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Articles 1 - 6 of 6
Full-Text Articles in Philosophy of Language
From Voice To Noise: Accented Speech, Constructed Languages, And Subtitling Practices As Markers Of Difference, Alice Alonso Limongi
From Voice To Noise: Accented Speech, Constructed Languages, And Subtitling Practices As Markers Of Difference, Alice Alonso Limongi
Course Work
This monograph explores three main strategies of vocal exotification in Anglophone film: representations of accented speech, inclusion of constructed languages, and non-subtitling of snippets of other languages. Using Stuart Hall’s encoding/decoding framework, I approach these practices as rhetorical devices that both construct and are constructed by the complexity of our social landscapes. Portrayals of accented speech, constructed languages, and subtitling practices form a gradient of abstraction, where the denotative meaning of words gradually loses importance to the sonic characteristics of the voice. Combining broader cultural scholarship from Edward Said, sound studies writings on power and language from Nina Sun Eidsheim …
Language In The Teaching Or: Expressing Confidence Versus Community, Aarya Ramprasad, Imaima Casubhoy, Melanie Meister, Brenda Bethman, Austin Bachar, Gary Sutkin
Language In The Teaching Or: Expressing Confidence Versus Community, Aarya Ramprasad, Imaima Casubhoy, Melanie Meister, Brenda Bethman, Austin Bachar, Gary Sutkin
Gulf Coast Division GME Research Day 2025
No abstract provided.
Usapang Tapat: Tungo Sa Isang Katutubong Etika, Remmon E. Barbaza
Usapang Tapat: Tungo Sa Isang Katutubong Etika, Remmon E. Barbaza
Magisterial Lectures
Dr. Barbaza discusses ethics and language, using the Filipino word ‘tapat’ and its various meanings as case study.
Speaker: Remmon E. Barbaza is associate professor at the Department of Philosophy, Ateneo De Manila University. He holds a BA in Linguistics from the University of the Philippines in Diliman, an MA in Philosophy from the Ateneo de Manila University, and a PhD in Philosophy from the Hochschule für Philosophie in Munich, with a dissertation on Heidegger’s concept of dwelling, under the supervision of the late Prof. Dr. Gerd Haeffner, SJ. His research interests include Heidegger, language, translation, technology, environment, and the …
3. Sources And References For Suki, Matthew Lipman
3. Sources And References For Suki, Matthew Lipman
Secondary School Curriculum
This sequential bibliography matches the 1978 edition of Suki page by page. It contains both sources—works that influenced Matthew Lipman in writing the novel, references to philosophical works he and Ann Margaret Sharp recommend to explore the novels’ philosophical themes, and brief commentary on them by Lipman.
2. Writing: How And Why (Instructional Manual To Accompany Suki, Matthew Lipman, Ann Margaret Sharp
2. Writing: How And Why (Instructional Manual To Accompany Suki, Matthew Lipman, Ann Margaret Sharp
Secondary School Curriculum
The aim of this program is to engage students in philosophical inquiry into aesthetics and related philosophical issues. The instructional manual includes short, accessible explanations of the philosophical concepts found in SUKI, the novel, as well as hundreds of exercises and discussion plans to prompt and assist the student's inquiry. As poetry is the primary aesthetic genre taken up in the novel, the explanations and activities in this manual offer numerous additional poems as objects of aesthetic inquiry. The manual also includes numerous activities that invite students to transform their thinking and dialogue into essays, poems and short stories, so …
1. Suki (Novel), Matthew Lipman
1. Suki (Novel), Matthew Lipman
Secondary School Curriculum
Suki, a young adolescent, loves poetry and its world of metaphor. Her friend Harry hates literature class and the idea of writing poetry frightens him. Their worldviews begin to converge as the two come to see logic and poetry as two ways of finding meaning in life experience, though not before they have confronted a number of problems of language, knowledge and aesthetics. As Suki, Harry and their classmates work through the obstacles they encounter in creative writing, they construct new understandings of concepts like friendship, freedom, integrity, originality, harmony, form, balance, personhood and meaning.