Philosophy Commons^™

The Aesthetics Of Silence: A Matter Of Spatial Critique In The Works Of Marcel Broodthaers, Elsbeth Dekker

Contemporary Aesthetics (Journal Archive)

In 1967 Susan Sontag published her essay, "The Aesthetics of Silence,” on the craving towards silence in artistic movements of the nineteenth and twentieth centuries. Even though it appears that notions of silence are still influential within the visual arts, theoretical writings on silence are nearly absent. This article explores how notions of silence emerged in the early works of Marcel Broodthaers, by scrutinizing his works, related to Pense-Bête, together with the writings of Susan Sontag and related ideas from Stéphane Mallarmé and Theodor Adorno. Through a vivisection of these early works of Broodthaers, this article argues how silence …

The Problem Of Thick Representation, Rafe Mcgregor

Contemporary Aesthetics (Journal Archive)

The purpose of this paper is twofold: to define the problem of thick representation and to show that the problem is a puzzle for representation rather than a puzzle for a specific art form or art, in general, as has previously been suggested. In the course of identifying and formulating the problem, I shall demonstrate why the solution proposed thus far fails to solve either the artistic problem at which it is aimed or the representational problem I define. I conclude by indicating two promising directions in which a solution might be found and by explaining the philosophical and critical …

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Art Scenes, Jozef Kovalčik, Max Ryynänen

Contemporary Aesthetics (Journal Archive)

"The art scene in Berlin is political." "The Atlanta hip hop scene is red hot!" These are remarks we have heard lately about scenes. Scenes are a commonplace in art talk. But what are scenes, and what is their role in arts? Aestheticians, art theorists, and art historians often pay attention to different scenes. Although many classics in the field are based on comments regarding only one scene, which is, for example, the case with Arthur C. Danto's "The Artworld" (1964) and Susan Sontag's "Notes on Camp" (1964), which both focus on New York, there is still no discussion about …

Agnostic Moralism, Mark Silcox

Contemporary Aesthetics (Journal Archive)

Many otherwise admired authors in the Western tradition (e.g. Plato, Augustine, and Tolstoy) have defended views about the radical dependence of aesthetic value upon morality that are nowadays regarded with deep skepticism. In more recent work on the connection between moral and aesthetic properties, Noël Carroll, Anne Eaton, Berys Gaut, and others have tried to defend relatively moderate varieties of moralism about art, according to which the aesthetic value of ethically significant artworks sometimes overlaps with but might also independently vary from their moral status. Here, I develop an immoderate species of moralism that treats the type of ethical knowledge …

Aesthetics In Digital Worlds, Ossi Naukkarinen, Darius Pacauskas

Contemporary Aesthetics (Journal Archive)

Aesthetics is often seen as a philosophical academic discipline focusing on questions about art, beauty, the nature of aesthetic experiences, and many other related issues. However, there is another, non-academic side of aesthetics where similar issues are addressed. Non-academic cases of aesthetics, on the internet and elsewhere, far outnumber anything academic aestheticians can ever produce. However, how the picture of aesthetics looks like outside academia is not necessarily very actively considered in academic contexts, as professors, lecturers, and students tend to form their understanding of the field through scholarly literature and academic datasets. In this essay, we explore how close …

Replicating Paintings, Matteo Ravasio

Contemporary Aesthetics (Journal Archive)

In this paper, I discuss cases of replication in the visual arts, with particular focus on paintings. In the first part, I focus on painted copies, that is, manual reproductions of paintings created by artists. Painted copies are sometimes used for the purpose of aesthetic education on the original. I explore the relation between the creation of painted copies and their use as aesthetic surrogates of the original artwork and draw a positive conclusion on the aesthetic benefits of replica production by artists. A skeptical conclusion follows regarding the use of such replicas as surrogates for the original painting. The …

The Aesthetic World And Formalistic Structure Of Korean Dance, Hee-Wan Chae

Contemporary Aesthetics (Journal Archive)

Two aspects of a unified concept made up of labor-play-gut, the latter being shaman ceremony performance, form the fundamental basis of Korean traditional dance. One is formalism or characteristic structures, and the other is Korean consciousness, or the aesthetic world. The aesthetic consciousness reflected in Korean traditional dance relates to naturalism that sheds light on the concept of being danced, rather than to dance; the beauty of curved lines, as shown in taegeuk (the Great Ultimate); moments in stillness that are permeated by the energy of the universe; no'gyeong that makes possible the progression from nothingness to being; …

The Universal Validity Of The Conceptions Of Artistic Creativity And The Perception Of Beauty In Pre-Modern China: A Comparative Examination, Junghwan Lee

