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Articles 1 - 8 of 8
Full-Text Articles in History of Philosophy
The Music Of Sylvano Bussotti And Its Interpretation: Biopolitics, Intersubjectivity, And Modernist Canon Formation, Charles A. Rudig
The Music Of Sylvano Bussotti And Its Interpretation: Biopolitics, Intersubjectivity, And Modernist Canon Formation, Charles A. Rudig
Dissertations, Theses, and Capstone Projects
The music of Italian composer Sylvano Bussotti (1931–2021) presents intentional challenges to interpretation and canonization. These particular challenges and Bussotti’s reasoning for implementing them are interrogated in this dissertation by reading the score to Bussotti’s La Passion selon Sade (1966) through contemporaneous European social theory, philosophy, and political developments. La Passion selon Sade is a theatre piece for a chamber ensemble, with a primary vocal and dramatic role written for mezzo-soprano Catherine Berberian, with whom Bussotti frequently collaborated. Like much of Bussotti’s music from the 1950s and 1960s, the discourse surrounding the piece and its reception largely relates to its …
Inner Song Phenomenological Description Of A Musical Object Of Phantasy, Ellen Moysan
Inner Song Phenomenological Description Of A Musical Object Of Phantasy, Ellen Moysan
Electronic Theses and Dissertations
This dissertation is the phenomenological description of a musical object of phantasy I call “inner song,” i.e., the music that the musician “sings in his or her head” while practicing his or her instrument. It describes the specific inner song of a single musician playing a melodic instrument, and rehearsing in a solipsistic situation. The description is based on three resources: my personal experience as a cellist; the third person experiences of other musicians I have interviewed on that topic since 2010; and the Husserlian corpus. Each chapter starts with excerpts of interviews focusing on specific aspects the inner song. …
Do Androids Dream Of Improvisation?, Aidan J. Samp
Do Androids Dream Of Improvisation?, Aidan J. Samp
Senior Projects Spring 2022
Senior Project submitted to The Division of Arts of Bard College.
The [E]Motionless Body No Longer: Tracing The Historical Intersections Of Mental Illness And Movement In The American Asylum, Holly Adele Herzfeld
The [E]Motionless Body No Longer: Tracing The Historical Intersections Of Mental Illness And Movement In The American Asylum, Holly Adele Herzfeld
Senior Projects Spring 2017
Senior Project submitted to The Division of Multidisciplinary Studies of Bard College.
Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser
Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser
Kurt Mosser
The notion of a “cover song” is central to an understanding of contemporary popular music, and has certainly received its share of attention in writing about contemporary music, from the mainstream press to slightly more technical ethnomusicological studies such as “Cross-Cultural ‘Countries’: Covers, Conjuncture, and the Whiff of Nashville in Música Sertaneja (Brazilian Commercial Country Music)” (Dent, 2005). In many major U.S. cities, musicians make a living in “cover” bands, recreating the music of well-known groups such as the Beatles, the Rolling Stones, Pink Floyd, U 2, the Who, ABBA, the Dave Matthews Band, the Grateful Dead, and others. Consumers …
Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser
Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser
Kurt Mosser
Fred Bartenstein has always seemed to find himself perfectly situated to pursue his life-long interest in bluegrass music – as he puts it, “I’ve always seemed to be in the right place at the right time.” This luck has allowed him to find bluegrass in the most surprising places, whether at a private day school in New Jersey, or at Harvard University in the late 1960s. It has also meant that, among other things, he found himself attending the first bluegrass festival in Fincastle, Va., becoming a bluegrass DJ at the age of 16, starting Muleskinner News magazine, and playing …
Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser
Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser
Philosophy Faculty Publications
The notion of a “cover song” is central to an understanding of contemporary popular music, and has certainly received its share of attention in writing about contemporary music, from the mainstream press to slightly more technical ethnomusicological studies such as “Cross-Cultural ‘Countries’: Covers, Conjuncture, and the Whiff of Nashville in Música Sertaneja (Brazilian Commercial Country Music)” (Dent, 2005). In many major U.S. cities, musicians make a living in “cover” bands, recreating the music of well-known groups such as the Beatles, the Rolling Stones, Pink Floyd, U 2, the Who, ABBA, the Dave Matthews Band, the Grateful Dead, and others. Consumers …
Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser
Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser
Philosophy Faculty Publications
Fred Bartenstein has always seemed to find himself perfectly situated to pursue his life-long interest in bluegrass music – as he puts it, “I’ve always seemed to be in the right place at the right time.” This luck has allowed him to find bluegrass in the most surprising places, whether at a private day school in New Jersey, or at Harvard University in the late 1960s. It has also meant that, among other things, he found himself attending the first bluegrass festival in Fincastle, Va., becoming a bluegrass DJ at the age of 16, starting Muleskinner News magazine, and playing …