History of Philosophy Commons^™

An Incongruent Amalgamation: John Stuart Mill's Utilitarianism On Naturalism, Jeffrey M. Robinson

Eleutheria: John W. Rawlings School of Divinity Academic Journal

John Stuart Mill's utilitarian principle of the greatest happiness for the greatest number, often surfaces in cultural debates in the contemporary West over the extent and foundations of moral duties. Given the drift from its historical Judeo-Christian moorings, naturalism now provides much of the epistemic grounding in Western culture in relation to moral duties. The amalgamation of Mill’s utilitarianism and naturalism has resulted in a cultural and epistemic disconnect. Naturalism is hard-pressed to provide consistent epistemic support for Mill’s utilitarian principle. This essay provides a number of suggestions as to why Mill’s utilitarianism may be inconsistent on naturalism.

Moral Sense Theory And The Development Of Kant's Ethics, Michael H. Walschots

Electronic Thesis and Dissertation Repository

This dissertation investigates a number of ways in which an eighteenth century British philosophical movement known as “moral sense theory” influenced the development of German philosopher Immanuel Kant’s (1724-1804) moral theory. I illustrate that Kant found both moral sense theory’s conception of moral judgement and its conception of moral motivation appealing during the earliest stage of his philosophical development, but eventually came to reject its conception of moral judgement, though even in his early writings Kant preserves certain features of its conception of moral motivation. In the mature presentation of his moral philosophy Kant offers detailed objections to moral sense …

The Mechanistic Approach Of 'The Theory Of Island Biogeography' And Its Current Relevance, Viorel Pâslaru

Viorel Pâslaru

Philosophers of science have examined The Theory of Island Biogeography by Robert MacArthur and E. O. Wilson (1967) mainly due to its important contribution to modeling in ecology, but they have not examined it as a representative case of ecological explanation. In this paper, I scrutinize the type of explanation used in this paradigmatic work of ecology. I describe the philosophy of science of MacArthur and Wilson and show that it is mechanistic. Based on this account and in light of contributions to the mechanistic conception of explanation due to Craver (2007), and Bechtel and Richardson (1993), I argue that …

Causal And Mechanistic Explanations, And A Lesson From Ecology, Viorel Pâslaru

Viorel Pâslaru

Jani Raerinne and Lindley Darden argue that causal claims are not sufficiently explanatory, and causal talk should be replaced with mechanistic talk. I examine several examples from ecological research, two of which rely on causal models and structural equation modeling, to show that the assertions of Raerinne and of Darden have to be reconsidered.

Conceptions Of Mechanisms And Insensitivity Of Causation, Viorel Pâslaru

Viorel Pâslaru

Conceptions of mechanisms due to Glennan (1996; 2002), Machamer, Darden, and Craver (2000), Bechtel and Abrahamsen (2005) have developed in opposition to the nomological approach to explanation. It is less emphasized, however, that these conceptions have also developed as alternatives to the causal perspective on explanation. In this paper, I argue that despite their distancing from the topic of causation, the mechanistic conceptions need to incorporate in their definitions of mechanisms the notion of insensitivity of causal relations that was examined by Woodward (2006).

Ecological Explanation Between Manipulation And Mechanism Description, Viorel Pâslaru

Viorel Pâslaru

James Woodward offers a conception of explanation and mechanism in terms of interventionist counterfactuals. Based on a case from ecology, I show that ecologists’ approach to that case satisfiesWoodward’s conditions for explanation and mechanism, but his conception does not fully capture what ecologists view as explanatory. The new mechanistic philosophy likewise aims to describe central aspects of mechanisms, but I show that it is not sufficient to account for ecological mechanisms. I argue that in ecology explanation involves identification of invariant and insensitive causal relationships and descriptions of the mechanistic characteristics that make these relations possible.

Sagp Newsletter 2015/16.1 East Scs, Anthony Preus

The Society for Ancient Greek Philosophy Newsletter

No abstract provided.

East Asian Buddhism, Ronald S. Green

Philosophy and Religious Studies

No abstract provided.

How Artistic Creativity Is Possible For Cultural Agents, Aili W. Bresnahan

Aili Bresnahan

Joseph Margolis holds that both artworks and selves are ”culturally emergent entities." Culturally emergent entities are distinct from and not reducible to natural or physical entities. Artworks are thus not reducible to their physical media; a painting is thus not paint on canvas and music is not sound.