Contemporary Aesthetics (Journal Archive)

In contemporary aesthetics, artistic creativity and the perception of beauty are the key concepts in explaining aesthetic consciousness. From the birth of modern aesthetics, an underlying assumption has been that artistic creativity and the perception of beauty are each genuinely universal in human experience, which is worthy of particular attention. To examine the universal validity of Western aesthetic claims on these two distinctive subjects, this paper presents a very brief outline of pre-modern Chinese interpretations of both concepts. Specifically, in comparison to Kant’s concept of genius and aesthetic judgment, I draw two conclusions. First, although there was no concept equivalent …

The Private Character Of Natural Beauty: Shanshui Painting As A Model For Unity Of Self And Natural Environment, David Adam Brubaker

Contemporary Aesthetics (Journal Archive)

How can each of us develop an aesthetic appreciation of nature as our home and not a resource to be exploited? Chen Wangheng answers that environmental beauty provides a sense of home through a unity of subject and object that belongs to the private character of the natural environment. But how is the display of the natural environment private? To uphold Chen’s remarks, I inspect the model of shanshui (山水 mountain-water) painting, as Chen suggests. I find that the private character of the natural environment and the related element zhi (質substance) in shanshui painting cannot be described in the object-oriented …

Contemporary Chinese Living Aesthetics And Contemporary Chinese Art History, Liu Yuedi

Contemporary Aesthetics (Journal Archive)

Living aesthetics was understood by most Chinese scholars as a way to bridge the living world and aesthetic activity today. This article discusses contemporary Chinese art from the perspective of the new thinking of living aesthetics. We shall diachronically describe the historical relationship between aesthetics and art and also try to synchronically examine the theory connecting living aesthetics and contemporary Chinese art with each other.

The "Aesthetic Life": A Leitmotif In Modern Japanese Aesthetics, Tanehisa Otabe

Contemporary Aesthetics (Journal Archive)

In 1901, Chogyu Takayama (1871-1902), philosopher and literary critic, published a short article entitled “On the Aesthetic Life.” Takayama’s article, regarded as a manifesto of Nietzscheism by his contemporaries, triggered a great debate among a great many literary critics, including Shoyo Tsubouchi and Ogai Mori. This paper argues that Takayama’s article constituted a framework for aesthetic thought in modern Japan and marked the Japanization of Western modern aesthetics. Takayama was not interested in the modern Western idea of autonomous art; instead, he tried to work out the aesthetic in one’s way of living. What underlies Takayama’s idea of the aesthetic …

Aesthetics Studies Of Chinese Leisure Culture, Liyong Pan

Contemporary Aesthetics (Journal Archive)

Given the present situation and problems of the research on contemporary China’s leisure culture and aesthetics, it is the highest priority of leisure studies to make leisure return to the nature of human self-creation and self-improvement; to learn to intelligently spend leisure time in the realm of aesthetics; to deeply examine and carry forward the national tradition and wisdom of Chinese leisure; and to establish a modern leisure culture and theory with Chinese characteristics and Chinese discourse.

Meanwhile, it is the highest priority of aesthetic research to transcend the tradition of discussing abstract concepts and focusing only on art; to …

Introduction: Thinking The Present Of East Asian Aesthetics, Joosik Min

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Editorial, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

On Dust: Memory As Performance And Materiality, Natasha Lushetich

Contemporary Aesthetics (Journal Archive)

The world's "worldliness" is, to a large extent, perceptually constructed through touch, kinaesthetics, and proprioception. Gesture, too, is embedded in sedimentations of the body's prior sensory exchanges with the environment. Materiality is transitive; it triggers sensory landscapes through performance. Consisting of particles of pollen, human and animal skin, hairs, minerals, soil, and burnt meteorites, dust is usually seen as the antithesis of the performative-material nexus. In this paper, I propose a different view: that dust is and acts as a connective tissue. Borrowing from Hélène Cixous's écriture blanche, Quentin Smith's degree presentism, and theorizing nostalgia as a structuring absence, …

On Habits And Functions In Everyday Aesthetics, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

A group of theorists in everyday aesthetics, named restrictivists, have explicated the notion of the everyday in terms of a particular stance of everydayness that they believe, in time, comes to characterize people’s relationships to their daily things and environments. The everyday is revealed to be something habitual and routine that, despite its ordinariness, provides a pleasurable sense of safety and trust. In this paper, I present a series of considerations drawing on John Dewey’s notion of habit, on the one hand, and Jane Forsey’s account of the aesthetics of design, on the other, that call into question the general …

Autographic And Allographic Imitation: Revisiting Counterfeit In Linguistic And Musical Arts, Jeremy Orosz

Contemporary Aesthetics (Journal Archive)

Imitation within sonic arts, linguistic, musical, or otherwise, broadly defined, is a heterogeneous set of practices ranging from comical impersonation to outright counterfeit or forgery. This paper provides a taxonomy of imitation and mimicry within both language and music, dividing each into two respective categories, autographic imitation and allographic imitation, the terms for which are repurposed from Nelson Goodman’s Languages of Art.

