of the late 1960s, and the Natural Hair Movement of the 2000s, but it has also catered to the daily interests of Black Americans, such as fashion and beauty, lifestyle advice, dating advice, politics, health …

Living Objects Essays: Prologue, John Bell

Living Objects: African American Puppetry Essays

Living Objects: African American Puppetry co-curator John Bell describes the team responsible for the Living Objects exhibition, festival, symposium, and online catalogue.

Embracing Complexity In Performing The Other, Valeska Maria Populoh

Living Objects: African American Puppetry Essays

"Embracing Complexity in Performing the Other" is a personal essay by a white, Baltimore-based cultural organizer, puppeteer and educator, reflecting on three scenarios that have catalyzed her thinking about white people performing Black puppets. The author shares her own experience of navigating the complex, and at times highly combustible, issues about representation, appropriation and racial identity in the realm of puppetry, and concludes with a few questions to stimulate further dialogue in the puppetry community about these issues.

Race And Representation: Creating A Puppet Production For The Smithsonian Institution, Brad Brewer

Living Objects: African American Puppetry Essays

The Brewery Puppet Troupe was commissioned by the Smithsonian Museum’s Lemelson Center to undertake new creative challenge: a show featuring African American scientist Lewis Latimer, the nineteenth-century inventor instrumental in creating the electric light bulb. Brad Brewer was committed to showing how Latimer’s life was affected by America’s struggle with slavery and racial inequality, issues he considered equally important to Latimer's scientific achievements. Staff historians read and commented on all the drafts of the script, but the production still included comedic elements typical of a Brewery Troupe production. The project allowed the author to explore some of the hard realities …

An Email Interview With Alva Rogers, Paulette Richards

Living Objects: African American Puppetry Essays

Actor, writer, and puppeteer Alva Rogers recounts her long-standing interests in theater, and her early performances combining dolls with texts by Zora Neale Hurston and others. Her work as a performance artist led to her role as Eula in the film Daughters of the Dust. She then studied playwriting, musical theater, and history at Brown University, NYU, and Bard College respectively. Rogers’s influences include surrealist painters, magic realism, such writers as Adrienne Kennedy, Ralph Ellison, and Federico Garcia Lorca, and the Gullah/Geechee culture of the Sea Islands of South Carolina and Georgia. She uses both dolls and puppets in …

Servance Dancers, Paulette Richards

Living Objects: African American Puppetry Essays

How many African American folk artists have created performing objects outside the purview of formal theater? Master woodcarver George Servance is one such 20th-century artist who used his skills to counter minstrel stereotypes and present African Americans as elegant and accomplished entertainers.

Raceless Racism: Blackface Minstrelsy In American Puppetry, Amber West

Living Objects: African American Puppetry Essays

Blackface minstrelsy has long been recognized as one of the major elements of 19th and early 20th-century popular performance in the U.S., but its central role in U.S. puppetry has not been explored. West debunks the idea that puppets are “raceless”, examining the origins of blackface minstrelsy in American puppetry, including traditional Punch and Judy performances, William John Bullock’s 19th-century puppet minstrel shows, the creation of “realistic” Black puppets by white puppeteers in the early 20th century, and contemporary examples of exaggerated Black puppet characters, for example in a music video directed by Black artist Boots Riley. West points out …

Storytelling And Puppetry, Susan Fulcher

Living Objects: African American Puppetry Essays

Librarian Susan Fulcher recounts the creation of a storytelling with puppets program she developed with puppeteer Dave Herzog, in which kids create their own puppet characters to be incorporated into existing stories such as Stone Soup.