In a similar vein, selves or persons are not reducible to biology, and thought is not reducible to the physical brain. Both artworks and selves thus have two ongoing and inseparable ”evolutions”—one cultural and one physical. Rather than having fixed ”natures” that remain stable for any purpose other than numerical identity, artworks …

Bayle's 'Rorarius,' Leibniz, And Animal Souls, Richard Fry

SIUE Faculty Research, Scholarship, and Creative Activity

Bayle produces a set of three criteria to evaluate views of non-human animal souls. These criteria arise from Bayle’s interaction with the extant Modern views on the topic and are meant to capture features that any successful view will have. Bayle criticizes Leibniz’s view of animal souls at length for its reliance on the theory of pre-established harmony, entering into a long exchange with Leibniz on the topic, but Bayle never explicitly applies his criteria. This leads some (including Leibniz) to conclude that Bayle thinks Leibniz’s view satisfies the criteria. I argue in this paper that Leibniz’s view properly satisfies …

Mothering Against Norms: Diane Wilson And Environmental Activism, Danielle Poe

Danielle Poe

Diane Wilson is a mother and an environmental activist, two roles that challenge: Common perceptions about what a mother is and what her obligations to her children are. Common stereotypes about environmental activists and the focus of their acts. Her story reveals the ways in which mothering is always practiced in a context, and sometimes in order to work toward a society in which her children can thrive, a mother may have to challenge the context itself and take time away from her children. When Wilson engages in questioning, challenging, and changing the world, she faces pressure from local and …

Nourishing Difference For The Erotic Couple, Danielle Poe

Danielle Poe

Erotic relationships have often been excluded from accounts of social transformation, but they can challenge us to work together and return to ourselves. In Irigaray’s work, “the two” create new paths to reach each other and return to themselves as individuals; in so doing, they create new possibilities for others.

Can Luce Irigaray's Notion Of Sexual Difference Be Applied To Transsexual And Transgender Narratives?, Danielle Poe

Danielle Poe

For over thirty years, Luce lrigaray's work on sexual difference has been the subject of debate about whether sexual difference is essential, necessary, oppressive, or some combination of these. I examine critiques from people who claim that her work is based on an essentialism that is dismissive and harmful to transsexual and transgender discourse. I argue that lrigaray's ethics, based on sexual difference, has the potential to lead to discussions about all difference, including differences in sexuality. lrigaray's complex understanding of sexual difference as natural, cultural, spiritual, and morphological can help us interpret transsexual narratives, narratives by people who seek …

Antinuclear Power Protests In The United States, Danielle Poe

Danielle Poe

The history of nuclear power in the United States began with the top-secret Manhattan Project (1942-1946), in which the first atomic bomb was produced and used in 1945 against Japan in Hiroshima and Nagasaki. According to the American Nuclear Society, a nuclear power industry association, the first U.S. city to use nuclear power for electricity was Arco, Idaho, in 1955. As of 2007, the United States had 104 operational nuclear power reactors, one nuclear power reactor under construction, and twenty-eight closed nuclear power reactors. Between 1945, when the world became aware of the destructive power of atomic energy, and today, …

Peace Is Not Perpetual, Autonomous, Or Rational, Danielle Poe

Danielle Poe

When I write about and teach Immanuel Kant, I am always impressed and seduced by the beauty and neatness of his work. After all, Kant makes morality a science; answers are clear and distinct, black and white. Individuals make ethical decisions by using reason according to universally accessible principles. People should do the right thing, not because it is easy, not because it makes them feel good, and not because they have been raised to do so. People should do the right thing because it is their duty, and they determine their duty by asking, "Can I universalize my action?" …

Feminism, Cultural Violence Of, Danielle Poe

Danielle Poe

For most, if not all, self-defined feminists, feminism means support for equality between women and men. The difficulty with this definition, though, is determining what one means by "equality," by "women and men," and by "sex" and "gender." For some feminists, equality requires that differences between women and men be acknowledged and valued. For other feminists, equality means that the category "human" encompasses women and men and that the differences within a sex are greater than differences between the sexes. Feminists also differ on what they mean by "women" and "men"; these terms can be defined biologically, genetically, culturally, religiously, …

Three Books On Leo Strauss, Steven Frankel

Faculty Scholarship

No abstract provided.

Pornography And Humiliation, Rebecca Whisnant

Philosophy Faculty Publications

In discussions about pornography, the boundary of the harmful and unacceptable is, for many, the lack of consent. But my brief analysis here shows that this is a dangerous simplification. Images of women who accept and even welcome their own humiliation and degradation are deeply destructive, not only for the women portrayed, but for women in general.

Sagp Ssips 2015 Program, Anthony Preus

The Society for Ancient Greek Philosophy Newsletter

No abstract provided.

Sagp Ssips Abstracts 2015, Anthony Preus

The Society for Ancient Greek Philosophy Newsletter

No abstract provided.

Philosophy: A Short Visual Introduction, Scott Paeth

Scott R. Paeth

Philosophy: A Short, Visual Introduction is the ideal path to understanding the philosophical ideas that influence Christian theology.

Scott Paeth's fast-paced introduction covers the most important movements and thinkers with precision and clarity. The major ideas are creatively illustrated by artist Joseph Novak, whose crisp, modern style brings big concepts to life for readers.

The result is an articulate, no-nonsense approach that guides readers from the ideas of ancient philosophers to contemporary thinkers and movements that impact Christians today.

