Continental Philosophy Commons^™

The Somewhere We Wish Were Nowhere: Dystopian Realities And (Un)Democratic Imaginaries, Benjamin B. Taylor

Senior Independent Study Theses

How do political practices influence mass culture? Conversely, how does mass culture influence political practice? This project addresses these questions by turning to the concepts of utopia and dystopia. Imagined utopic and dystopic visions express both the hopes and anxieties of the societies producing them. Dystopias also highlight the mechanisms of power that function within particular social orders. Through readings of Lois Lowry’s The Giver and Phillip K. Dick’s Do Androids Dream of Electric Sheep?, I demonstrate how utopia and dystopia function and how we can respond to dystopic realities by theorizing solutions that are more conducive to the …

Personal Identity And Angelic Touch In Wim Wenders' Wings Of Desire, Chris Venner

Journal of Religion & Film

Wenders' Wings of Desire offers a rich tapestry for theorists of personal identity and its relationship to the Other. Set in a Berlin where angels walk among humans, it depicts those angels reorienting humans' lives with but a touch. Martin Heidegger and Gilles Deleuze also theorize the Other's touch as central to any change in the self. Bringing Wenders' film into dialogue with their theories offers new insights into the film's central question, “Why am I me and not you?”

The Binding Of Abraham: Inverting The Akedah In Fail-Safe And Wargames, Hunter B. Dukes

Journal of Religion & Film

This article draws upon Søren Kierkegaard's Fear and Trembling and Jacques Derrida's The Gift of Death to trace how two exemplars of atomic bomb cinema reinterpret the Binding of Isaac (Akedah). Released during the twin peaks of Cold War tension, Fail-Safe (1964) and WarGames (1983) invert the Akedah of Genesis 22. In both films, an act of sacrificial patricide accompanies or replaces the sacrifice of an Isaac-like son. When viewed in the context of Cold War cultural politics—events such as Norman Morrison’s Abrahamic self-immolation and Kent State’s rejection of George Segal’s sacrificial memorial— the inverted Akedah emerges as …

Course Syllabus (Sp15) Coli 214 Literature & Society: "Societies Of Discipline And Control", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course description:

Optics is central to the arts of producing human subjects and governing our spatiotemporal deployment of vital forces. Yet, in the transition of societies from industrial to post-industrial modes of production, there seems to have occurred a parallel shift in governmental focus from merely producing and disciplining subjects at the material level to controlling them at the ideological. In this discussion-driven course, we will turn to works of theory and fiction in order to examine the basic tenets of discipline and control and consider the extent to which these social practices diverge and converge in our present era.

Philosophy's Rarified Air: On Peden's Spinoza Contra Phenomenology, Steven Swarbrick

Publications and Research

No abstract provided.

Course Syllabus (Fa13) Coli 211 Literature & Psychology: "Power, The Subject, And Technological Rationality", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description and Objectives:

In this course, we will examine mechanisms of power and the processes by which these produce categories of subjectivity. Theoretically speaking, we will begin by considering these processes at the level of society and then dwell on their human experience at the level of the psyche. Here, we will aim to discover processes by which the subject reproduces conditions of domination by power at the level of psychic experience. Power-practices assume their condition of possibility by positing, on the one hand, that the category of the subject is a priori existent and, on the other, that …

Unhinged: Kairos And The Invention Of The Untimely, Robert Leston

Publications and Research

Traditionally, kairos has been seen as a “timely” concept, and so invention is said to emerge from the timeliness of a cultural and historical situation. But what if invention was thought of as the potential to shift historical courses through the injection of something new or alien into a situation? This essay argues that kairos has not been able to free itself from its historical constraints because it has been bound to a human sense of temporality. By evolving along patterns different from print, the apparatus of the cinema developed in a way where it was not bound to illustrating …

There’S No Place Like Home: From Oz To Antichrist, J. Sage Elwell

Journal of Religion & Film

This article explores the dialectic of the uncanny in The Wizard of Oz (Victor Flemming, 1939) and Antichrist (Lars von Trier, 2009), treating the latter as a sequel to the former such that we encounter Dorothy first as a young girl and then as a grown woman. I observe that the uncanny entails a repressive and expressive moment that is cinematically rendered in these two films, and drawing on Freud and Žižek, I argue that in Dorothy’s evolution from Oz to Antichrist we see that the witches and wizards and gods and devils of our own minds are known to …

Scapegoats And Redemption On Shutter Island, Cari Myers

Journal of Religion & Film

The themes of redemptive violence, scapegoating, and ritual in the films of Martin Scorsese have provided much grist for critical scholarship. While it is going too far to claim that Scorsese is intentionally interpreting Girardian themes (which are themselves borrowed from a rich mythological tradition), the comparisons between the theorist and the director are compelling. My goal here is to establish the primary themes of scapegoating, mimesis, the cycle of violence, and feuding identities that occur in both Girard’s works and Scorsese’s films and pull them forward into a more recent work of Scorsese, Shutter Island.

