Race, Ethnicity and Post-Colonial Studies Commons^™

Southern By The Grace Of God: Religion, Race, And Civil Rights In Hollywood’S American South, Paul Harvey

Journal of Religion & Film

This is a book review of Megan Hunt, Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood’s American South (Athens: University of Georgia Press, 2024).

Tuktuit: Caribou, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a review of the short film, Tuktuit: Caribou (2026), directed by Lindsay Aksarniq McIntyre.

Taga, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a review of the short film, Taga (2026), directed by Jill Marie Sachs.

Aanikoobijigan [Ancestor/Great-Grandparent/Great-Grandchild], Sheila Nayar

Journal of Religion & Film

This is a film review of Aanikoobijigan [ancestor/great-grandparent/great-grandchild] (2026), directed by Adam Khalil and Zack Khalil.

Blood Lines, Sherry Coman

Journal of Religion & Film

This is a film review of Blood Lines (2025), directed by Gail Maurice.

Last Days, Sheila Nayar

Journal of Religion & Film

This is a film review of Last Days (2024) directed by Justin Lin.

Endless Cookie, Sheila Nayar

Journal of Religion & Film

This is a film review of Endless Cookie (2025), directed by Seth Scriver and Peter Scriver.

Brides, John C. Lyden

Journal of Religion & Film

This is a film review of Brides (2024), directed by Nadia Fall.

My Father's Daughter, Sherry Coman

Journal of Religion & Film

This is a film review of My Father's Daughter (2024), directed by Egil Pedersen.

Cinema, Black Suffering, And Theodicy: Modern God, Terry Lindvall

Journal of Religion & Film

This is a book review of Shayne Lee, Cinema, Black Suffering, and Theodicy: Modern God (Rowman and Littlefield, 2022).

Marungka Tjlatjunu (Dipped In Black), William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a film review of Marungka Tjlatjunu (Dipped in Black) (2023), directed by Matthew Thorne and Derik Lynch.

Winding Path, Monica Blizek

Journal of Religion & Film

This is a film review of Winding Path (dêtetsi vo’i oninjakan) (2023), directed by Alexandra Lazarowich and Ross Kauffman.

Ekbeh, Monica Blizek

Journal of Religion & Film

This is a film review of Ekbeh (2023), directed by Mariah Hernadez-Fitch.

The Moogai, Dereck Daschke

Journal of Religion & Film

This is a film review of The Moogai (2024), directed by John Bell.

In The Land Of Brothers, John C. Lyden

Journal of Religion & Film

This is a film review of In the Land of Brothers (2024), directed by Raha Amirfazli and Alireza Ghasemi.

Exhibiting Forgiveness, John C. Lyden

Journal of Religion & Film

This is a film review of Exhibiting Forgiveness (2024), directed by Titus Kaphar.

Demon Mineral, Brady Desanti

Journal of Religion & Film

This is a film review of Demon Mineral (2024), directed by Hadley Austin.

The New Boy, Sherry Coman

Journal of Religion & Film

This is a film review of The New Boy (2023), directed by Warwick Thornton.

Hey, Viktor!, Ken Derry

Journal of Religion & Film

This is a film view of Hey, Viktor! (2023) directed by Cody Lightning.

Limbo, Ken Derry

Journal of Religion & Film

This is a film review of Limbo (2023), directed by Ivan Sen.

The Convert, J. Barton Scott

Journal of Religion & Film

This is a film review of The Convert (2023), directed by Lee Tamahori.

From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr

Journal of Religion & Film

Sinan Çetin’s blockbuster Berlin in Berlin (1993) is a Turkish-German co-production. In contrast to certain representational tendencies with German orientalism or Turkish occidentalism, it deconstructs the intersectional structures of migration, religion, and gender. The portrayal of religion in films about Turkish-German labour migration is a kind of cultural narcissism often projected into national cinema by denigrating the faith of the other and glorifying one’s own religion. However, perspectives at such intersections are critical and require sensitivity in filmmaking, as films can create prejudice or help build peaceful relationships around these sensitive issues. The paper employs discourse analysis in linking Derrida’s …

Peele’S Black, Extraterrestrial, Naturalistic Critique Of Religion, Jonathan D. Lyonhart

Journal of Religion & Film

While Jordan Peele’s films have always held their mysteries close to the chest, they eventually granted their viewers some climactic clarity. Get Out (2017) used an 1980s style orientation video to clear up its neuroscientific twist, while Us (2019) had Lupita Nyongo’s underworld twin narratively spell out the details of the plot. Yet Nope (2022) refuses to show its hand even after the game is over, never illuminating the connection between its opening scene and the broader film, nor a myriad of other questions. As such, critics complained that it stitched together two seemingly incongruent plots without explanation; one where …

Column: The Development And Recovery Of North Omaha, Preston Love Jr.

Black Studies Faculty Publications

COMMUNITY COLUMNIST

To understand the long-term lack of development and economic devastation of the North Omaha community, one must understand the history. That history includes the growth of an African American community, during and after the turn of the 20th century, during a period of mass migration from the racist South. Despite the Nebraska Legislature’s passage of its Economic Recovery Act, I submit that without the understanding of these historical elements, an attempt to lead or create a plan to develop and recover North Omaha will struggle.

North Omaha Lessons From A National Tour Of Black History, Preston Love Jr.

Black Studies Faculty Publications

Community Columnist article that discusses the Black Votes Matter Tour.

Systematic Barriers To Success: The Impact Of Redlining On Modern Educational Outcomes In Omaha Public Schools, Sarah Sedivy

Theses/Capstones/Creative Projects

The systemic denial of mortgages, loans, and other financial services to specific neighborhoods on the basis of race, a practice known as redlining, has continued to have a disproportionately negative effect on communities of color since its inception in the 1930s. The contemporary impacts of redlining can be seen in ongoing disparities in household income, property values, generational wealth, and more. This paper uses a three-pronged approach to extensively examine the history, application, and implications of redlining, with an emphasis on how the practice affects modern educational outcomes in Omaha public schools. The paper analyzes statistical data from the Nebraska …

Column: Déjà Vu All Over Again, Preston Love Jr.

Black Studies Faculty Publications

In the period prior to the Civil War, which began in 1861, there was slavery, Black people were denied of Civil Rights, human rights, voting tights, dignities ... all with supporting legalities. The southern sector of our country were willing to create their own country, to secede from this country in order to maintain these practices.

Art Cinema And India’S Forgotten Futures: Film And History In The Postcolony, Vijay Mishra

Journal of Religion & Film

This is a book review of Rochona Majumdar, Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony (Columbia University Press, 2021).

Jimmy Carter: A Black Perspective (Community Columnist), Preston Love Jr.

Black Studies Faculty Publications

No abstract provided.

Mami Wata, John C. Lyden

Journal of Religion & Film

This is a film review of Mami Wata (2023), directed by C.J. "Fiery" Obasi.