Aesthetics Commons^™

Defining Art Aesthetically : A Revision Of Iseminger's New Aestheticism, Yeung Yu

Lingnan Theses (MPhil & PhD)

My thesis attempts to provide an aesthetic definition of art.

The thesis is divided into three parts. The first part is a summary of the different attempts in defining art in contemporary analytic philosophy, beginning with a discussion of Morris Weitz’s famous paper “The Role of Theory in Aesthetics”, in which he appealed to Wittgenstein’s “family resemblance” idea while rejecting traditional essential definitions. His attempt has led to the appearance of contemporary essential definitions, whereby art is defined through different relational properties. This is followed by a critically review on Weitz’s claims and those definitions.

The second part focuses on …

First-Personal Body Aesthetics As Affirmations Of Subjectivity, Madeline Martin-Seaver

Contemporary Aesthetics (Journal Archive)

This paper redirects some of the philosophical discussion of sexual objectification. Rather than contributing further to debates over what constitutes objectification and whether it is harmful, I argue that aesthetic experience is a useful tool for resisting objectification. Attending to our embodied experiences provides immediate evidence that we are subjects; aesthetically attending to that evidence is a way of valuing it. I consider the human body as an aesthetic site, then as an ethico-aesthetic site, and finally as a site of resistance. In addition to deepening accounts of body aesthetic experience, this paper helps frame human bodies as integral to …

The Aesthetic And Financial Markets. Beyond Mere Representing And Supporting, Marcin M. Krawczyk

Contemporary Aesthetics (Journal Archive)

The aesthetic, according to Wolfgang Welsch, has several semantic variants. One of them is a phenomenalistic one. Referring to this variant, I show that the aesthetic is something more than a secondary component of electronic capital markets, which reflects what is happening to them and supports economic actors in their investment decisions. Namely, it is something that reaches out to such important things as the very existence and functioning of financial markets, their moral and social legitimization, the mode of participation of economic actors on these markets, their experiences and behavior and the popularity of investing in the markets. Thus, …

Managed Engagement; Considering A Space For Policy In Aesthetics, Connell Vaughan

Conference papers

Aesthetics and the philosophy of art is routinely faced with a problem of a binary opposition of two silos, namely: Theory and Practice. For want of a better word, these domains are often reluctant to “engage” each other. Philosophers of aesthetics are often unable to connect the aesthetic enquires of Kant et al, which almost ignore the world of art practice, with sustained philosophical reflection on the artworld itself. As a way of thinking through the connections between aesthetic theory and art practice, I propose to consider another domain as intermediate, namely, policy.

Thresholds, Defaults, And Cosbys: A Reponse To Bartel, Jason Holt, Bernard Wills

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Feet, Lines, Weather, Labyrinth: The Haptic Engagement As A Suggestion For An Ecological Aesthetics, Nicola Perullo

Contemporary Aesthetics (Journal Archive)

In this paper I present a philosophical approach stemming from the general framework of ecological aesthetics, specifically defined here as a perceptual attitude that entails intimacy, engagement, participation, and care. In order to develop this approach, I lean on some authors that I find sympathetic to my view; particularly important are John Dewey, Maurice Merleau-Ponty, Arnold Berleant and Tim Ingold. Following Ingold, I propose a revaluation of what he calls “feet” to highlight the active and mobile nature of perception and a consideration for an ontology of living beings as a fluid meshwork composed by lines. I then propose to …

Spiritual Rituals Of Chinese Ink Painting: The Suggestions Of Shitao, Eva Kit Wah Man

Contemporary Aesthetics (Journal Archive)

Ritual has an essential connection with art. This article suggests that the study on Shitao has significance in proposing a ritual theory of art for two reasons. First, textual analysis on his treatise on ink painting, Hua-pu, demonstrates that an artist is/should be involved in the interconnectedness of what he or she depicts. This involvement requires penetration into the primordial intuition towards what he or she perceives and has an ethical imperative to use the artist’s talent conferred by heaven. Second, Shitao’s artistic practice is interpreted as a form of rites that are a reaction to the sociopolitical changes …

Reflections On The Aesthetics Of Violence, Arnold Berleant

Contemporary Aesthetics (Journal Archive)

Violence has long been a factor in human life and has been widely depicted in the arts. This essay explores how the artistic and appreciative responses to violence have been practiced, understood, and valued. It emphasizes the difference between the aesthetics of distant, disinterested appreciation and the engaged appreciative experience of violence in the arts, and insists on the relevance of their behavioral and ethical implications.

