Aesthetics Commons^™

A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom

Theses and Dissertations

This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.

Of Method: A Propaedeutic To Coleridge's Prose Works, Michael A. Granger

Dissertations, Theses, and Capstone Projects

Coleridge’s prose works, published and unpublished, demonstrate a thorough and critical testing and understanding of British and German philosophical responses to skepticism and the ability of philosophy to progress by maintaining a double-minded and conflicted suture of both the practical or imaginative eclipse of knowledge and theorizing the hypothetical epistemological absolute that explains the relativity of facticity. Any inadequate method of inquiry stagnates within attempting a purely figurative or purely demonstrative solution to skepticism. Thus, the appropriate way to approach Coleridge’s understanding of philosophy is the struggle to make inquiry adequate though progression. Coleridge’s methodological impulse originates explicitly in a …

Teaching Philosophy As A Pedagogic Practice-Ing: Are You The Type Of Person That Says, “Everything Happens For A Reason”?, Valerie Oved Giovanini Ph.D.

Artizein: Arts and Teaching Journal

In this paper, I discuss a classroom activity that was intended to create an environment attentive enough for students to scrutinize whether their touted beliefs matched their implicit assumptions. Drawing upon Emmanuel Levinas’s ethics of the face-to-face relation, Carol A. Taylor’s posthuman orientations for pedagogical practice-ings, and Bickel’s and Fisher’s emergent theory of art-care, I explore my pedagogical approach in teaching philosophy to explain how affective encounters in communitas between teacher and learners can expand personal understandings and imagine new meaningful possibilities together. These affective encounters serve an ethic of concern where each is capable of a unique response and …

Readings In Western Philosophy For Louisiana Learners, Jeff Mclaughlin, Marco Altamarino (Editor), Ryland Johnson (Editor), Peter Klubek (Editor), Michael Martin (Editor)

Open Educational Resources

It is important for students not only to get an appreciation and understanding of philosophy but also to be exposed to the very words and ideas of those who have shaped our thinking over the centuries. Accordingly, the title of this collection hints at the facts that these readings are from the original sources and that these philosophers were the originators of many of the issues we still discuss today.

Major areas of philosophy covered here are Ethics, Epistemology, Metaphysics, Philosophy of Religion, Ethics, Sociopolitical Philosophy, and finally, Aesthetics.

Subjectivity In Circulation: Jean Baudrillard And The Image As Objective Reality, Jacob Crawley

Honors Undergraduate Theses

The intent of this thesis is to examine Jean Baudrillard’s theory of the image in both historical and philosophical terms and propose that his understanding of the image as disconnected from any sort of objective reality is an important starting point for further discussion of the photographic image. This thesis seeks to answer the question – how does Baudrillard’s theory of the photographic image shape our contemporary understanding of images, and what are the implications of his removal of the referent to reality within photographic images on mass culture, society, and the current state of image creation? This paper seeks …

An Ambiguous Hermeneutic: Doubleness In Ingmar Bergman’S Quest For Self, Ingy Aziz

Theses and Dissertations

One of the functions of art in all its forms is to provide the means for self-exploration and, in this way, to enable us to relate cultural representation to the question of meaning. The beauty of cinematic art is that it gives voice to our deepest and most profound concerns and enables us to bridge the gap between personal psychology and public understanding. As interpreters, we do not always unearth the answers that we seek, but we certainly gain more insight through delving into the minds of major filmmakers in the canon of modern cinema. This thesis is on the …

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

The Aesthetically Engaging City: The Role Of Beauty And Play In Urbanism And Human Fulfilment, Amy Roser

Theses

This thesis argues that cities can only become better attuned to the complex human need for identity, meaning, understanding, and self-expression when urban decision-makers better understand the nature and significance of aesthetic engagement. When we strive toward aesthetic goals in building and city planning, we then nurture, more fully, essential human activities and needs. This thesis argues that the aesthetic of the urban environment profoundly influences the thoughts, emotions, and behaviours of those who dwell there and is therefore inseparable from culture, everyday life, and the cultivation of human fulfilment. By doing so, this thesis reconceptualises architecture, the urban environment, …

