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Articles 1 - 14 of 14
Full-Text Articles in Philosophy of Mind
Phenomenological Philosophy Of Psychedelics: Psychedelic Experience In The Modes Of Saturation And Flesh, Michael V. Kramer
Phenomenological Philosophy Of Psychedelics: Psychedelic Experience In The Modes Of Saturation And Flesh, Michael V. Kramer
Electronic Theses and Dissertations
This work seeks to develop the nascent sub-field of the phenomenological philosophy of psychedelics. Beginning with a general overview of key aspects pertinent to psychedelic studies, the focus then turns to a general disciplinary discussion of current approaches within the philosophy of psychedelics, as well as psychedelic philosophy—a distinction which is technically deployed. Special consideration is given to the specific approach known as the “natural philosophy of psychedelics,” which is taken as the philosophical foil to the preferred approach of phenomenological philosophy. A survey of the extant literature regarding the implementation of phenomenology within psychedelic discourse is then provided …
Nature Naturing In And As Place, Edward S. Casey
Nature Naturing In And As Place, Edward S. Casey
Duquesne Studies in Phenomenology
In this brief article, I single out two distinctly different kinds of natural place, attempting to show how these not merely contrast with each other but display larger patterns or tendencies that are also found in many other sorts of place. This is to take one integral step to a larger ecology of places provided by the natural world and from which human and nonhuman beings draw life and motion that sustain and support many ways of existing on earth. Without such places, we—and every other form of life—would perish or would not even exist to begin with. It is …
"Let Your Body Do The Talkin'": An Investigation Of Aesthetic Experience Through Phenomenological Psychology, Tone Roald, Anders Essom-Stenz
"Let Your Body Do The Talkin'": An Investigation Of Aesthetic Experience Through Phenomenological Psychology, Tone Roald, Anders Essom-Stenz
Duquesne Studies in Phenomenology
How does the experience of one’s own body contribute to aesthetic experience? This article answers the question from the point of view of phenomenological psychology by portraying how the body is lived from within in intense experiences with works of visual art. Based on descriptions of aesthetic experiences juxtaposed with phenomenological insights about the body and, in particular, Maurice Merleau-Ponty’s thoughts on concrete and abstract movement, it is shown how the lived body gives form to the experience. The experience of one’s own body reflects the expressions of the works of art and comprises not only movement, and with it …
Emotions As Work Material: On Dancers' Refined Use Of Affectivity, Camille S. Buttingsrud
Emotions As Work Material: On Dancers' Refined Use Of Affectivity, Camille S. Buttingsrud
Duquesne Studies in Phenomenology
As part of their professional practice, dancers allow their affectivity to enhance their kinesthetic work. Their intentional and disciplined use of personal, emotional resources ensures both creativity, interpretation, absorption, and connections in ways that extend beyond the traditional phenomenological understanding of affectivity as pre-reflectively based. The affective regulations dancers employ can be seen as an “artistic epoché,” and their layered performance awareness corresponds with Edmund Husserl’s descriptions of “image-consciousness.” Through qualitative interviews with three professional dancers, phenomenological theory, and additional supportive literature, this article shows how affectivity can be experienced through high-order levels of Leib, constituting states of “bodily …
Atmospheres Create Interest: Experiencing And Utilizing Shared Situations, Andreas Rauh
Atmospheres Create Interest: Experiencing And Utilizing Shared Situations, Andreas Rauh
Duquesne Studies in Phenomenology
Even though atmospheres are usually only subtly perceived in the manner of a felt body in everyday life, they possess a specific efficacy. They hold the potential to address people in their felt-bodily constitution and to arouse interest in the shared situation. In the following, the phenomenon of atmosphere is explored through case analyses from an art education project and defined as a shared situation in contrast to affect and mood. This is followed by an examination of the fundamental importance of atmosphere for learning environments. With a focus on pedagogical relationships, the role of atmospheres in educational contexts and …
Artworks As Affective Atmospheres: Dufrenne's View Of Their Aesthetic And Philosophical Significance, Dimitris Apostolopoulos
Artworks As Affective Atmospheres: Dufrenne's View Of Their Aesthetic And Philosophical Significance, Dimitris Apostolopoulos
Duquesne Studies in Phenomenology
This article reconstructs and critically evaluates Mikel Dufrenne’s arguments for the claim that our embodied engagement with art is the most fundamental variety of affective experience. I show how, on his account, aesthetic affectivity, or feeling, emerges in aesthetic experience, and identify the central role that aesthetic atmosphere plays in its constitution. I propose an interpretation on which aesthetic feeling, for Dufrenne, is a founded and skilled form of intentional activity that has epistemic (evidence-responsive) and metaphysical (world-disclosive) import. An aesthetic atmosphere, I contend, is an affective and perceptual context that is tied to an artwork and exercises a regulative …
With Images In Time. Atmosphere And Art: Mediation And Dialogue, Pauline Von Bonsdorff
With Images In Time. Atmosphere And Art: Mediation And Dialogue, Pauline Von Bonsdorff
Duquesne Studies in Phenomenology
The article challenges the idea that atmospheres are always sensed immediately. Instead, atmospheres in art are mediated and arise in a dialogue between work and audience. To understand how, we should pay attention to temporal structures in and around the work, such as the dynamics and duration of aesthetic experience and the historicity of both work and perceiver, including pasts and present. Mikel Dufrenne’s phenomenological aesthetics, complemented with insights from Maurice Merleau-Ponty’s analyses of perception, offer resources for this. Writing on expression, Dufrenne distinguishes “presence,” in which sense is felt immediately and firmly connected to embodiment, and “sentiment,” which arises …
Rapture "At A Distance": Searching For Pathic-Atmospheric Aesthetics, Tonino Griffero
Rapture "At A Distance": Searching For Pathic-Atmospheric Aesthetics, Tonino Griffero
Duquesne Studies in Phenomenology
The paper proposes a rethinking of the role of aesthetics as a theory of sensory experience as it is encountered in the lifeworld (and only secondarily in relation to art). Accordingly, pathic and atmospheric (bottom-up) aesthetics, which centers on the ability to expose oneself to intense experiences without attempting to control them and conceives feelings as atmospheric powers that permeate a particular space without being reduced to projections of the perceiver’s moods, should replace the idealistic (top-down) approach.
