Philosophy Commons^™

Simple Goodness And Ethical Theory, Sarah Marie Babbitt

Dissertations

This work is an examination of the concept of simple goodness and its role in ethicaltheory. I argue on pragmatic and epistemic grounds that simple goodness (SG), commonly referred to as "good simpliciter," is problematic for ethical theory and for ethical discourse generally. I begin by defining SG, focusing on the original account developed by G.E. Moore, and I argue that it is an intrinsic value in several senses. I review the arguments of prominent critics of SG, namely Peter Geach, Judith Jarvis Thomson, and Richard Kraut, who focus on the logical and metaphysical puzzles inherent to the concept of …

Hic Rhodus, Hic Salta! Three Conceptions Of The Modern Inequality Paradox, Nicoletta Christina Montaner

Dissertations

The modern epoch is characterized by a paradoxical form of social inequality in which poverty expands alongside the unprecedented growth in socially-produced wealth. Any one conception of this dynamic stakes a claim within the classical liberal problematic, in which the central political challenge is the negotiation of individual interests with those of the social whole. Part one of this work analyzes three influential conceptions of the inequality paradox in the history of social thought, those of G.W.F. Hegel, Karl Marx, and John Maynard Keynes, each encompassing a perspective on the nation-state and its relationship to the institutions of economic intercourse. …

Symposium On Buddhist Perspectives On Free Will: Agentless Agency?, Rick Repetti

Publications and Research

This special issue of the Journal of Buddhist Ethics, Volume 25, is a symposium on the anthology, Buddhist Perspectives on Free Will: Agentless Agency? (Repetti), and on the topic reflected by that title, more broadly, based on an Author Meets Critics session of the 2018 American Philosophical Association Eastern Division meeting organized by Christian Coseru. To orient readers new to the topic, I first sketch what some of the issues are regarding Buddhist perspectives on free will. Second, I briefly describe the anthology, and third, I introduce the several contributions to this symposium. As I am sympathetic to most …

Good Game, Greyory Blake

Theses and Dissertations

This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of these concepts are contextualized within the exponential growth of new technologies. That is to say, all of these semiotic …

Quotations Like The Sharpest Claws, Johanna Robinson

Theses and Dissertations

Quotations like the Sharpest Claws describes a multimedia installation composed of paintings and sound that explores the theory of cognitive dissonance, a controversial psychological model that attempts to explain how we deal with inconsistency in incompatible beliefs. Imagination is given primacy as a source for truth-seeking and world-building. The uncanny and surreal are used as entry points into this topic.

The title is derived from a description of Eileen Myles’ poetry I once read in an anonymous review. Their writing was described as beyond poetry in a way that it could only be described as such when surrounded by “quotations …

Work/Death, Of Each In Their Own, Micah H. Weber

Theses and Dissertations

Writings in support of my visual thesis, including some background, and bibliographic information: Oregon/Death/Animation/Vocation and the artist as an agent of potential.

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.

Seeing And Understanding Data: A Mini-Primary Source Project For Students Of Statistics, Charlotte Bolch, Beverly Wood

Publications

Mathematicians and scientists included drawings in their work before the first statistical graphs were invented. However, their illustrations were meant to depict quantifiable relationships rather than exposing statistical variability. The uses of pictorial representations or charts to convey trends among variable measurements dates back to at least the late 10th century. However, this means of communication did not gain the widespread appreciation it enjoys today until technological advances in the 21st century stimulated the growth of a new field, data visualization. The mini-Primary Source Project (PSP) Seeing and Understanding Data provides students the opportunity to explore the evolution of statistical …

The Aesthetic World And Formalistic Structure Of Korean Dance, Hee-Wan Chae

Contemporary Aesthetics (Journal Archive)

Two aspects of a unified concept made up of labor-play-gut, the latter being shaman ceremony performance, form the fundamental basis of Korean traditional dance. One is formalism or characteristic structures, and the other is Korean consciousness, or the aesthetic world. The aesthetic consciousness reflected in Korean traditional dance relates to naturalism that sheds light on the concept of being danced, rather than to dance; the beauty of curved lines, as shown in taegeuk (the Great Ultimate); moments in stillness that are permeated by the energy of the universe; no'gyeong that makes possible the progression from nothingness to being; …

