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Feeling The Environment: Aesthetic Interestedness And Environmental Aesthetics, Roberta Dreon

Contemporary Aesthetics (Journal Archive)

Can aesthetic disinterest represent an adequate strategy to develop a sustainable attitude? While aesthetic disinterest plays a basic role in the Kantian foundation of aesthetics, (dis)interestedness has been a puzzling topic of discussion in the debate on environmental aesthetics and is becoming an increasingly pressing one, given the current worsening of the climate crisis.

The first part of this paper will explore the different meanings of the term as it is used within the debate on environmental aesthetics, either in support of or against the adoption of a disinterested attitude toward the environment. I will suggest drawing a distinction between …

Recovering Landscape And Landscape Beauty In Environmental Aesthetics, Paolo Furia

Contemporary Aesthetics (Journal Archive)

In this article, I will pin down some elements to recover the concept of landscape in the context of environmental aesthetics. Such insertion of landscape in environmental aesthetics entails the questioning of the dualism between nature and culture that still lays at the basis of much literature in environmental aesthetics. My argument will unfold in three steps: first, I will show how the original question of environmental aesthetics, as elaborated by Ronald Hepburn in 1966, presupposes a distinction between nature and culture rooted in the moral contempt for excessive modernization and urbanization. Second, I will criticize some theories, not all …

Landscape Education, Enskilment, And Aesthetics: Complex Skills For Our Time, Alberto L. Siani

Contemporary Aesthetics (Journal Archive)

Environmental education is undoubtedly a pressing need in our time. Landscape education may be seen as something more restricted in scope and necessity, and more disengaged. However, as I will first argue, because of the intrinsically concrete, localized, aesthetic character of landscapes in their difference from environment, landscape education in fact can also be seen as a more complex and challenging concept that can be framed in terms of enskilment. Second, to better clarify this concept and highlight the theoretical and practical difficulties related to it, this paper will then turn to some Wittgensteinian ideas about learning, especially his concept …

No Trace, No Waste? The Art Of Living In Trashscapes, Mădălina Diaconu

Contemporary Aesthetics (Journal Archive)

Humans have always striven to overcome their finitude by leaving traces. The phenomenology and hermeneutics of the twentieth century interpreted traces as meaningful sources for reconstructing the past and disregarded their materiality. This culturalist and retrospective approach nowadays has become untenable, as it is impossible to generate significative traces without producing waste as well. Waste itself forms a special category of trace that is unintentional and partly nocuous. Moreover, a final repository appears to have perversely fulfilled the dream of leaving ineffaceable traces that would survive humanity itself. In this new context, a future-oriented approach, one that would engage collectivities …

Frugality. An Aesthetic Category For A Sustainable Art Of Living, Elisabetta Di Stefano

Contemporary Aesthetics (Journal Archive)

Climate change has necessitated the exploration of new interpretive models and aesthetic categories to understand our relationship with the environment. In response to this, the concept of frugality emerges as a potential paradigm for a sustainable art of living. This paper aims to provide a comprehensive exploration of frugality as an aesthetic category through the lens of the history of ideas, its connection to everyday aesthetics, and its implications for an art of living. By adopting a frugal lifestyle, individuals can establish a harmonious and respectful relationship with the environment, promoting a more sustainable future. This existential model has been …

On The Significance Of Eco-Phenomenology For Theories Of Sustainability, Kira Meyer

Contemporary Aesthetics (Journal Archive)

The Ecosystem Service Approach lays down the several ways in which nature contributes to the welfare of human beings. One important category of this approach is the cultural services that nature offers, which conform to the eudaimonic values in environmental ethics. The cultural services of nature are an important reason in choosing a concept of strong sustainability, as developed by Konrad Ott and Ralf Döring; eco-phenomenology is a method to immerse into these cultural-eudaimonic values and articulate them in nuanced ways. Our overall argument will substantiate the uncommon claim that eco-phenomenology is of focal significance to theories of sustainability.

