Race, Ethnicity and Post-Colonial Studies Commons^™

The Nation's Song / Words By J.M. Munyon And L.L.D., J. M. Munyon And L.L.D.

Sheet Music, Undated

Cover: scenes of patriotic drawings, in the middle a photo inset of; Publisher: M.D. Swisher (Philadelphia)

My Mother's Eyes / Music By Abel Baer; Words By Wolfe Gilbert, Abel Baer, Wolfe Gilbert, Leo Feist Inc. (New York)

Sheet Music, Undated

Cover Only. Cover: Photo of George Jessel; Publisher: Leo Feist Inc. (New York)

Keep Smiling At Trouble (Trouble's A Bubble) / Music By Lewis Gesler; Words By Al Jolnson And B.G. De Sylva, Lewis Gesler, Al Jolnson, B. G. Desylva, Harms Incorporated (New York)

Sheet Music, Undated

photo of Al Jolson; Publisher: Harms Incorporated (New York)

The Invitation Rag / Words By Les Copland, Les Copland, Jerome H. Remick And Co. (New York)

Sheet Music, Undated

Cover Only. Cover: photo of Les Copeland; Publisher: Jerome H. Remick and Co. (New York)

I Don't Care What You Used To Be (I Know What You Are Today) / Words By Dubin Al And Jimmy Mc Hugh, Dubin Al, Jimmy Mchugh, Jack Mills Inc. (New York)

Sheet Music, Undated

Cover: drawing of a Caucasian couple; photo inset of Ruth Wales and Doris Relyea; Publisher: Jack Mills Inc. (New York)

Home Sweet Home / Words By G.J. Webb, G. J. Webb

Sheet Music, Undated

Cover: drawing of a woman playing piano; text reads The Bromo-Seltzer Collection of 54 Popular Songs; Publisher: x

First Heart Throbs / Words By Richard Eilenberg, Richard Eilenberg, Deluxe Music Co. (New York)

Sheet Music, Undated

Cover: drawing of a girl and a boy sitting in the garden, holding hands; Publisher: DeLuxe Music Co. (New York)

Don't You Remember Or Ben Bolt / Music By Nelson Kneass; Words By Thomas Dunn English, Nelson Kneass, Thomas Dunn English, Dana T. Bennett Co. (New York)

Sheet Music, Undated

Cover: Photos of Gecko, Svengali and Trilby, Mme. Vinard, Little Billee- Taffy- The Laird, Angele and Zou-Zou; Text reads: as sung by Miss Phyllis Neilson-Terry in the play of TRILBY; Publisher: Dana T. Bennett Co. (New York)

Don't Be Too Sure / Music By Henry R. Cohen; Words By Hal Billings, Henry R. Cohen, Hal Billings, Ell And Ell Publishing Co. (Los Angeles)

Sheet Music, Undated

Cover: Couple strolling arm in arm past a cupid figure sitting on a sign reading stop look listen; Publisher: Ell and Ell Publishing Co. (Los Angeles)

Comin' Thro' The Rye / Words By J. Parry, J. Parry

Sheet Music, Undated

Cover: a drawing of a woman playing piano; text reads: The Bromo-Seltzer Collection of 54 Popular Songs; Publisher: x

Celestial Voices / Words By Rose Morris, Rose Morris, F.B. Haviland (New York)

Sheet Music, Undated

Cover Only. Cover: drawing of Angels; Publisher: F.B. Haviland (New York)

After I'Ve Called You Sweetheart (How Can I Call You Friend) / Music By Jack Little Little; Words By Bernie Grossman, Little Jack Little, Bernie Grossman, Milton Weil Music Co. (Chicago)

Sheet Music, Undated

Cover Only. Cover: photo of Nick Lang and Geo. Voelk; Publisher: Milton Weil Music Co. (Chicago)

Old Folks At Home / Words By Stephen C. Foster, Stephen C. Foster, National Music Co. (Chicago)

Sheet Music, Undated

Cover: text at top reads Way down upon de Swanee Riber; Publisher: National Music Co. (Chicago)

Old Black Joe / Words By Stephen Foster, Stephen Foster, Deluxe Music Co. (New York)

Sheet Music, Undated

Cover: drawing of an African American male, eyes staring upward; Publisher: DeLuxe Music Co. (New York)

Never Forget The Dear Ones / Music By Wurzel; Words By Wurzel, Wurzel, C. Sheard (London)

Sheet Music, Undated

Cover: Christys Minstrels Popular Songs for the Piano-Forte, with Choruses; Publisher: C. Sheard (London)

May Irwin's New Coon Song Hits / Music By Ernest Hogan; Words By Ben Harney, Ernest Hogan, Ben Harney, M. Witmark And Sons (New York)

Sheet Music, Undated

No abstract provided.