The Universal Validity Of The Conceptions Of Artistic Creativity And The Perception Of Beauty In Pre-Modern China: A Comparative Examination, Junghwan Lee

Contemporary Aesthetics (Journal Archive)

In contemporary aesthetics, artistic creativity and the perception of beauty are the key concepts in explaining aesthetic consciousness. From the birth of modern aesthetics, an underlying assumption has been that artistic creativity and the perception of beauty are each genuinely universal in human experience, which is worthy of particular attention. To examine the universal validity of Western aesthetic claims on these two distinctive subjects, this paper presents a very brief outline of pre-modern Chinese interpretations of both concepts. Specifically, in comparison to Kant’s concept of genius and aesthetic judgment, I draw two conclusions. First, although there was no concept equivalent …

The Private Character Of Natural Beauty: Shanshui Painting As A Model For Unity Of Self And Natural Environment, David Adam Brubaker

Contemporary Aesthetics (Journal Archive)

How can each of us develop an aesthetic appreciation of nature as our home and not a resource to be exploited? Chen Wangheng answers that environmental beauty provides a sense of home through a unity of subject and object that belongs to the private character of the natural environment. But how is the display of the natural environment private? To uphold Chen’s remarks, I inspect the model of shanshui (山水 mountain-water) painting, as Chen suggests. I find that the private character of the natural environment and the related element zhi (質substance) in shanshui painting cannot be described in the object-oriented …

Contemporary Chinese Living Aesthetics And Contemporary Chinese Art History, Liu Yuedi

Contemporary Aesthetics (Journal Archive)

Living aesthetics was understood by most Chinese scholars as a way to bridge the living world and aesthetic activity today. This article discusses contemporary Chinese art from the perspective of the new thinking of living aesthetics. We shall diachronically describe the historical relationship between aesthetics and art and also try to synchronically examine the theory connecting living aesthetics and contemporary Chinese art with each other.

The "Aesthetic Life": A Leitmotif In Modern Japanese Aesthetics, Tanehisa Otabe

Contemporary Aesthetics (Journal Archive)

In 1901, Chogyu Takayama (1871-1902), philosopher and literary critic, published a short article entitled “On the Aesthetic Life.” Takayama’s article, regarded as a manifesto of Nietzscheism by his contemporaries, triggered a great debate among a great many literary critics, including Shoyo Tsubouchi and Ogai Mori. This paper argues that Takayama’s article constituted a framework for aesthetic thought in modern Japan and marked the Japanization of Western modern aesthetics. Takayama was not interested in the modern Western idea of autonomous art; instead, he tried to work out the aesthetic in one’s way of living. What underlies Takayama’s idea of the aesthetic …

Aesthetics Studies Of Chinese Leisure Culture, Liyong Pan

Contemporary Aesthetics (Journal Archive)

Given the present situation and problems of the research on contemporary China’s leisure culture and aesthetics, it is the highest priority of leisure studies to make leisure return to the nature of human self-creation and self-improvement; to learn to intelligently spend leisure time in the realm of aesthetics; to deeply examine and carry forward the national tradition and wisdom of Chinese leisure; and to establish a modern leisure culture and theory with Chinese characteristics and Chinese discourse.

Meanwhile, it is the highest priority of aesthetic research to transcend the tradition of discussing abstract concepts and focusing only on art; to …

Introduction: Thinking The Present Of East Asian Aesthetics, Joosik Min

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Editorial, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

On Dust: Memory As Performance And Materiality, Natasha Lushetich

Contemporary Aesthetics (Journal Archive)

The world's "worldliness" is, to a large extent, perceptually constructed through touch, kinaesthetics, and proprioception. Gesture, too, is embedded in sedimentations of the body's prior sensory exchanges with the environment. Materiality is transitive; it triggers sensory landscapes through performance. Consisting of particles of pollen, human and animal skin, hairs, minerals, soil, and burnt meteorites, dust is usually seen as the antithesis of the performative-material nexus. In this paper, I propose a different view: that dust is and acts as a connective tissue. Borrowing from Hélène Cixous's écriture blanche, Quentin Smith's degree presentism, and theorizing nostalgia as a structuring absence, …