On Canon, Craig Deksen, Darren Hudson Hick

Contemporary Aesthetics (Journal Archive)

Canon is a concept from aesthetics that has become a regular subject of commonplace discussions. The nature of canon, especially as it is used in these commonplace discussions, has not been subject to adequate philosophical scrutiny. We attempt to remedy that by placing canon in its historical and philosophical context, exploring and rejecting several common accounts, and presenting some basics of how canon works. We reject the accounts that place control with the author or the legal property holder, which appear to be the most commonly held accounts.

Atmospheric Design And Experience With An Exemplary Study Of Olafur Eliasson's "The Weather Project", Zhuofei Wang

Contemporary Aesthetics (Journal Archive)

In past decades, the subject of atmosphere has gone beyond the physio-meteorological scope and become a new concept of aesthetics. As the primary sensuous reality constructed by both the perceiving subject and the perceived object, atmosphere is neither a purely subjective state nor an objective thing, but essentially is a quasi-object pervaded by a specific emotional quality and a ubiquitous phenomenon forming the foundation of our life experience. In this respect, a decisive factor is not what we perceive but how we perceive. Furthermore, the quasi-objective quality of atmospheric phenomena makes it possible that atmosphere is producible. A practical dimension …

Rhizomatic Mnemosyne: Warburg, Serres, And The Atlas Of Hermes, María Del Carmen Molina Barea

Contemporary Aesthetics (Journal Archive)

This essay aims to examine Aby Warburg’s Mnemosyne Atlas according to two conceptual perspectives that seem deeply interwoven, Deleuze and Guattari’s notion of rhizome and Michel Serres’s metaphor on Hermes. Both theoretical approaches cast light on the epistemological implications of the Mnemosyne Atlas and explore its intriguing composition from an innovative point of view. Specifically, this paper excavates the disrupted nature of the Warburgian Atlas, paying particular attention to the schizophrenic proliferation of unexpected connections. In this scenario, it will be necessary to elucidate the terminological opposition between ‘atlas’ and ‘archive,’ as studied by Boris Groys, Foucault, and Derrida, …

Two Types Of A Doctrine Of Objectivity In The Aesthetic Appreciation Of Nature, Fuxing Xue

Contemporary Aesthetics (Journal Archive)

Allen Carlson develops and justifies a doctrine of objectivity in the aesthetic appreciation of nature by means of epistemology. This doctrine is quite significant for the self-knowledge of aesthetic appreciation of nature and the healthy development of the aesthetics of nature. However, for concepts in environmental ethics and the requirements of contemporary environmentalism, another kind of doctrine of objectivity for aesthetic appreciation of nature is needed, namely, a doctrine of ethical objectivity, which rests the aesthetic appreciation of nature on acknowledging the intrinsic value of nature and respect for nature. Because of this doctrine, appreciators construe the good of nature …

Exploring The Inner Relationships Between Modern Chinese Aesthetics And The Confucian Mind-Soul (心性) Framework, Wei Du

Contemporary Aesthetics (Journal Archive)

Modern Chinese aesthetics promotes the utilitarian function of the arts and artistic appreciation via aesthetic education and an arts-infused lifestyle. This utilitarian orientation has not originated from European aesthetics, but rather reflects a localized awareness of the “humanistic enhancement of citizens” through the arts, which, derived from the Confucian tradition, expands on its “mind-soul” theory. This conceptual framework finds its roots in the Song-Ming philosophy of mind and pays particular attention to the cultivation of individual morals and personal character as the essential pathway towards restoring conscience. This positioning of values and valuations, to a large extent, was the inspiration, …

Summary Of The Existential Aesthetics Of Things By Petra Baďová, Peter Žiak

Contemporary Aesthetics (Journal Archive)

No abstract provided.

On The Oddly Satisfying, Evan Malone

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Deconstructing Walter Benjamin, Miklos Legrady

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Aesthetics Of Mud And The Muddiness Of Aesthetics, Arnold Berleant

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Mud, A Comment, Mary Bittner Wise

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Mud And A Metaphor, David Goldblatt

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Thoughts On An Aesthetics Of Mud, Tom Baugh

Contemporary Aesthetics (Journal Archive)

No abstract provided.