The Power Of Horror: Abject Art And Terrorism In Don Delillo’S Falling Man, Kelsie Donnelly

Contemporary Aesthetics (Journal Archive)

This paper argues that Don DeLillo’s 2007 novel, Falling Man, engages with abject art to disrupt the pre-existing systems of signification and dualistic rhetoric that characterized state and media responses to the terrorist attacks of September 11, 2001. The novel engages with one of the most controversial areas of 9/11 discourse: claims that the attacks were an artistic spectacle. Falling Man posits that if art is to continue to grapple with the meanings of 9/11, it must depart from familiar discourses of tragedy and triumph and embrace radical artistic responses. The novel fulfills this through its engagement with abject …

Isis And Futurist Terrorism Versus Cyberpunk, Thorsten Botz-Bornstei

Contemporary Aesthetics (Journal Archive)

The origin of science fiction is twentieth-century Futurism. For the largest part of the twentieth century, science fiction maintained an optimistic attitude towards the future. At the end of the 1970s, the modern, optimistic, and futurist vision of the future, typical for avant-garde movements of the 1930s, took a negative turn and became dark, pessimistic, and cynical, in a postmodern sense; it became what would be called, in a word, ‘cyberpunk.’ In this article, I want to show that the terrorist organization generally known as ISIS (Islamic State) intends, or rather intended, to go back to futurism and modernism by …

Introduction, Emmanouil Aretoulakis

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Letters On The Aesthetic Deformation Of Man, Katya Mandoki

Contemporary Aesthetics (Journal Archive)

Friedrich Schiller wrote Letters on the Aesthetic Education of Man hoping to elevate human potential through the arts for the development of free citizens of the Republic, and also in reaction to the decline of the French Revolution into a Reign of Terror. Nowadays, with the prominent role social networks have acquired in human relations, aesthetics is an invaluable tool for capturing attention in marketing and political propaganda, no less than in recruitment and indoctrination by terrorist organizations. Adopting a pragmatics approach, we will examine Schiller’s relevance today regarding uses and abuses of aesthetics related to terrorism, focusing on the …

The Aesthetics Of Terrorism And The Temporalities Of Representation, Robert Appelbaum

Contemporary Aesthetics (Journal Archive)

Representations of terrorism, in fiction and non-fiction, summon their readers and viewers to examine terrorism in any of at least four modes of temporality: the past, the past perfect, the continuous present, and the simple present. This essay explains those modalities and shows how they work with reference to novels, a film documentary, and contemporary American television, including the documentary Black September and the series NCIS. The modalities are ideological as well as narratological functions and are sometimes employed to occlude the historical and pragmatic dimensions of terrorist violence. Terrorism is always already aesthetic and “hyperreal,” in Jean Baudrillard’s …

Dismantling Bodies: The War On Terror, And The Wound Aesthetic Of Csi: Crime Scene Investigation (2000-2015), Christopher J. Davies

Contemporary Aesthetics (Journal Archive)

This paper interrogates the aesthetic signature of CSI: Crime Scene Investigation (2000-2015). Utilizing a selection of representative episodes airing during George W. Bush’s first term, I analyze how CSI mobilizes a particular aesthetic of wounding in which wound sites, bodily and geographic, may be understood to serve as vulnerable apertures through which underlying threads of critical engagement with the direction of the 9/11 discourse may be aspirated from within the body of the text. Specifically, I approach the wound sites of CSI as sources of war-on-terror critique that serve political double-duty. On the one hand, CSI’s injury-centric narratives and …

V.1 Fall 2019, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2019 issue has a theme of mobility and contains articles on Providence's Superman Building, Quechua textiles and the Mexican Revolution, Asian queer identities, and the best albums of the 2010s, along with personal essays, creative writing, and other student work.