Imaginaries, Scenarios, And Materialities: The Arts As Part Of Ecology, Peter J. Schneemann

Contemporary Aesthetics (Journal Archive)

This contribution seeks to identify some of the methodological implications and challenges for art history as a discipline when confronted with the ecological imperative. There are clear societal expectations to ecological questions, approaches, and attitudes and a new rhetoric by artists and also scientists that anticipates the necessity of an ethical stand. The shift towards notions like sustainability was so fast and so radical, I argue, that we ought to take time to step back and reflect on its implications. I am especially interested in the intersection between the ethical dimension we now apply to artistic production (as a …

Back To Intermittence, Or Rediscovering Web-Materiality: An Artistic Quest For A Sustainable Internet Aesthetics, Diego Mantoan

Contemporary Aesthetics (Journal Archive)

Through the digital and public artwork, Solar Protocol (2020-ongoing), artists and engineers Tega Brain, Alex Nathanson, and Benedetta Piantella kickstarted a solar-powered server network that hosts a web page demonstrating how intermittent energy levels affect its very aesthetics and usability. This small-scale participatory experiment stimulates a wider reflection on the interconnection between economic, environmental, behavioral, and aesthetic features that shape the way the internet is produced and consumed in today’s society. Far from being a mere matter of greening the internet’s power supply, rather the artwork turns a spotlight on the implicit attitudes of web producers and consumers as developed …

An Aesthetics Of Minimal Resources: Affective Ecologies At The Encounter With Environmental Ethics In Alicia Barney’S Artistic Practice, Vanessa Badagliacca

Contemporary Aesthetics (Journal Archive)

The aim of this article is to present the early works created between 1975 and 1982 by Alicia Barney, a pioneer of environmental art in Colombia. The purpose is to highlight her ability to lead us Toward a Sustainable Attitude, the title of a conference held at the University of Venice (October 6-8, 2022), and also to claim how relevant these works remain in the current climate crisis within and beyond contemporary aesthetics debates. Taking on this approach, it will emerge that despite the attempt of the artist in some of her pieces to adopt a detached, scientific attitude …

The Aesthetics Of Animal Companions, Samantha Vice

Contemporary Aesthetics (Journal Archive)

In the philosophical aesthetics literature, domestic animals, and in particular companion animals or pets, are notable for their absence. I examine the few available accounts of the aesthetics of animals, extend them to animal companions, and argue that they are lacking in important respects. An appropriate aesthetics of these animals should recognize their unique status as individual animals in human spaces, imbued with human meanings, and yet essentially other.

Aesthetic Value And Gardens, David Fenner

Contemporary Aesthetics (Journal Archive)

Gardens as an aesthetic form rank high for their capacity to engage aesthetic attenders fully. ‘Full engagement’ may be thought of in terms of an object’s capacity for constituting an aesthetic world a person can temporarily inhabit, a description used by Alan Goldman as he articulates his theory of aesthetic value, one that focuses on depth of perceptual, affective, and cognitive engagement.

Properness And Pluralism In Functional Beauty, Ryan Mitchell Wittingslow Phd

Contemporary Aesthetics (Journal Archive)

In their 2008 monograph, Functional Beauty, Glenn Parsons and Allen Carlson develop a theory of functional beauty account based on a selected effects theory of biological function and apply it to human-made artifacts. This paper contends that their selected effects theory falls short in capturing the inherently pluralistic nature of functional beauty (FB). The paper is structured as follows. First, it provides an overview of Parsons and Carlson’s FB argument, focusing on their attribution of proper function in artifacts. Second, it analyzes how aesthetic dysfunction is conceptualized in Functional Beauty, highlighting what I take to be shortcomings in …

Kant's Maiden, Alejandro Nodarse Jammal

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Enlivening And Deadening Green And Gray Spaces: An Exploratino Of Christopher Alexander's Features Of Living Design, Isis Brook