It's Funny 'Cause It's True: The Lighthearted Philosophers’ Society’S Introduction To Philosophy Through Humor, Jennifer Marra Henrigillis, Steven Gimbel

Open Educational Resources

It's Funny 'Cause It's True is an introductory text in philosophy exploring logic, metaphysics, epistemology, ethics, and aesthetics through questions in the philosophy of humor. Subfields receive a substantive introduction with interactive essays written to be accessible to undergraduates.

On The Question Of Thinking: A Study Of Heidegger's Later Philosophy, Shishir Budha

Honors Theses

This thesis explores the writings of the 20th-century German philosopher Martin Heidegger to understand what “thinking” is and how thinking needs to be undertaken. I examine Heidegger’s commitments to phenomenology in his early writings, his revaluation of the meaning of truth in traditional Western metaphysics, his criticism of calculative thinking and scientific rationality, his diagnosis of the human alienation and homelessness, and his evocation of the redemptive power of art and poetry through which we can find our place in the world. By questioning through all these themes, I attempt to trace Heidegger’s path towards a deeper and more original …

Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics, Russell Hendrickson

Senior Theses

The theory of virtue ethics implies that filmmakers have a moral obligation to explore political themes within superhero films. My thesis is comprised of four main sections. I begin by discussing the general theory of virtue ethics and what moral obligations are placed upon someone who subscribes to this moral theory. From there, I establish my argument for why film can be used as a tool of moral education, and I outline a framework for how artists can work to cultivate virtue in themselves through the use of Arnold Berleant’s Artists and Morality: Toward an Ethics of Art as a …

"A Self-Propelling Wheel": Prefigured Recurrence In Nietzsche's The Birth Of Tragedy, Jared R. Mcswain

Oglethorpe Journal of Undergraduate Research

One of Friedrich Nietzsche’s central doctrines, the doctrine of eternal recurrence, asks us to consider how we would feel if we had to repeat our lives exactly as we have lived them. Rather than despair at this possibility, Nietzsche describes the kind of attitude we would adopt if we desired nothing more. He labels such an attitude as “Dionysian”: we rejoice in every pain and every joy that has colored our lives and use them as creative fodder for the future. This identification links the doctrine to Nietzsche’s earlier work on aesthetics, The Birth of Tragedy, where he describes the …

Where Literature And Philosophy Meet And Diverge, Clare C. Hagan

Undergraduate Theses

Many writers and philosophers have asked “What is art?” or “What is philosophy?” but it is difficult to encounter a text where these questions are set beside each other. Many works of philosophy appear very literary in form and content, just as there are many literary works that are very philosophical in nature. This essay examines the intersection of literature and philosophy, using Kant’s Critique of Judgement as a way into analyzing Plato’s Phaedo, as an example of literary philosophy; and Shakespeare’s Hamlet, as an example of philosophical literature. The first section deals with literature and philosophy as texts, looking …

Contextual Beliefs: A Creative Interpretation Of The Fictional Emotion Paradox, Amelia Richards

Conspectus Borealis

No abstract provided.

“Why (Not) Philosophy Of Stand-Up Comedy?”, Sheila Lintott

Faculty Contributions to Books

Stand-up comedy has been largely ignored by analytic philosophers of art, including those interested in comedy and humor. This is somewhat surprising, given the immense popularity of stand-up comedy and the rock star status enjoyed by some comedians today. I suspect that philosophers are just as likely to enjoy stand-up comedy as anyone else; in some cases (i.e. for some philosophers and some comedians), probably more likely. Here I offer some reasons philosophers of art should take the time to consider stand-up comedy and possible explanation for why philosophers of art have paid far less attention to stand-up comedy than …

The Plight Of Aesthetics In Iran, Majid Heidari

Contemporary Aesthetics (Journal Archive)