A Role For Empathy In Decolonizing Aesthetics: Unlikely Lessons From Roger Fry, Ivan Gaskell

Contemporary Aesthetics (Journal Archive)

Artist and art historian Roger Fry used Paul Gauguin’s 1896 painting, Poèmes barbares, to advertise his 1910 exhibition, Manet and the Post-Impressionists. In Vision and Design (1920), Fry promoted the so-called “primitive” art of Oceania and sub-Saharan Africa as depending on unmediated perception that he associated with the Impressionists and Post-Impressionists. Although Fry’s assumption of an “ultra-primitive directness of vision” on the part of African makers ignores their own mediating conventions, his reliance on the Vischers’ notion of empathetic connection enhances the possibility of regarding the cultural products of peoples foreign to the percipient with what Paul C. …

Saints, Mediation, And Miracle-Talk: The Señor De Los Milagros In Lima, Peru, Kristin Norget, Margarita Zires Roldán

Journal of Global Catholicism

No abstract provided.

Competing Sovereignties: Indigeneity And The Visual Culture Of Catholic Colonization At The 1925 Pontifical Missionary Exhibition, Gloria Bell

Journal of Global Catholicism

Through an analysis of Catholic colonial cum missionary imagery, First Nations artwork, missionary accounts and archival fragments, this article examines the competing sovereignties of Indigeneity and Papal visual culture through the case study of the 1925 Pontifical Missionary Exhibition at the Vatican.

Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity, Eric Hoenes Del Pinal, Marc Roscoe Loustau, Kristin Norget

Journal of Global Catholicism

No abstract provided.

Overview & Acknowledgements, Mathew Schmalz

Journal of Global Catholicism

No abstract provided.

A Volitional Theory Of Aesthetic Value, John Dyck

Dissertations, Theses, and Capstone Projects

In this dissertation, I defend a volitionalist theory of aesthetic value. The volitionalist theory is a species of response-based models of aesthetic value: It holds that aesthetic value is based in a kind of human response. Traditional response-based theories of aesthetic value hold that value is based in responses of cognition, perception, desire, or pleasure. The volitional theory offers a new response as the home of aesthetic value: the will. We find things beautiful, I argue, because we orient our selves towards them; we find things ugly, I argue, because we orient our selves against them. The volitionalist theory I …

Ordinary Monsters: Ethical Criticism And The Lives Of Artists, Christopher Bartel

Contemporary Aesthetics (Journal Archive)

Should we take into account an artist’s personal moral failings when appreciating or evaluating the work? In this essay, I seek to expand Berys Gaut’s account of ethicism by showing how moral judgment of an artist’s private moral actions can figure in one’s overall evaluation of their work. To expand Gaut’s view, I argue that the artist’s personal morality is relevant to our evaluation of their work because we may only come to understand the point of view of the work, and therefore the work’s prescribed attitude, by examining the values, attitudes, and behaviors of the artist. This view is …

Japanese-English Translation: Kitaōji Rosanjin—Why I Became A Potter (1933), Christopher Southward

Comparative Literature Faculty and Student Scholarship

A translation of「なぜ作陶を志したか」、北大路魯山人著、1933年

Source, Aozora Bunko (a digital archive of public-domain Japanese-language works):

General website: https://www.aozora.gr.jp

Current text: https://www.aozora.gr.jp/cards/001403/files/55082_54782.html

All rights reserved, Christopher Southward, 2019

Setting The Stage And Building Homes: Architecture Metaphors And Space In Donne's First Caroline Sermon, Alexander S. Laws

LSU New Orleans Theses and Dissertations

Through his use of "foundation" and "house" metaphors in his "First Sermon Preached to King Charles at St. James, 3 April 1625," John Donne discreetly presents his ideologies and principles before the new king, while simultaneously criticizing his contemporaries' misguided bickering over religio-political factions. This essay seeks to unpack the history surrounding, as well as the casuistical logic found within Donne's first sermon preached during the Caroline period, which both explicitly and implicitly addresses the foremost anxieties of the people of the changing age.