Contemporary Aesthetics (Journal Archive)

The evidence that green spaces in urban areas contribute to human wellbeing is well established and supported by theories such as the evolutionary hypothesis, biophilia, psychological countertransference, and phyto-resonance. The rise in hard landscaping, especially in places that were previously green spaces, would appear to be a very bad development in urban living. However, the architect Christopher Alexander claims that good design can impart an aliveness to objects. This presents the possibility that gray spaces (those dominated by hard landscaping) could also be alive and similarly contribute to human wellbeing. Alexander’s proposed structural features are examined in the context of …

Recent Publications, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Toward A Sustainable Attitude: Aeathetics, The Arts, And The Environment, Roberta Dreon, Diego Mantoan

Contemporary Aesthetics (Journal Archive)

Preface to the Special Issue 2024 of Contemporary Aesthetics.

Editorial, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Illustrating Philosophy: Comments On Thomas Wartenberg's Thoughtful Images, Elisabeth Schellekens

Contemporary Aesthetics (Journal Archive)

This short paper focuses on Thomas Wartenberg’s Thoughtful Images (OUP 2022) and offers a critical discussion of some of the book’s main claims. Of particular interest is the notion described by Wartenberg as “concept-based illustration” and the prospects of this kind of illustration to successfully represent a philosophical concept or theory. Among the questions raised, we find “What is required for an artwork to represent a philosophical claim?”, “Which norms should govern successful illustrations?”, and “How detailed can the content of a concept-based illustration be?”.

Wisdom Regarding Beauty. Self-Effacement And One's Right Relationship To Beauty, Alexndra Hayes

Contemporary Aesthetics (Journal Archive)

What does it mean to cultivate aesthetic virtue in a way that contributes to our character? Pursue beauty, not its effect. Many contemporary theories emphasize the great effects of aesthetic life—expertise, individual style, aesthetic community, and so on. Directly pursuing these effects effaces our endeavors. We should instead love beauty itself because it is worthy of love. This love cannot be measured as easily as these effects, though it is characteristically marked by a self-forgetting receptivity and childlike curiosity.

Reading Texts And Pictures, Cynthia Freeland

Contemporary Aesthetics (Journal Archive)

Wartenberg’s book, Thoughtful Images, is an ambitious defense of the value of philosophical illustrations. Through examples from a vast historical sweep, he differentiates several ways that images help us understand or even enact philosophy. My critical response focuses on how viewers understand and make sense of visual images, by comparison with how we interpret texts of philosophical authors. I argue that the relevant processes of interpretation are more similar than what Wartenberg assumes, especially when issues arise about the role of narratives in both texts and pictures.

A Typology Of Illustration, Jeffrey Strayer

Contemporary Aesthetics (Journal Archive)

This article introduces the notions of technique-based, problem-based, and history-based illustrations as kinds of illustration relevant to art and philosophy that are intended to complement those recognized by Wartenberg. In doing so, it considers the possible illustration of different ideas within a single work, and the possibility that the complex interrelation of certain ideas may require a number of works for the success of their illustration. These different possibilities raise the issue of how illustration is related to artistic intention and understanding and to the history of art, with its settled and novel kinds of artistic production. Art as philosophy …

Further Reflections On Visual Illustrations Of Philosophy: A Response To Freeland, Schellekens, And Strayer, Thomas E. Wartenberg

Contemporary Aesthetics (Journal Archive)

The incisive commentaries about Thoughtful Images by Cynthia Freeland, Elisabeth Schellekens, and Jeff Strayer provide the occasion for a rethinking of some of the fundamental claims about visual illustrations of philosophy that I made in the book. The essay begins with a discussion of the “logic” of the term ‘illustration’ and then discusses the relationship between illustrations and technology. A variety of different themes are then addressed, such as the possibility of musical illustrations of philosophy; differences in the processing of written texts and visual images; additions to fidelity and felicity as norms applying to successful illustrations of philosophy; and …