Philosophy is part of the Christianity and the Liberal Arts series, which recognizes that many Christians are eager to deepen their …

Censorship As Catalyst For Artistic Innovation, Aili W. Bresnahan

Aili Bresnahan

One kind of government-supported censorship of the arts targets not the expressive content of any particular artwork but instead seeks to suppress the activity of a group of people based on some feature of the group’s human identity such as race, gender or class. Using examples from the history of the development of black music in the United States that followed from the legal oppression of slavery and from evidence of changes in the Punjabi theater in Pakistan following state-sanctioned suppressions of women, this paper demonstrates that human identity-related arts censorship can actually serve to spur and enhance, rather than …

Improvisation In The Arts, Aili W. Bresnahan

Aili Bresnahan

This article focuses primarily on improvisation in the arts as discussed in philosophical aesthetics, supplemented with accounts of improvisational practice by arts theorists and educators. It begins with an overview of the term improvisation, first as it is used in general and then as it is used to describe particular products and practices in the individual arts. From here, questions and challenges that improvisation raises for the traditional work-of-art concept, the type-token distinction and the appreciation and evaluation of the arts will be explored. This article concludes with the suggestion that further research and discussion on improvisation in the arts …

Joseph Margolis, Aili W. Bresnahan

Aili Bresnahan

Margolis’s methodology is best located in the pragmatic tradition, broadly construed. His pragmatism lies in his commitment to understanding the world as part of collective and consensual human practice and situated interaction; his embracing of the changing nature of history and science; and his approach to human knowledge as constructed.

In particular this pragmatic bent is evidenced by his affinity for Charles Sanders Peirce’s semeiotics, by which thought shows us the real world through the interpretation of signs and symbols, the existence of mind legitimated as “objective” and “real.” Margolis also uses Peirce’s theory of predicative generals (as constructed but …

Morris Weitz, Aili W. Bresnahan

Aili Bresnahan

Morris Weitz’s initial theory of art was provided in his book Philosophy of the Arts (1950). Here Weitz calls his theory of art “empirical” and “organic,” and he defined “art” as “an organic complex or integration of expressive elements embodied in a sensuous medium." By “empirical” he means that his theory answers to the evidence provided by actual works of art. “Organic,” for Weitz, means that each element is to be considered in relation to the others in a living and not merely mechanical way. Weitz also has a broad understanding of “expressive,” which refers to an artistic property that …

Toward A Deweyan Theory Of Ethical And Aesthetic Performing Arts Practice, Aili W. Bresnahan

Aili Bresnahan

This paper formulates a Deweyan theory of performing arts practice that relies for its support on two main things:

1. The unity Dewey ascribed to all intelligent practices (including artistic practice) and
2. The observation that many aspects of the work of performing artists of Dewey’s time include features (“dramatic rehearsal,” action, interaction and habit development) that are part of Dewey’s characterization of the moral life.

This does not deny the deep import that Dewey ascribed to aesthetic experience (both in art and in life), but it does suggest that we might use his theory of ethical practice in conjunction with his …

Improvisational Artistry In Live Dance Performance As Embodied And Extended Agency, Aili W. Bresnahan

Aili Bresnahan

This paper provides an account of improvisational artistry in live dance performance that construes the contribution of the dance performer as a kind of agency. Andy Clark’s theory of the embodied and extended mind is used in order to consider how this account is supported by research on how a thinking-while-doing person navigates the world.

I claim here that while a dance performer’s improvisational artistry does include embodied and extended features that occur outside of the brain and nervous system, this can be construed as “agency” rather than “thought.” Further I claim that trained and individual style accounts for how …

Review: 'The Philosophical Aesthetics Of Dance: Identity, Performance, And Understanding', Aili W. Bresnahan

Aili Bresnahan

Graham McFee is one of the few philosophers who can be credited with helping to pioneer and forge a path for dance as a fine art in the field of analytic aesthetics. His 1992 book, Understanding Dance, following Francis Sparshott’s 1988 book Off the Ground: First Steps to a Philosophical Consideration of the Dance, was a significant introductory step toward situating dance in a field that has traditionally focused primarily and nearly exclusively on painting, sculpture, literature, and (more recently) music.

In general dance has not been taken seriously as a legitimate art form by the philosophic academy; indeed, it …

Schelling's Naturalism: Motion, Space, And The Volition Of Thought, Ben Woodard

Electronic Thesis and Dissertation Repository

This dissertation examines F.W.J. von Schelling's Philosophy of Nature (or Naturphilosophie) as a form of early, and transcendentally expansive, naturalism that is, simultaneously, a naturalized transcendentalism. By focusing on space and motion, this dissertation argues that thought should be viewed as a natural activity through and through. This view is made possible by German Idealism historically, and yet, is complicated and obscured by contemporary philosophy's treatment of German Idealism in both analytic and continental circles. The text engages with the foundations of Schelling's theory of nature as well as geometry, field theory, inter-theory relations, epistemology, and pragmatism.

Improvisation In The Arts, Aili W. Bresnahan

Philosophy Faculty Publications

This article focuses primarily on improvisation in the arts as discussed in philosophical aesthetics, supplemented with accounts of improvisational practice by arts theorists and educators. It begins with an overview of the term improvisation, first as it is used in general and then as it is used to describe particular products and practices in the individual arts. From here, questions and challenges that improvisation raises for the traditional work-of-art concept, the type-token distinction and the appreciation and evaluation of the arts will be explored. This article concludes with the suggestion that further research and discussion on improvisation in the arts …