An Alternative To “Rules” In Practice Approaches To Distinguishing Art Kinds, Larry Shiner

Contemporary Aesthetics (Journal Archive)

Numerous contemporary philosophers have invoked the idea that art is best understood as a social practice in order to distinguish among art kinds or to distinguish Art from closely related practices such as Design. Many general accounts of social practices and of art practices in particular claim that sets of shared assumptions or norms are a key constituent of practices. But some standard accounts of social practices interpret these shared norms with the concept of “rules” or “agreements.” I argue that the idea of rules or agreements is theoretically inadequate and should be replaced by what the philosopher of science, …

Thelonious Monk's Prototypical Style: Close And Distant Readings Of Jazz Stylings, Connor Davis

LSU Doctoral Dissertations

Thelonious Monk’s style has been considered non-conformist, modernist, technically stilted, intentionally unconventional, even incompetent. His performing is idiosyncratic, to say the least. However, by what metric is his performing idiosyncratic, or, framed another way, in what ways do Thelonious Monk’s performances deviate from the prototypical performance? Situated within family resemblance theories of prototypicality, I utilize supervised and unsupervised machine learning approaches to categorize jazz solos based on their melodic usage of standard jazz language (novel corpus of 530 jazz solo improvisations). Using these distant readings to determine which solos are prototypical, I perform a close reading of these prototypical solos …

Sunésis: Evolving Aesthetic Discourse In Traditional Music Practices In Ireland, Nollaig Ó Fiongháile

Research Theses

The enquiry ‘Súnesis’ investigates aesthetic awareness in traditional music practices in Ireland and seeks to evolve an aesthetic discourse with the practices at hand.Súnesis undertakes a critical examination of a suite of performances from contemporary and traditional folk music practices in Ireland. Engaging an interpretative model evolved by Paul Ricoeur, the author designs a dimensional pathway to articulate the modes of consciousness and aesthetic awareness at work in the creative act.

It is proposed that a rethinking of traditional folk music is required, beyond the disciplinary, geographical or political boundaries more typically conceived in music studies. With an alternate …

Are Postmodernism And #Metoo Incompatible?, Seo-Young J. Chu

Publications and Research

If postmodernism renders the replicant Rachael legible as a glossy simulacrum, then #MeToo renders her brutally legible as a victim of sexual violence.

Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics, Russell Hendrickson

Senior Theses

The theory of virtue ethics implies that filmmakers have a moral obligation to explore political themes within superhero films. My thesis is comprised of four main sections. I begin by discussing the general theory of virtue ethics and what moral obligations are placed upon someone who subscribes to this moral theory. From there, I establish my argument for why film can be used as a tool of moral education, and I outline a framework for how artists can work to cultivate virtue in themselves through the use of Arnold Berleant’s Artists and Morality: Toward an Ethics of Art as a …

Enclosures And Dichotomies: Coexistence Vs. Distance In The Poems Of John Clare, Jordan P. Finn

Theses and Dissertations

John Clare’s poetry emphasizes an affinity with environment by suspending the distinction between the inside (subject) and the outside (object). Clare’s identification with objects and perception rather than subjects and aesthetics renders his work as a prescient and radical example of ecological poetry in the Romantic period. Raymond Williams’ “green language” and Timothy Morton’s ambient poetics both cite Clare as an ideal figure for their above theories and evoke Clare as a writer who positions the environment as governing thought rather than thought governing the environment. This thesis especially relates Clare to Morton’s Ecology without Nature, a study of …