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2005

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Articles 271 - 283 of 283

Full-Text Articles in Philosophy

The Aesthetics Of The Road, Road Art, And Road Traffic, Yrjš Sepänmaa Jan 2005

The Aesthetics Of The Road, Road Art, And Road Traffic, Yrjš Sepänmaa

Contemporary Aesthetics (Journal Archive)

Three things are required for a good road: economy, safety and beauty. A key concept of this trinity is fitting: how to fit the road into the landscape. Together, the road and the landscape form a work of road art. Art attached to the road environment - in this case the other meaning of road art - is at its simplest art works placed beside a road. Art in a more demanding form gives the landscape new dimensions of meaning. Road and art in unison are more than the sum of their parts. Furthermore, travelling is a way to get …


Movement And Participation: Journeys Within Everyday Environments, Johanna Hällsten Jan 2005

Movement And Participation: Journeys Within Everyday Environments, Johanna Hällsten

Contemporary Aesthetics (Journal Archive)

Motion is an elementary part of our everyday life; it determines our perception and appropriation of environmental features. We are immersed in the world while on foot, grounding awareness of the three-dimensionality of the world and ourselves through movement. As a site-specific installation artist, movement is a crucial aspect of my practice in the sense that it makes the work occur. I argue that the installation comprises the experience of the participant through his or her interaction with the space and the intervention that has occurred through movement. The experience is one which unfolds and changes as the participant walks …


Editorial Jan 2005

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.


Are Supertasters Good Candidates For Being Human Ideal Critics?, Francis Raven Jan 2005

Are Supertasters Good Candidates For Being Human Ideal Critics?, Francis Raven

Contemporary Aesthetics (Journal Archive)

This paper asks whether supertasters possess the criteria for ideal critics that David Hume outlines in his essay "Of the Standard of Taste." This might seem like a straightforward question, but there is a paradox involving supertasters: They possess more tastebuds than normal tasters, making it reasonable to assume they fulfill the requirements for Humean ideal critics with respect to taste. However, because they have more tastebuds, supertasters find certain foods bitter that normal tasters do not and thus negatively evaluate them. This might indicate that supertasters actually make poor candidates for being Humean ideal critics with respect to taste. …


Avant-Garde Or Pré-Jugé?, Sinead Murphy Jan 2005

Avant-Garde Or Pré-Jugé?, Sinead Murphy

Contemporary Aesthetics (Journal Archive)

This paper receives its impetus from Gadamer's account of effective history (Wirkungsgeschichte) and his corresponding challenge to the 'problem of purity' that he locates in Kant's critique of aesthetic judgment and that derives from the attempt to establish universal founding principles for thought and action. This is a deep and wide-ranging issue, and so I focus on a very specific aspect of it: the division between intuition and understanding, between history as a given flux and enlightenment as a unifying synthesis, that motivates Kant's search for pure reflective grounds to reconcile them, and on the challenge posed to this division …


The Aesthetic Dissonance Of Industrial Wind Machines, Jon Boone Jan 2005

The Aesthetic Dissonance Of Industrial Wind Machines, Jon Boone

Contemporary Aesthetics (Journal Archive)

Yuriko Saito recently published an essay in this journal, "Machines in the Ocean: The Aesthetics of Wind Farms" (Contemporary Aesthetics, 2 (2004)). The bulk of her essay is a search for the right aesthetic justification for wind plants sited in the ocean as well as for those onshore. Because wind power does not emit toxins into the air and its source of energy is recurrent, it offers the promise of a clean, renewable alternative to fossil fuels. The central problem with harnessing any form of energy is that enormous energies are wasted in the process of producing and channeling a …


Immersive Contemplation In Video Art Environments, Tiffany Sutton Jan 2005

Immersive Contemplation In Video Art Environments, Tiffany Sutton

Contemporary Aesthetics (Journal Archive)

This essay examines a form of video art -- what is called a "video environment" -- that calls upon as much as it departs from familiar conventions that are bound up in museum display. I argue that the way that works in this genre are housed in museums enables them to give rise to a form of contemplation, one involving immersion, that is, if not unique to this genre, then certainly demonstrated by it. My examples of video environments make a case for the coherence of this rarely experienced immersive form of contemplation, the value of which, in turn, makes …


Carrying The Jade Tablet: A Consideration Of Confucian Artistry, Eric C. Mullis Jan 2005

