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Does Art Pluralism Lead To Eliminativism?, P.D. Magnus, Christy Mag Uidhir Jan 2024

Does Art Pluralism Lead To Eliminativism?, P.D. Magnus, Christy Mag Uidhir

Philosophy Faculty Scholarship

Art pluralism is the view that there is no single, correct account of what art is. Instead, art is understood through a plurality of art concepts and with considerations that are different for particular arts. Although avowed pluralists have retained the word “art” in their discussions, it is natural to ask whether the considerations that motivate pluralism should lead us to abandon art talk altogether; that is, should pluralism lead to eliminativism? This paper addresses arguments both for and against this move. We ultimately argue that pluralism allows one to retain the word “art”, if one wants it, but only …

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Wabi-Sabi Mathematics, Jean-Francois Maheux Jan 2016

Wabi-Sabi Mathematics, Jean-Francois Maheux

Journal of Humanistic Mathematics

Mathematics and aesthetics have a long history in common. In this relation however, the aesthetic dimension of mathematics largely refers to concepts such as purity, absoluteness, symmetry, and so on. In stark contrast to such a nexus of ideas, the Japanese aesthetic of wabi-sabi values imperfections, temporality, incompleteness, earthly crudeness, and even contradiction. In this paper, I discuss the possibilities of “wabi-sabi mathematics” by showing (1) how wabi-sabi mathematics is conceivable; (2) how wabi-sabi mathematics is observable; and (3) why we should bother about wabi-sabi mathematics

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The Groundwork For Food Criticism: How Normative Aesthetic Judgments Are Possible With Regards To Tastes, Jacob Caldwell Jan 2016

The Groundwork For Food Criticism: How Normative Aesthetic Judgments Are Possible With Regards To Tastes, Jacob Caldwell

Senior Independent Study Theses

Issues of tastes and smells are often relegated to an ancillary or minor rank of importance in the domain of aesthetics, if recognized at all as legitimate objects of aesthetic inquiry and experience. This essay aims, firstly, to carve out a space of legitimacy for the aesthetics of tastes, and secondly, to clarify what aesthetic inquiry with regards to tastes must look like. In order for the above to be decisively established, the following positions will be argued for: (1) tastes are real, (2) our ordinary or scientific conception of what tastes are, upon which our reasons for doubting the …

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Fictional Emotions: Genuineness Of Emotions In Fictions, Lorien Giles Jan 2014

Fictional Emotions: Genuineness Of Emotions In Fictions, Lorien Giles

CMC Senior Theses

The common position in philosophy calls into question the ability of our emotions that derive from fictions to be genuine. In this paper I analyze this view, its motivating examples, and some unconsidered positions. In doing this I hope to offer a good defense of why our emotions that derive from fictions are in fact genuine and why the Paradox of Fiction is too broad.

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Toward Eco-Friendly Aeshetics, Sheila Lintott Jan 2006