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Full-Text Articles in Philosophy of Language

Wittgenstein And Hume On Miracles, Samuel Wheeler Mar 2022

Wittgenstein And Hume On Miracles, Samuel Wheeler

Undergraduate Research Symposium

In this paper, I intend to contrast the positions of Ludwig Wittgenstein and David Hume on miracles. While Hume holds that miracles are violations of laws of nature which can never be probable, Wittgenstein would reject this definition. Instead, he takes a broader stance on miracles and holds that many events which are not transgressions of laws of nature can be seen as miraculous. And the point of this is to highlight the vastly different events we call miracles. Contra Hume, Wittgenstein thinks that even some of our greatest certainties can call up in us a sense of absolute wonder …


Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado Jul 2020

Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado

Electronic Literature Organization Conference 2020

Since the first decades of the twentieth century, Peruvian poetic tradition has been characterized by experimental uses of language. Among these possibilities, some records tensioned this medium from the link with the plastic arts, as in the case of the poetry of José María Eguren, while others opted for the playing with the spatiality and visuality of the blank sheet, such as in the case of the work of Carlos Oquendo de Amat. However, it is not until the appearance of the poetry of César Vallejo, specifically with a poems like Trilce in 1922, that these breakages force us to …


Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera Mar 2013

Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera

Modern Languages and Literatures Annual Graduate Conference

In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.