Happy Days In Georgia / Music By Brehm Bros; Words By Chas Kuebler, Brehm Bros., Chas Kuebler

Sheet Music, Undated

Cover: drawing of an African American male performing on a five-string banjo, while a well-dressed African American couple dances in the background [all but the final page of music are missing]; Publisher: Erie

Hannah's Promenade / Words By J. H Ellis, J. H. Ellis

Sheet Music, Undated

Cover: description reads cake-walk; Publisher: x

Down South / Words By W.H. Myddleton, W. H. Myddleton, Jos. W. Stern And Co. (London)

Sheet Music, Undated

Cover: caricature drawings of four scenes labeled Big Boot Dance, Cake Walk, Minstrels, and Sand Dancers; Publisher: Jos. W. Stern and Co. (London)

The Belle Of Georgia Cake Walk / By Wm. S. Glynn, Wm. S. Glynn, Wm. J. Lefavour (New York)

Sheet Music, Undated

Cover: illustration of man in top hat, woman in floral hat with bow, high stepping together; Publisher: Wm. J. Lefavour (Salem, Mass.); includes torn pages

Ua12/2/1 College Heights Herald, Vol. 95, No. 2, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news. This issue contains articles:

• Nutter, Abbey. WKU Police Announces Renovation Plans
• Dobbs, Jack. Changes to WKU’s Retirement System Remain Undecided
• Nutter, Abbey. Campus Safety is Focus with New Key Cards
• Breu, Natasha. Construction Continues Across Campus
• Williams, Matthew. A True Cupanion – Fill It Forward
• ISEC’s Attention Leads to Retention – Intercultural Student Engagement Center
• Broekema, Gabi. Cider Celebration – Jackson’s Orchard
• Latture, Katelyn. English Major, Park Ranger – Eric Knackmuh
• Holland, Kelley. Candle Making in 3 Steps at Wicks & Things
• Sisler, Julie. Freshman Exhibit Helps Students Share …

Oral History Project: Black Families Of Yalobusha County, Jessica Wilkerson

About the Project

Document presented to persons interested in participating in the oral history project. Sections included: who we are, what is oral history?, what happens during an interview?, and contact information.

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

Ua12/2/1 College Heights Herald, Vol. 95, No. 1, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news. This issue contains articles:

• Dobbs, Jack. WKU Launches Comprehensive Investigation Into Student Fees
• Burris, Lily. A Persistent Force – Ann Mead
• Burris, Lily. 4 Big Topics Students Missed This Summer – Reorganization, Construction, Administrators, Retirements
• Same Money, More Problems – Terry Ballman
• Freshman Frenzy – MASTER Plan
• Fletcher, Griffin. Fit for Duty – Tim Gray, WKU Police
• Deppen, Laurel. WKU Alumnus Fronts Narrative-driven Band – Jordan Allen
• Kieser, Nick. Alumnus Helps Little League Team Honor Fallen Teammate – Matt Idlett
• Wells, Elliott. WKU Shows Tenacity During Opening Weekend
• Gaylord, …

Yeezus Is Jesuz: Examining The Socio-Hermeneutical Transmediated Images Of Jesus Employed By Kanye West, Daniel White Hodge

Journal of Hip Hop Studies

Kanye is enigmatic in many ways. His continuous reference to deity while still embracing a person like 452 makes him worth the study and effort to explore his contribution and effect in the Hip Hop cultural continuum. This article investigates, Kanye West from a theological and spiritual standpoint to provide insights from his theological aesthetics. While the ever-growing field of Hip Hop studies begins to explore religion in Hip Hop, the present work seeks to address this and develop new theologies/theories that fit both a Hip Hop and Black theology context. While the formal discipline of theology in the United …

I’M So Self-Conscious: Kanye West’S Rhetorical Wrestling With Theodicy And Nihilism, Conā S. M. Marshall

Journal of Hip Hop Studies

Whether Kanye’s plea to God is to intervene because “the devil’s trying to break [him] down,” or that he (Kanye) is “tryna keep [his] faith,” Kanye West’s lamentations communicate his wrestling of succumbing to sufferings within the world. Despite the twelve-year span between “Jesus Walks” and “Ultralight Beam,” Kanye West’s rhetoric in both songs attempt to make meaning of theodicy—suffering; while simultaneously combating nihilism—the lack of hope. As a professed Christian who articulates the multiplicity of God through Jesus and himself (Kanye West), affirmed on his 2013 album Yeezus track, “I am God,” West complicates religiosity and self-consciousness. He does …

Foreword, Joshua K. Wright

Journal of Hip Hop Studies

No abstract provided.

I Gotta Testify: Kanye West, Hip Hop, And The Church, Joshua K. Wright, Adria Y. Goldman, Vanatta S. Ford

Journal of Hip Hop Studies

The goal of this project, “I Gotta Testify: Kanye West, Hip Hop, and the Church,” is to add a new perspective to the scholarly discourse on Hip Hop and Christianity within classrooms, religious institutions, and popular culture by focusing on Kanye. We chose to focus on Kanye because he has been one of Hip Hop’s most influential artists in the past decade. Furthermore, Kanye is one of the most polarizing celebrities in America and across the globe. His music, fashion, political views, and family (which includes the Kardashians) dominate discourse on social media, blogs, television, and other forms of mass …

Introduction - Enigma Embodied: The Curious Complexity Of Kanye West, Daniel White Hodge

Journal of Hip Hop Studies

“There’s no way Hip Hop and religion work. No way!” “I just can’t see anything coming out of religion and Hip Hop. It’s like the two don’t even go together.” “Rap music is of the devil. To say there is any God in it is blasphemous!” These were direct quotes I received when I began my journey into the field of Religion and Hip Hop. I was met with firm opposition and the very notion of combining Hip Hop and religion left many angered, bewildered, confused, but definitely not speechless. It was a trifling time and the very thought of …