On Habits And Functions In Everyday Aesthetics, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

A group of theorists in everyday aesthetics, named restrictivists, have explicated the notion of the everyday in terms of a particular stance of everydayness that they believe, in time, comes to characterize people’s relationships to their daily things and environments. The everyday is revealed to be something habitual and routine that, despite its ordinariness, provides a pleasurable sense of safety and trust. In this paper, I present a series of considerations drawing on John Dewey’s notion of habit, on the one hand, and Jane Forsey’s account of the aesthetics of design, on the other, that call into question the general …

Autographic And Allographic Imitation: Revisiting Counterfeit In Linguistic And Musical Arts, Jeremy Orosz

Contemporary Aesthetics (Journal Archive)

Imitation within sonic arts, linguistic, musical, or otherwise, broadly defined, is a heterogeneous set of practices ranging from comical impersonation to outright counterfeit or forgery. This paper provides a taxonomy of imitation and mimicry within both language and music, dividing each into two respective categories, autographic imitation and allographic imitation, the terms for which are repurposed from Nelson Goodman’s Languages of Art.

On Canon, Craig Deksen, Darren Hudson Hick

Contemporary Aesthetics (Journal Archive)

Canon is a concept from aesthetics that has become a regular subject of commonplace discussions. The nature of canon, especially as it is used in these commonplace discussions, has not been subject to adequate philosophical scrutiny. We attempt to remedy that by placing canon in its historical and philosophical context, exploring and rejecting several common accounts, and presenting some basics of how canon works. We reject the accounts that place control with the author or the legal property holder, which appear to be the most commonly held accounts.

Atmospheric Design And Experience With An Exemplary Study Of Olafur Eliasson's "The Weather Project", Zhuofei Wang

Contemporary Aesthetics (Journal Archive)

In past decades, the subject of atmosphere has gone beyond the physio-meteorological scope and become a new concept of aesthetics. As the primary sensuous reality constructed by both the perceiving subject and the perceived object, atmosphere is neither a purely subjective state nor an objective thing, but essentially is a quasi-object pervaded by a specific emotional quality and a ubiquitous phenomenon forming the foundation of our life experience. In this respect, a decisive factor is not what we perceive but how we perceive. Furthermore, the quasi-objective quality of atmospheric phenomena makes it possible that atmosphere is producible. A practical dimension …

Rhizomatic Mnemosyne: Warburg, Serres, And The Atlas Of Hermes, María Del Carmen Molina Barea

Contemporary Aesthetics (Journal Archive)

This essay aims to examine Aby Warburg’s Mnemosyne Atlas according to two conceptual perspectives that seem deeply interwoven, Deleuze and Guattari’s notion of rhizome and Michel Serres’s metaphor on Hermes. Both theoretical approaches cast light on the epistemological implications of the Mnemosyne Atlas and explore its intriguing composition from an innovative point of view. Specifically, this paper excavates the disrupted nature of the Warburgian Atlas, paying particular attention to the schizophrenic proliferation of unexpected connections. In this scenario, it will be necessary to elucidate the terminological opposition between ‘atlas’ and ‘archive,’ as studied by Boris Groys, Foucault, and Derrida, …

Feelings Of Enlightenment: A Hermeneutic Interpretation Of Latent Enlightenment Assumptions In Greenberg's Emotion-Focused Therapy, Alex A. Gomez

Antioch University Dissertations & Theses

The purpose of this dissertation is to explore how a mainstream theory of psychological practice might inadvertently conceal and ignore contemporary values and ideologies and their pathological consequences. Through a hermeneutic approach, I interpreted Leslie Greenberg’s Emotion-focused therapy: Coaching clients to work through their feelings (2^nd ed), a popular and widely used theory in psychotherapy. As a practitioner with humanistic foundations, this was also an opportunity for the author to understand his own unexamined values as a therapist. Specific EFT constructs and concepts that reflected Enlightenment assumptions and values were examined. EFT was situated within Enlightenment philosophy, particularly …

