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Articles 31 - 41 of 41
Full-Text Articles in Continental Philosophy
Table Of Contents, Regennia N. Williams
Table Of Contents, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
Self-Realization In A Restricted World: Janie's Early Discovery In Zora Neale Hurston's Their Eyes Were Watching God, Delisa D. Hawkes
Self-Realization In A Restricted World: Janie's Early Discovery In Zora Neale Hurston's Their Eyes Were Watching God, Delisa D. Hawkes
The Journal of Traditions & Beliefs
No abstract provided.
One School Year With Zora Neale Hurston: A September - June Timeline Unit For K - 8 Schools, Lana J. Miller
One School Year With Zora Neale Hurston: A September - June Timeline Unit For K - 8 Schools, Lana J. Miller
The Journal of Traditions & Beliefs
No abstract provided.
New Perspectives On Religion, Race, And Culture, Regennia N. Williams
New Perspectives On Religion, Race, And Culture, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
Pentecostalism In An African Context, Michael L. Zadell
Pentecostalism In An African Context, Michael L. Zadell
The Journal of Traditions & Beliefs
No abstract provided.
Contemporary Conversations On Cross-Cultural Exchange, Jenni L. Shelton
Contemporary Conversations On Cross-Cultural Exchange, Jenni L. Shelton
The Journal of Traditions & Beliefs
No abstract provided.
The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich
The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich
Articles and Chapters in Academic Book Collections
The Hallelujah Effect on the Internet
The initial focus of this essay, apart from important preliminary references to Leonard Cohen is on kd lang, not as composer (although she is one) but musical performer and not as guitarist (although she is one) but as a singer and although her live performances have to make all the difference, very specifically, for the sake of any analysis, specifically as her singing is available in video format on YouTube. Of course there are many readings of kd lang and popular music, and of course most of them focus on the way she dresses, …
The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich
The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich
Articles and Chapters in Academic Book Collections
No abstract provided.
Towards An Ontology Of Bob Dylan, William J. Richardson
Towards An Ontology Of Bob Dylan, William J. Richardson
Research Resources
No abstract provided.
Nietzsche’S “Gay” Science, Babette Babich
Nietzsche’S “Gay” Science, Babette Babich
Articles and Chapters in Academic Book Collections
Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …
Mousike Techne: The Philosophical Practice Of Music In Plato, Nietzsche, And Heidegger, Babette Babich
Mousike Techne: The Philosophical Practice Of Music In Plato, Nietzsche, And Heidegger, Babette Babich
Articles and Chapters in Academic Book Collections
After retracing the breadth of the definition of music in antiquity to the end of justifying the sense in which one may speak of 'the music of philosophy' as Plato's Socrates does, this essay re-reads the Platonic distinction between philosophy as the highest kind of music and performative, as heard or played sung music as a lower form. It then turns to an exploration of Nietzsche's writing style conceived on a muscial model precisely qua aphoristic and concludes with a review of Heidegger's thought as musically composed or adumbrated.