Aesthetics Commons^™

Installation: Untitled#0420, Thesis: Is The Artist’S Position Valid And Necessary To Her Completed Artworks ? —— An Investigation Of The Artist’S Position Through Martin Heidegger’S Poetry, Language, Thought And The Fisherman Analogy, Coco Ma

Senior Projects Spring 2020

Artist statement:

In my practice of mixed-media sculptures and installations, I use different kinds of materials in unexpected ways to provoke uncertainties, inquiries, and reflections. My works entice people to stop and pay close attention. In this process, they may be confused and amused. By being labor- intensive and repetitive with ordinary materials, my works inspire people to see familiar forms and materials in new and fresh ways. Underneath the familiarity of the materials is the “white noise,” a hum of dissonance between the familiar and the strange.

The installation Untitled#0420 uses fishing lines as its major component, which is …

On The Question Of Thinking: A Study Of Heidegger's Later Philosophy, Shishir Budha

Honors Theses

This thesis explores the writings of the 20th-century German philosopher Martin Heidegger to understand what “thinking” is and how thinking needs to be undertaken. I examine Heidegger’s commitments to phenomenology in his early writings, his revaluation of the meaning of truth in traditional Western metaphysics, his criticism of calculative thinking and scientific rationality, his diagnosis of the human alienation and homelessness, and his evocation of the redemptive power of art and poetry through which we can find our place in the world. By questioning through all these themes, I attempt to trace Heidegger’s path towards a deeper and more original …