“It’S Not Easy Bein’ Green”: Greenface And The Jazzy Frog Trope, Paulette Richards

Living Objects: African American Puppetry Essays

One element of blackface minstrelsy was the representation of Black people as swamp characters, especially frogs. In her examination of the development of the “jazzy frog” as a transposition of greenface onto blackface, Richards traces the growth of the trope in popular film and cartoons of the early 20th century. She then considers Jim Henson’s creation of the popular puppet character Kermit as a variation on this trope, but with a different purpose: to represent Henson’s “vision of tolerance for difference and creative collaboration.” The “re-humanization” of the jazzy frog includes the 1967 hit song “I’m in Love with a …

Wear The Story Like A Jacket: Akbar Imhotep, Paulette Richards

Living Objects: African American Puppetry Essays

This profile of Akbar Imhotep’s work as a puppeteer and storyteller in Atlanta in the late 20th century describes his connections to the Center for Puppetry Arts, the folk-art roots of his approach to puppetry, the unique puppet stage he made from old suitcases, and the process he uses to prepare for performances.

Black: :Body: :Gesture: From Puppetry To Performance & Design, Gabrielle Civil, Kelly Walters

Living Objects: African American Puppetry Essays

In this visual document, Gabrielle Civil and Kelly Walters distill and recreate key aspects of their live dialogue on African-American puppetry, black performance art, material and digital design. What are examples of African American living objects in the 21st century? What does it mean to animate objects when, as a people, we were once considered to be living objects ourselves? Drawing on their own practice, these artists engaged these questions, activated audience discussion, and transformed the results into a new source text for further activation.

Black And Blackface In The Performing Object: Bullock, Chessé, Paris, The Jubilee Singers, And The Burdens Of … Everything, Ben Fisler

Living Objects: African American Puppetry Essays

The representation of Black identity through puppetry ranges from “grotesque exaggeration to near pictorial realism,” and engagement not only with racial stereotyping, but also the possibility of positive racial representation. Fisler details the extensive degree to which puppeteers in the early 20th century depended upon Black and blackface characters for their livelihood, and points out the complexities of such representations involving Black puppeteers of Federal Theater Project puppet companies, and the work of Creole puppet artist Ralph Chessé. Fisler argues that some white puppeteers, including Frank Paris, sought to portray such Black characters as Josephine Baker in a “potentially more …

Tar Baby: The Performance Of Object, Ra Malika Imhotep

Living Objects: African American Puppetry Essays

This essay engages the figure of the “Tar Baby” as a guide through the theoretical terrain of Afro-Diasporic storytelling culture. Thinking about the role of gesture and voice in the repertoire of global Black performance, this presentation sets out to offer a nuanced Black feminist analysis of the sticky character and the impact of her diasporic flight. Calling in both theoretical work on Black performance and personal reflections on an engagement with the Tar Baby through storyteller and puppeteer Akbar Imhotep’s rendition of the story performed at the Wren’s Nest in Atlanta Georgia, the essay explores the ways Afro-Diasporic storytelling …

The Appropriation Of Blackness, Nehprii Amenii

Living Objects: African American Puppetry Essays

The continuing appropriation of Black culture in the U.S. is closely tied to the trauma and injustice of the African diaspora and the history of slavery. Black people, Amenii argues, need to re-appropriate themselves, through the “excavating and re-articulating of our intellectual heritage and knowledge systems.” Citing Ahmad Azzahir’s description of African modes of thinking as “based on spirituality, symbol, mythos, and harmonium,” she sees her own work as “creative anthropology” that draws on storytelling and image-making to create self-study. Her production Food for the Gods, “a multi-media performance installation created in response to the killings of Black Men by …

African Puppetry And Brazilian Mamulengo: Possible Links Between Symbolic And Material Representations, Izabela Brochado

Living Objects: African American Puppetry Essays

Although Brazil’s popular Mamulengo hand-puppet tradition is often considered to have primarily European roots, Brochado argues that “the primary source of the Mamulengo lies with African slaves.” Citing sources including puppeteers and folklorists explaining the origins of Mamulengo in northeast Brazil, Brochado argues for the African roots of the form, citing the relation of Mamulengo performance to Afro-Brazilian cult rituals; the commonality of often-comic sexual content in Mamulengo and in Yoruba puppetry of Nigeria and Benin; as well as the similar mechanics of puppets from both traditions which display work activities. She concludes that “even if African puppets were not …