Richard Rorty believes that philosophy in the West is the result of a conflict between religion and science. In fact, philosophy seeks to clarify the border between religion and science, so neither of them would be able to overstep its explanatory or predictive potentialities. He remarks that we do not have such a thing as philosophy in the East. This paper intends to ask two questions: what is the nature of the comparable conflict in an Eastern country, Iran, and what are its effects on aesthetic studies? I will draw on the idea of the conflict between theology and mysticism. …

The Groundwork For Food Criticism: How Normative Aesthetic Judgments Are Possible With Regards To Tastes, Jacob Caldwell

Senior Independent Study Theses

Issues of tastes and smells are often relegated to an ancillary or minor rank of importance in the domain of aesthetics, if recognized at all as legitimate objects of aesthetic inquiry and experience. This essay aims, firstly, to carve out a space of legitimacy for the aesthetics of tastes, and secondly, to clarify what aesthetic inquiry with regards to tastes must look like. In order for the above to be decisively established, the following positions will be argued for: (1) tastes are real, (2) our ordinary or scientific conception of what tastes are, upon which our reasons for doubting the …

Armed With An Easel: Understanding Artistic Political Praxis Through The Works Of Theodor Adorno And Chantal Mouffe, Evelyn Yu Yu Swe

Senior Independent Study Theses

This Independent Study is divided into four chapters. The first chapter examines the role of capitalism in the formation of our culture. The argument presented here is that culture plays an important role in reinforcing modern neoliberal capitalism and that neoliberal capitalism has massive control over the dissemination of culture and the arts. The chapter concludes that it is necessary to utilize socio-cultural means in combating the influence of capitalism, and there does indeed exist emancipatory potential in artistic political praxis.

The second chapter focuses on Theodor Adorno’s aesthetic theory in articulating his conception of the emancipatory potential of art. …

Symbolic Misery And Aesthetics- Bernard Stiegler, Noel Fitzpatrick

Articles

In this article I will deal with the development of a theory of aesthetics within the work of the French contemporary philosopher Bernard Stiegler with particular reference to his concept of symbolic misery. Rather than give an extensive account of Bernard Stiegler’s aesthetics this article will focus on some key concepts mobilized in the definition and analysis of symbolic misery. Firstly, I will argue that Stiegler’s understanding of the aesthetic comes from an expanded notion of aesthesis, where the political and the aesthetic are mobilized together. In this regard I will interrogate some key concepts in his work Symbolic Misery …

Formal Properties As The Basis For Value In Music, Thomas B. Yee

Global Tides

This paper defends the thesis that value in a piece of music is based in its formal properties rather than its non-formal properties. Two arguments are presented to support this conclusion. The first argument shows that if value in music is to be objective, then it must be grounded in a piece's formal properties rather than its non-formal properties. In the second argument, a number of alternate possibilities for grounding value in music are considered and shown to miss the mark or be inadequate. Finally, a number of possible objections against the arguments and conclusion are considered and possible responses …

Rhyme Or Reason:That Is The Question?, Jim Roche

Articles

Noting that “the aesthetic should not be limited merely to the way things look” the organisers of this conference sought “in part to address the discursive limitation in architecture and related subjects by broadening the aesthetic discourse beyond questions relating to purely visual phenomena in order to include those derived from all facets of human experience”.

So where does etchics come in? Well, the introductory brochure noted that most philosophical trained aestheticians will say that “the aesthetic is everything” hinting perhaps of the necessity for a more haptic experience of architecture. It also drew on Wittgenstein’s quote that “ethics and …

Aesthetics And Art Of Friendship, Sheila Lintott

Faculty Contributions to Books

In the spirit of exploring fresh perspectives, I offer this investigation into the aesthetic aspects of personal relationships with a focus on friendship.1 Glossing the aesthetic aspects of friendship, as we too often do, impoverishes our understanding of the value and meaning of friendships, relationships which give shape and content to our lives, which animate our lives or, as Nancy Sherman (1993) puts it, relationships which structure the good life. The friendships we forge and those we forgo, the loves we cultivate and those we lose, these varying and variable relations broaden (or impoverish) our experiences, intensify (or diminish) our …

