Continental Philosophy Commons^™

At Noon: (Post)Nihilistic Temporalities In The Age Of Machine-Learning Algorithms That Speak, Talha Issevenler

Publications and Research

This article recapitulates and develops the attempts in the Nietzschean traditions to address and overcome the proliferation of nihilism that Nietzsche predicted to unfold in the next 200 years (WP 2). Nietzsche approached nihilism not merely as a psychology but as a labyrinthic and pervasive historical process whereby the highest values of culture and founding assumptions of philosophical thought prevented the further flourishing of life. Therefore, he thought nihilism had to be encountered and experienced on many, often opposing, fronts to be fully consumed and left behind. Thus, just as Nietzsche captured the subtle reinventions of nihilism in new forms …

"A Self-Propelling Wheel": Prefigured Recurrence In Nietzsche's The Birth Of Tragedy, Jared R. Mcswain

Oglethorpe Journal of Undergraduate Research

One of Friedrich Nietzsche’s central doctrines, the doctrine of eternal recurrence, asks us to consider how we would feel if we had to repeat our lives exactly as we have lived them. Rather than despair at this possibility, Nietzsche describes the kind of attitude we would adopt if we desired nothing more. He labels such an attitude as “Dionysian”: we rejoice in every pain and every joy that has colored our lives and use them as creative fodder for the future. This identification links the doctrine to Nietzsche’s earlier work on aesthetics, The Birth of Tragedy, where he describes the …

Waking Dreams: Modernist Intoxications And The Poetics Of Altered States, Jason Ciaccio

Dissertations, Theses, and Capstone Projects

Intoxication as a poetic principle is often identified with the romantic imagination. The literature of the intoxicated reverie is commonly thought of as synonymous with works such as Coleridge’s “Kubla Khan,” DeQuincey’s accounts of numerous nightmares and reveries, a number of Keats’ odes, Novalis’ hymns, E.T.A. Hoffmann’s stories, and Poe’s oneiric Gothic tales. Each of these, in part through their opiation or the incorporation of various other draughts, evokes a realm of dreams and visions of various sorts that are commonly associated with romantic poetic practices. The ecstatic trance, the sense of passing into another domain that is …

Nietzsche’S Digital Alexandrians: Greek As Musical Code For Nietzsche And Kittler, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Becoming And Purification: Empedocles, Zarathustra’S Übermensch, And Lucian’S Tyrant, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman or Übermensch should be read in correspondence with the context of its (terminological) origination in Lucian’s satirical dialogue Kataplous, referring to the journey of the soul from its life on earth into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate, traditionally the journey is downward journey and the human soul does not tend to be translated to regions above its former station (the literal meaning of the Übermensch). The Kataplous …

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

Articles and Chapters in Academic Book Collections

It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

Nietzsche And Lou, Eros And Art : On Lou’S Triangles And The « Exquisite Dream » Of Sacro Monte, Babette Babich

Research Resources

No abstract provided.

Continental Philosophy In Britain And America, Babette Babich

Articles and Chapters in Academic Book Collections

Continental, or as it is sometimes called, contemporary European philosophy represents a range of approaches to academic philosophy distinguished from the analytic modality dominating professional or institutional philosophy in the United Kingdom and in the United States, as in Australia, Canada, and Ireland. Where the analytic tradition itself may be said to trace its own roots to Europe, e.g., positivism may be traced to France and its originator August Comte, and logical empiricism to Germany and to Austria and the writings of Gottlob Frege and Ludwig Wittgenstein and the members of the Vienna Circle, continental philosophy expresses an ideological tradition …

Hegel, Nietzsche, And The Postmodern Teleological Impasse, Michael P. Tarpey

Institute for the Humanities Theses

Our postmodern intellectual climate is characterized by two apparently contradictory impulses. One seeks to undermine, unmask, and deflate the pretenses of philosophy as traditionally conceived. The result is a focus on difference, surfaces, and fragmentation. The competing impulse seeks to reconcile, integrate, and synthesize. The result is a holistic focus on deeper similarities behind surface differences. I argue that these competing impulses can be traced back to Hegel and Nietzsche. Thus, an understanding of the relationship between these two thinkers can illuminate our current postmodern condition. I argue that Nietzsche and Hegel are remarkably similar in their approach to many …

Collapsing The Philosophy/Rhetoric Disjunct: Nietzsche, Plato And The Perspectival Turn, Ned Vankevich

Institute for the Humanities Theses

Often overlooked within the standard views of academe lie hidden a number of tacit assumptions. Until the time of Nietzsche, the status of rhetoric as a discourse formation in Western intellectual history was often colored by the unflattering view generated by Plato in a number of his dialogues. In this thesis I present a case that revisits Plato and Nietzsche with an eye toward understanding the reasons why these two highly influential figures in contemporary philosophy adopt the views they advocate. In doing so, I attempt to illumine the reason Plato forms a fundamental split between philosophy and rhetoric and …

Searching For Zarathustra: A Nietzschean Critique Of Post-Traditional Ethical Theory, Joshua Knutsen

Institute for the Humanities Theses

Following Friedrich Nietzsche's critique of ethics, twentieth century philosophical investigations into ethics have attempted to abandon the universalist principles which guided the endeavors of Christianity, Kant and Bentham. The purpose of this work was to examine exactly how successful that endeavor has been. In order to represent the field of ethics as a whole given the limited space of the work I chose three distinct ethics, which in their formulations are representative of the current ethical clime. Jean-Paul Sartre's existentialism serves as a model for radical individualism and solipsism. Alasdair MacIntyre' s virtue based ethic demonstrates communitarian trends. And the …

The Role Of Laughter In The Thought Of Friedrich Nietzsche, Paul D. Gerdes

Institute for the Humanities Theses

The objective of this thesis is an analysis of the role of laughter in the thought of Friedrich Nietzsche (1844-1900), by which I mean both its influence on his intellectual development, and the incorporation of it in his philosophy. Such an undertaking is important because, while it might seem somewhat odd for a philosopher, and particularly a German philosopher, to consider laughter fundamental to his thought, laughter does play an essential role in all of Nietzsche's writing.

For the purposes of this thesis, I will investigate three separate but interrelated aspects of Nietzsche's thought: the influence of the Dionysian tragic-comic …