Art As A Mindfulness Practice, Amaris Espinosa

Antioch University Dissertations & Theses

The use of mindfulness-based interventions in health, education, and psychology have dramatically increased in the last two decades. Art, as a reflection of the internal and external processes, is one of the key features of humanity. However, art as a mindfulness-based intervention remains underrepresented and under-researched in the mindfulness literature. This is surprising given the role of art across culture, religion, and philosophy. Art is used to explore concepts of self and self-refection, as well as to train attention and awareness. Art is also used to explore relationships and engage in meaning-making. There is little evidence of why art was …

Philosophical Ends To Scientific Means: Diagnosis And The Epistemology Of Psychology, Christopher Michael Johnson

Antioch University Dissertations & Theses

Modern scientific psychology continues to advance toward newer and greater discoveries of the inner workings of the human mind, posited in the belief that a universal objectivity exists if only to be found. Despite the professional emphasis on conducting psychological enterprises in this manner, the field has spent much of its formalized existence struggling to answer some of its most basic questions. This paper thoroughly explores the nature of a scientific psychology, while suggesting that psychology may find wisdom in its philosophical origins. It further suggests that psychology continue toward a postmodern epistemology, in which a unitary psychological reality is …

Comment On ‘Comparative Philosophy: In Response To Rorty And Macintyre’ By Zhu Rui, Steven Burik

Research Collection School of Social Sciences

The brief response by Rui Zhu provides an interesting take on the (by now) perennial problem of what comparative philosophy is or should be. While Zhu makes some interesting observations about and suggestions for comparative philosophy, he chooses contributions to the thinking about the possibilities and methodologies of [End Page 266] comparative philosophy that are rather old, though, and my first wonder is: why these two papers, and not more recent contributions to the development of the methodology of comparative philosophy, as can be found in numerous recently published work? Such more recent publications tend to take a more nuanced …

Sentient Plants? Nervous Minds?, Arthur S. Reber

Animal Sentience

The commentaries by Calvo (2018) and Mallatt & Feinberg (2017) on my 2016 target branch out from a common conceptual node like forks in a road. Calvo criticizes me for not acknowledging that plants too are likely to be sentient and claims I have fallen into the kind of category error of which I accuse others ─ a zoocentric bias that fails to grant consciousness to flora. Mallatt & Feinberg maintain that I've gone too far in granting sentience to any species that lacks a nervous system. Calvo makes some good points but there are other issues concerning plant sentience …

A Defense Of Epistemic Invariantism And Intellectualism, Lucas Lockard

Wayne State University Dissertations

The traditional view of knowledge includes two plausible claims. The first claim is that the truth-conditions required to know some proposition p do not vary. So, for any two subjects who have the same epistemic position regarding p, either both know that p or both do not know that p. An implication of this invariantist position is that any difference in knowledge will be explained by a difference in their epistemic position. The second claim is that only epistemic or ‘truth-conducive’ reasons are relevant to considerations of knowledge. This intellectualist position has recently come under attack from those who argue …

Anthropocentrism As Cognitive Dissonance In Animal Research?, Ellen Furlong, Zachary Silver, Jack Furlong

Animal Sentience

Harmon-Jones et al. (2017) make a thought-provoking suggestion in their commentary on Zentall (2016): Overlooked biases among researchers on animal cognition might lead them to discount the traces of higher-order cognition in animals they study. We find the suggestion both philosophically important and worth further reflection for animal scientists. Harmon-Jones et al. point to two “cognitive dissonance” biases involving the clash between the common human resistance to viewing ourselves as animals/meat-eaters and how these biases might lead to discounting possible advanced cognitive performances in the animals studied. We show how these biases might appear in cognitive research generally and argue …

[Introduction To] Unthinking Mastery: Dehumanism And Colonial Entanglements, Julietta Singh

Bookshelf

In Unthinking Mastery Julietta Singh challenges a core, fraught dimension of geopolitical, cultural, and scholarly endeavor: the drive toward mastery over the self and others. Drawing on postcolonial theory, queer theory, new materialism, and animal studies, Singh traces how pervasive the concept of mastery has been to modern politics and anticolonial movements. She juxtaposes destructive uses of mastery, such as the colonial domination of bodies, against more laudable forms, such as intellectual and linguistic mastery, to underscore how the concept—regardless of its use—is rooted in histories of violence and the wielding of power. For anticolonial thinkers like Fanon and Gandhi, …