Politics And Heidegger: Aristotle, Superman, And Žižek, Babette Babich

Articles and Chapters in Academic Book Collections

This essay discusses Heidegger's thinking on the political and technology in the context of metaphysics in an age that is increasingly directed to both technology and the imaginary or the virtual. The context of Aristotelian phronesis is traced back to Aristotle's youth in Macedonia and the circumstance of war and world conquest, to the allure of a comic book character (that would be the Action Comic's figure of Superman) and the cinematic seduction of a pair of eyeglasses to conclude with a review of Latour's network actants and Žižek on Marxism (and Occupy Wall Street).

Martin Heidegger On Günther Anders And Technology: On Ray Kurzweil, Fritz Lang, And Transhumanism, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Tele-Visioning Terror, Caroline Zekri

Re-visioning Terrorism

This paper is devoted to the relationship between terrorism and media, with a special focus on the theoretical notions of “icon”, “mass” and “distance”. It aims to show how the phenomenon of modern terrorism calls into question the essence of modern democracies and their systems of information, based on the distance between vision and event.

Symbolic Violence As Subtle Virulence: The Philosophy Of Terrorism, Jonathan Beever

Re-visioning Terrorism

Jean Baudrillard’s semiotic analysis of violence leads us to understand the form of violence as three-fold: aggressive, historical, and semiotically virulent. Violence of the third form is the violence endemic to terrorism. If violence has been typically understood as of the first two types, terrorism should be understood as the virulence of simulacra. The conflation of these types of violence explains the failure of militaristic responses to terrorism. This paper will explore Baudrillard’s conception of symbolic violence as the virulence of signs and help us come to terms with the semiotic foundation of terrorism.

The Ister: Between The Documentary And Heidegger’S Lecture Course Politics, Geographies, And Rivers, Babette Babich

Articles and Chapters in Academic Book Collections

The Ister, the 2004 documentary by the Australian scholars and videographers, David Barison, a political theorist, and Daniel Ross, a philosopher, appeals to Martin Heidegger’s 1942 lecture course, Hölderlins Hymne «Der Ister»and the video takes us «backward» as the river flows: beginning from the Danube’s delta where it ends in the sea and «journeying» with it to its source in the Alps.

the value of the Barison/Ross documentary for both political theory and philosophy is its illustration of the technological incursions or assaults on the river itself, that is to say: its representation of the ‘uses’ and hence …

"Thus Spoke Zarathustra" Or Nietzsche And Hermeneutics In Gadamer, Lyotard, And Vattimo, Babette Babich

Articles and Chapters in Academic Book Collections

Apart from reading Nietzsche's words on his characterization as an educator in suspicion with some suspicion, what does Nietzsche offer hermeneutics? This essay takes up this question by talking about the politics of interpretation, hermeneutics, and genealogy. In the process, we can address Lyotard's enthusiastic fealty to technology and offer yet once more requiem for the postmodern, understood here through (and hence contra) Lyotard as the simulacrum of communication that is the internet.

Towards An Ontology Of Bob Dylan, William J. Richardson

Research Resources

No abstract provided.

Rendt's Radical Good And The Banality Of Evil: Echoes Of Scholem And Jaspers In Margarethe Von Trotta's Hannah Arendt, Babette Babich

Articles and Chapters in Academic Book Collections

Margarethe von Trotta's 2012 film Hannah Arendt suggests that for Arendt the signal problem with Adolf Eichmann had to do with a lack of thinking (the same problem Martin Heidegger diagnoses repeatedly in his book What is Called Thinking). For Heidegger, we are "still" not thinking. For Arendt, what is characteristic of Eichmann is that he does not think, meaning that he does not think as Aristotle defines thinking, namely as characteristic of the human qua human, here conceiving thinking as an inherently philosophical project that is more than practical but always contemplative (i.e., thinking about thinking). Is Eichmann …