Fragments In Libeskind And Wittgenstein, Rossen Ventzislavov

Contemporary Aesthetics (Journal Archive)

My paper explores the similar role that fragments play in Wittgenstein’s later philosophy and in Libeskind’s architecture. The fragment is an infraction of traditional linear approaches to architecture and philosophy and thus affords an alternative critical glimpse into the fabric of each respective field. The fact that some philosophy and architecture use this device and its critical stance bodes well not only for the futures of the two disciplines but also for the embattled connection between them. In my paper I try to show that the break with linearity Wittgenstein and Libeskind engage in effectively replaces the ivory towers of …

The Pragmatic Picturesque: The Philosophy Of Central Park, Gary Shapiro

Philosophy Faculty Publications

New York's Central Park is one of the world's iconic works of landscape architecture. The park has achieved global recognition through its representations in film and photography, it is visited by millions every year and every sunny day sees a procession of engaged or newly married couples having their official photographs taken against the background of its picturesque scenery and monumental structures.

In the twenty-first century it may sound slightly odd to consider Central Park as a form of gardening, but the eighteenth-century founders of modern aesthetics and the philosophy of art would have called it a garden or park. …

Musical Presence: Towards A New Philosophy Of Music, Charles Ford

Contemporary Aesthetics (Journal Archive)

Most recent writings about the philosophy of music have taken an analytic or linguistic approach, focusing on terms such as meaning, metaphor, emotions and expression, invariably from the perspective of the individual listener or composer. This essay seeks to develop an alternative, phenomenological framework for thinking about music by avoiding these terms, and by extrapolating from the writings of Hegel, Husserl, and Heidegger. On the basis of discussions of musical time, its multiple levels of matter, and its internal dialectics, the essay presents a particular understanding of “style” as the primary basis for mediation between production and reception. It concludes …

Intentions And Interpretations: Philosophical Fiction As Conversation, Jukka Mikkonen

Contemporary Aesthetics (Journal Archive)

Appeals to the actual author's intention in order to legitimate an interpretation of a work of literary narrative fiction have generally been considered extraneous in Anglo-American philosophy of literature since Wimsatt and Beardsley's well-known manifesto from the 1940s. For over sixty years now so-called anti-intentionalists have argued that the author's intentions – plans, aims, and purposes considering her work – are highly irrelevant to interpretation. In this paper, I shall argue that the relevance of the actual author's intentions varies in different approaches to fiction, and suggest that fictions are legitimately interpreted intentionally as conversations in a certain kind of …

Not Just Mere Things, Thomas E. Wartenberg

Contemporary Aesthetics (Journal Archive)

This paper examines Arthur Danto's contention, put forward in The Transfiguration of the Commonplace, that at a certain point in its history art becomes philosophy. The similarities and differences between Danto's view and the Hegelian one from which it is derived are examined. Using Danto's favorite example of a philosophical work of art, Andy Warhol's Brillo Box (1965), it is argued that a more plausible interpretation of the meaning of the work undermines Danto's claims about art's transformation into philosophy.

Toward A Poeticognosis: Re-Reading Plato's The Republic Via Wallace Stevens' "An Ordinary Evening In New Haven", Dan Disney

Contemporary Aesthetics (Journal Archive)

This article is a language-based re-reading of Plato's exile of the poets via Wallace Stevens' poem-manifesto, "An Ordinary Evening in New Haven." I examine how philosophy and poetry use language differently in order to deconstruct an origin of the speech-acts -- wonder -- that I then identify as a phenomenological difference between philosophers and poets. I contend that the thinking-into-language of philosophers is based in theoria, comprehension, and a resulting closure of wonder. I contrast this with the processes of poets, who I show to be moving thought into language via gnosis, apprehension, and a phenomenology opening onto …

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.