Experiential Time In Some Modern Poetry, Aaron Lercher

Contemporary Aesthetics (Journal Archive)

Experiential or lived time (A-series time) can be many things. Gertrude Stein claims, in her 1935 Narration lectures, that experiential time is a plenum: all experiential time is full of vivid experience, if one is alert to perceive it. Stein, however, then poses a problem of narration that seems to obstruct poetic access to this vivid plenum. Bernadette Mayer and Lisa Jarnot take up Stein’s challenge with time-defined and time-filling poetic writing processes. Much like children, these processes can come to have their own experiential times.

Taste: A Philosophy Of Food, Sarah Worth

Contemporary Aesthetics (Journal Archive)

This book has been such a labor of love for me; I cannot thank my commentators enough for taking this work seriously and giving such thoughtful feedback. Carolyn Korsmeyer, Deborah Knight, and Alexandra Plakias were willing not only to do an author-meets-critic session but to develop their thoughts further into these papers. I could not receive higher praise as a philosopher than serious consideration. The primary claim of my book is about the ways in which gustatory taste should be taken more seriously, especially as a form of knowledge. I approach this suggestion not from the historical sense of taste …

The Pleasure Of Knowing: Comments On Sarah Worth's Taste, Alexandra Plakias

Contemporary Aesthetics (Journal Archive)

In Taste: A Philosophy of Food, Sarah Worth explores the aesthetics of food through the philosophy of slow food. She discusses the relationship between the pleasure we take in our food and our knowledge of what we’re eating; on Worth’s view, taste is both a source of pleasure and a source of knowledge — provided we cultivate the skill of tasting in the right way. Here, I discuss Worth’s account of gustatory knowledge and suggest some complicating factors: in particular, not everyone has access to the sorts of foods required to cultivate the skill of taste and our food …

Eat, Taste, Know – Reflections On Sarah Worth’S Taste: A Philosophy Of Food, Deborah Knight

Contemporary Aesthetics (Journal Archive)

Sarah Worth argues that philosophy should take gustatory taste seriously. While taste has played a central role in philosophical aesthetics, “aesthetic taste” is a trope referring to our judgments about the value or merit of an object, typically a work of art. What, then, about the literal sense of taste — the perception of flavor when we have something like food or drink in our mouths? Because our wide range of gustatory experiences and the kinds of judgments we make about them are so intimately connected to the kinds of things we eat, I look at fast food versus slow …

Taste, Knowledge, And Discernment: On Sarah Worth’S Taste, Carolyn Korsmeyer

Contemporary Aesthetics (Journal Archive)

In the course of her exposition of the sense of taste, Sarah Worth argues that taste can provide a purely sensuous, aesthetic kind of knowledge that is rooted in bodily sensation, in contrast to the information-gathering provided by the distance senses of vision and hearing. As such, taste experience is also independent of propositional knowledge. I argue that, on the contrary, taste is not only multimodal but its full operation is also dependent on certain ongoing cognitive conditions. Although Worth declares that there is no such thing as an aesthetic obligation, her defense of the importance of taste actually suggests …

Hearing A New World, T. Michael Mcnulty Ph.D.

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Aesthetics Of/And The Universe, Reza Tavakol

Contemporary Aesthetics (Journal Archive)

Modern cosmology has revealed a Universe that is wholly unexpected; a defining feature is that its largest constituent parts are either dark or hidden behind the cosmological horizon, making them in principle unobservable.

These discoveries raise the important question of what constitutes an aesthetic appreciation of the Universe? By considering various modes of appreciation, I argue that a fuller aesthetic appreciation of the Universe would need to augment its visual forms of appreciation with conceptual and imaginative modes of appreciation informed by scientific knowledge.

This argument can have a direct bearing on the long-standing debate concerning the role of cognitive …