Carrying The Jade Tablet: A Consideration Of Confucian Artistry, Eric C. Mullis

Contemporary Aesthetics (Journal Archive)

In this paper I discuss the aesthetic dimension of ritual action. In order to demonstrate how the rites render action aesthetically expressive, I draw on the notion of an "art of context" and further detail the Confucian understanding of artistic practice as an essential component for moral cultivation. In turn, I use John Dewey's account of aesthetic form in order to support and further demonstrate the ability of the rituals and arts to organize action and to thereby render it aesthetically significant. However, Dewey's account entails that we question either conceptual or institutional limitations of aesthetic form as such limitations …


Production Theories And Artistic Value, David E.W. Fenner Jan 2005

Production Theories And Artistic Value, David E.W. Fenner

Contemporary Aesthetics (Journal Archive)

In this paper, I want to argue that what I call "production theories" - theories that purport to account for the value of a work of art instrumentally and in terms of something experienced by audience members in attending to the work - are insufficient to account for artistic value. The production theories I will discuss include those of Monroe Beardsley, Nelson Goodman, Leo Tolstoy (for lack of a more current pure affective theory), and Alan Goldman (whose account may be seen as an amalgam of the first three). The first three of these theorists represent the most popular and …


The Eye And The Hand: Professional Sensitivity And The Idea Of An Aesthetics Of Work On The Land, Justin Winkler Jan 2005

The Eye And The Hand: Professional Sensitivity And The Idea Of An Aesthetics Of Work On The Land, Justin Winkler

Contemporary Aesthetics (Journal Archive)

Academic aesthetics is guided by the visual and notions of distance. In this article I want to study how an aesthetics of work, of process and proximity, could function. I am asking why the peasant population has been always been supposed not to have an aesthetic appreciation of their land. I contend that they had some kind of appreciation, but that this was conceived expressed in terms fundamentally different from the academic and pictorial landscape aesthetics. With the term 'professional' sensitivity and examples from the Swiss Alps and Southern France, I discuss the question of how an archaeology of an …


'Man Has Always Danced': Forays Into The Origins Of An Art Largely Forgotten By Philosophers, Maxine Sheets-Johnstone Jan 2005

'Man Has Always Danced': Forays Into The Origins Of An Art Largely Forgotten By Philosophers, Maxine Sheets-Johnstone

Contemporary Aesthetics (Journal Archive)

Philosophers have had comparatively little to say of the art of dance, a surprising fact given the range of people both inside and outside of dance who have claimed that 'man has always danced.' This essay attempts to substantiate this claim by an inquiry into the origins of dance, its focal attention being on the word always and any linkage to males deriving from that focal point of attention. It begins with evolutionary considerations in the form of courtship displays, behaviors finely and extensively described by Darwin, and goes on to consider displays by chimpanzees in particular. These considerations point …


Moving Pictures - Advertising, Traffic And Cityscape, Pasi Kolhonen Jan 2005

Moving Pictures - Advertising, Traffic And Cityscape, Pasi Kolhonen

Contemporary Aesthetics (Journal Archive)

There are two major factors responsible for the way contemporary cities look the way they do. One is the ever-increasing volume of traffic, and the other is the present commercial culture which manifests itself most visibly through advertising. This paper deals with the effects of advertising in a city environment; the main focus is on advertising linked to traffic. Nowadays we have become so accustomed to advertising that it sometimes is actually hard to recognize just how much is around. Spaces without some form of advertisements are becoming progressively fewer in today's Western cities. The city-dweller's field of vision is …


La Música En Los Cultos Dionisiacos, Adriana Renero Jan 2005

La Música En Los Cultos Dionisiacos, Adriana Renero

Publications and Research

Para penetrar en el mundo musical griego es preciso alejarnos de nuestras categorías estéticas habituales y pensar en modos, ritmos y armonías diferentes. Al mismo tiempo, es indispensable advertir que en la sociedad griega arcaica la música ocupaba un lugar fundamental, pues mantenía estrechos vínculos con la medicina, la astronomía, la religión, la filosofía, la poesía y la pedagogía, entre otras disciplinas. Lo anterior responde a que la música era considerada un arte peculiar y ambiguo dotado de “poderes especiales” porque actuaba como fuerza capaz de precipitar al hombre a la locura, al mismo tiempo que la curaba, o bien, …