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Full-Text Articles in Comparative Philosophy

The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski Feb 2020

The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski

CLCWeb: Comparative Literature and Culture

The article offers a Valentinian interpretation of the Hollywood film The Others (2001). A particular attention is paid to the ways in which cinematic motifs and narrative elements of the film draw on myths, ideas and symbolic imagery present in Valentinian works, especially in the Gospel of Truth (NHC I, 3) and the Gospel of Philip (NHC II, 3). In the course of the heuristic analysis, the paper argues that although the film employs Valentinian ideas, it depicts different understanding of the world. This issue is addressed in the last part of the article by situating the film within broader …


Mediating Suffering: Buddhist Detachment And Tantric Responsibility In Michael Ondaatje’S Anil’S Ghost, Justin M. Hewitson Sep 2019

Mediating Suffering: Buddhist Detachment And Tantric Responsibility In Michael Ondaatje’S Anil’S Ghost, Justin M. Hewitson

CLCWeb: Comparative Literature and Culture

In “Mediating Suffering: Buddhist Detachment and Tantric Responsibility in Michael Ondaatje’s Anil’s Ghost,” Justin Hewitson argues that the global mediation of suffering following human rights abuses creates the offender-victim binary. The way in which moral judgments drive urgent peacemaking is seldom connected to long-term victimhood narratives. This psychology can exacerbate cyclical patterns of anger, exploitation, and violence by deferring responsibility. Ondaatje’s controversial novel, Anil’s Ghost, which reflects these charged accusations, refuses to settle blame on any side of the Sri Lankan conflict; instead, it offers the troubling recognition that offenders, victims, and mediators are all causal agents. Hewitson …


Courage And Passion In The Reading Of The Later Foucault Of The Cynics, Inmaculada Hoyos Sanchez Dec 2018

Courage And Passion In The Reading Of The Later Foucault Of The Cynics, Inmaculada Hoyos Sanchez

CLCWeb: Comparative Literature and Culture

In her article “Courage and Passion in the Reading of the Later Foucault of the Cynics” Inmaculada Hoyos Sánchez aims to determine what role the passions played in the courage of the truth of ancient Cynicism, for which purpose she analyses the lectures Foucault gave at the Collège de France in 1984. The hypothesis put forward in this article is that what makes Cynic courage different from other manifestations of the courage of the truth, such as Socratic courage, is that it specifically involves the eradication of shame, a passion that is social and public in character, rather than an …


Regaining The Subject: Foucault And The Frankfurt School On Critical Subjectivity, Miguel Alirangues Dec 2018

Regaining The Subject: Foucault And The Frankfurt School On Critical Subjectivity, Miguel Alirangues

CLCWeb: Comparative Literature and Culture

In his article “Regaining the Subject: Foucault and the Frankfurt School on Critical Subjectivity” Miguel Alirangues sketches a possible meeting place in which two currents of critical thought (Adorno and Horkheimer, on the one hand, and Foucault, on the other) can come into dialogue. Without these two currents and, more crucially, without the dialogue between them, as he points out, we cannot today think of political antagonism towards the social structures of domination and therefore we cannot think of praxis and agency. The essay proceeds as follows: firstly, the author notes the places in which Foucault spoke of his relationship …


Said And The Mythmaking Of Auerbach's Mimesis, Hyeryung Hwang Mar 2016

Said And The Mythmaking Of Auerbach's Mimesis, Hyeryung Hwang

CLCWeb: Comparative Literature and Culture

In her article "Said and the Mythmaking of Auerbach's Mimesis" Hyeryung Hwang revisits critical debates on Edward W. Said's unwitting participation in the mythmaking of Erich Auerbach's Mimesis and analyzes the degree to which critical discourse overlook what Said actually wanted to revive, namely the spirit of philological methodology. Hwang argues that before Said worked on Mimesis, the book already acquired a sort of myth. Hwang attempts to go beyond the commonly held understanding of philology and suggest it as a methodology for historical synthesis whose dialectical tension between texts and history amounts to the synthesis of "fact" …