Introduction: Duquesne Studies In Phenomenology Volume 5, Jeffrey Mccurry
Introduction: Duquesne Studies In Phenomenology Volume 5, Jeffrey Mccurry
Duquesne Studies in Phenomenology
No abstract provided.
A Demonstration Of Enactivist Personality Assessment Using The Five-Factor Model, Garri Hovhannisyan
A Demonstration Of Enactivist Personality Assessment Using The Five-Factor Model, Garri Hovhannisyan
Electronic Theses and Dissertations
This dissertation seeks to extend the intellectual and existential horizon of the enactive approach by bringing forth an enactivist understanding of human cognitive life as it is lived from the perspective of personality traits. The theoretical task of this dissertation is to review existing evidence in support of the Enactivist Big-5 Theory (EB5T) of personality and its potential for bridging the phenomenological gap between minimal and human cognition. As a phenomenologically grounded theory of personality, EB5T conceptualizes individual differences not merely as differences in trait measures within a person but as differences in styles of how individuals bring forth, experience, …
The Dialectic Of Naturgeist In Hegel’S Anthropology: Soul, World, And Bodiliness, Jiho Oh
The Dialectic Of Naturgeist In Hegel’S Anthropology: Soul, World, And Bodiliness, Jiho Oh
Electronic Theses and Dissertations
The primary concern of the “Anthropology” section in Hegel’s Encyclopedia of 1830 is the relationship between soul and body: how the soul gains an immediate, bodily existence through embodiment, why and how this immediate mode of the soul’s bodily existence is precarious, and how the soul becomes second nature by overcoming the immediate, bodily existence through habit, more precisely. Importantly, the “Anthropology” is the place in Hegel’s Encyclopedia system where the Philosophy of Nature ends, and the Philosophy of Spirit begins. The thematization of the soul-body relationship in the “Anthropology” is thus essentially framed by a broader, systematic problem concerning …
Beyond Enlightenment: The Evolution Of Agency And The Modularity Of The Mind In A Post-Darwinian World, Derek Elliott
Beyond Enlightenment: The Evolution Of Agency And The Modularity Of The Mind In A Post-Darwinian World, Derek Elliott
Electronic Theses and Dissertations
Working out of the social and philosophical revolutions from the Enlightenment, contemporary action theory has unwittingly inherited several Cartesian ideas regarding the human mind: that it is unified, rational, and transparent. As a result, we have for too long conceived of action as intimately bound up with reason such that to act at all is to act for a reason, leaving us with theoretical difficulties in accounting for the behavior of non-human animals as well as irrational behavior in human beings.
But rather than propose that such difficulties can be resolved by retreating to a pre-Enlightenment view of human nature, …
Semantic Realism And Historicity: Brandom, Habermas And Hegel, Norman Schultz
Semantic Realism And Historicity: Brandom, Habermas And Hegel, Norman Schultz
Electronic Theses and Dissertations
The thesis of this dissertation is that Habermas’ universal pragmatic and the recent neo-pragmatist semantic realism of Brandom, aimed at bridging the divide, are both based on misinterpretations of Hegel. Both approaches misunderstand the central Hegelian idea of historicity, and thus fail to establish a correct connection to Hegel. The aim of the dissertation is to point to and sketch Hegel’s idea of historicity. As part of the discussion, I will defend the controversial thesis that Hegel did not have a system, but rather a historical account of how we develop knowledge under the historical conditions of society. Hegel, unlike …
Communication Ethics: Ellul's Complexity Of Form, Marianne Pabis
Communication Ethics: Ellul's Complexity Of Form, Marianne Pabis
Electronic Theses and Dissertations
This project aims to enlarge understanding of Ellul’s dilemma of the ethical Christian communicator through a hermeneutic exploration of his intentionally un-paradigmatic treatment of technology as the determining factor in the formation of contemporary structural realities, a claim central to Ellul’s theory of technological society. It attends to the question of why, over the course of more than 50 books and over 1,000 articles, Ellul has refused to expound upon this claim as an overarching theoretical construct. As a contribution to the field of communication ethics from Ellul’s Christocentric perspective, this work also explicates the importance of what has become …