Philosophy Commons^™

Resonance And Atmosphere In Architectural Aesthetics, Joona Markus Hulmi

Contemporary Aesthetics (Journal Archive)

The present paper is concerned with the experience of architecture as analyzed through the concepts of atmosphere and resonance. I suggest that the experience of architecture occurs by means of atmospheres that consist of numerous factors, including architectural qualities, interpersonal aspects, and the subject’s individual mind. Architecture may generate or foster atmospheres that are emotionally moving or meaningful, but also ones that are bland, indifferent, meaningless, or at least less meaningful than others. In particular, I examine how we understand atmospheres that are experienced as meaningful and emotionally moving in regard to the so-called resonance theory, as formulated by Hartmut …

Reshaping Aesthetics And Aesthetic Sensibility In A Hybrid Environment, Aleksandra Łukaszewicz, Jakub Petri

Contemporary Aesthetics (Journal Archive)

The contemporary environment in developed countries is highly urbanized and technologized. It is not only physical but also virtual, created with the use of cyber-techniques and the internet. The two layers of the environment are: the physical places, persons, objects, etc., and the virtual – electronically-emerged places, persons, and objects, etc. Therefore, it is correct to overcome the enforced conceptual dualism between what is virtual and what is physical, as proposed by Michal Ostrowicki (aka Sidey Myoo) in calling for the recognition of the hybrid status of reality, by pointing to symbiosis within the context of lived experience. This raises …

Living Aesthetics In China: Aesthetics As A New Direction, Liu Yuedi

Contemporary Aesthetics (Journal Archive)

Living Aesthetics (生活美学, Sheng-huo-mei-xue) is a popular key term in Chinese society and culture today. The aestheticization of living, originally rooted in Chinese soil, is authentic Chinese wisdom and now is being fully revitalized. Confucian aesthetics can be classified as Living Aesthetics, one based on emotion/feeling (qing). The philosophical interpretation of Confucianism from the viewpoint of Living Aesthetics can be better explained in its original context. In Confucius’s time, the unity of rites (li) and music (yue) were the backbone of Confucian aesthetics. But with the gradual decline of music in Chinese history, this …

Decoloniality, Identity, And Aesthetic Publicity, Monique Roelofs

Contemporary Aesthetics (Journal Archive)

This essay explores how the decolonial practices of Latina poet Alicia Borinsky in Frivolous Women and Other Sinners(2009) and British filmmaker and installation artist Isaac Julien in Lessons of the Hour (2019) occasion open-ended conceptions of the public that engage economic and technological developments in tandem with questions of individual encounters, objects, and values. Their figurations point beyond the domain of aesthesis to a view of aesthetic publicity on which unprecedented social identities emerge through interactions among multiple, often mutually opposed platforms and assemblies. The essay offers working definitions of aesthetic publicity and decolonial aesthetics and continues by scrutinizing …

Place, Race, Gender And Materiality: Bisa Butler Making The Last, First And The First, Last In The Modern Museum, Charles Peterson, A. W. Eaton

Contemporary Aesthetics (Journal Archive)

Bisa Butler is a contemporary artist who creates stunning portraits composed entirely of textiles. In this article, we argue that one significant aspect of Butler’s oeuvre is the way that she deeply entwines the ethico-political and the aesthetic in a beautiful symbiotic partnership. Through a careful examination of her work, her technique, her artistic and museum contexts, and the unknown African American subjects she celebrates, we argue that Butler’s work should be understood as liberatory artistic practice that disrupts hegemonic spaces and ideologies.

Twenty Years Of Contemporary Aesthetics Introduction, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Contemporary Aesthetcis: What's In A Name?, Katherine Higgins

Contemporary Aesthetics (Journal Archive)

Drawing on Ossi Naukkarinen’s analysis of the meaning of “contemporary aesthetics,” this article considers several layers of meaning that make the title of this journal appropriate to its mission. After two decades, the journal is doing much to fulfill the promise of its name.

Going Global: A Cautiously Optimistic Manifesto, Bence Nanay

Contemporary Aesthetics (Journal Archive)

In this article I aim to identify a number of points at which Western[1] aesthetics is atypical in comparison to almost all other aesthetic traditions. If we take the pull of global aesthetics seriously, then we need to be extremely skeptical towards these often unquestioned concepts and assumptions that are unique to the Western aesthetic tradition. I will analyze eight such assumptions: (1) the primacy of judgment, (2) the primacy of beauty, (3), the primacy of aesthetic properties, (4) the primacy of aesthetic contexts and situations, (5) the primacy of objects, (6) the underappreciation of social aspects of aesthetic engagement, …

A Big Disenchantment, Wolfgang Welsch

Contemporary Aesthetics (Journal Archive)

For millennia, aesthetic activities were expected to improve the world and ourselves. Aesthetics was to hone humanity. We find this conviction in Antiquity, in the Middle Ages, in the Renaissance, and throughout Modern Times and Modernity, from Plato via Leonardo da Vinci and Schiller to Dewey and Rorty. But this expectation is being harshly falsified in the present time. We are indeed aestheticizing everything through and through. But in the vast majority of cases, the result is not aesthetic improvement but mediocrity and monotony. Aestheticization today is an engine of misery. The discipline of aesthetics should resolutely criticize and counter …

Machizukuri (Neighborhood Making): Collective World-Making In Traditional Japanese Neighborhoods, Paul Haimes

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Three Dimensions Of Intimacy In Literary Reading, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

While numerous literary researchers, readers, authors, and philosophers have tried to articulate the peculiar feeling of intimacy they have sensed in literary reading, new angles can still be brought to bear on this issue. This paper develops an account of the intimacy of literary reading based on three concepts: silent performance, routine, and trust. By combining an interpretation of the history of silent reading with an understanding of literary reading as a particular kind of performance, I show, in the first part, how a focus on some internal qualities of reading helps to understand its intimate nature. Then, the picture …

Aphorism And Anti-Aphorism: Language And Aesthetics, Nicholas Romanos

Contemporary Aesthetics (Journal Archive)

Karl Kraus, the great Viennese satirist, poet, and aphorist, is still little read in the Anglophone world. This article argues that Kraus’ innovative ideas about aesthetics and language, generated in response to the problems of modernity, are of great interest to the contemporary philosopher of aesthetics. Kraus’ writing is discussed here as a basis for a theory of the aphorism, which is shown to be a literary form uniquely concerned with its own form (and thus with literary and linguistic aesthetics). Kraus uses the aphorism to ‘serve language’ and, along with quotation, it constitutes the foundation of his style. This …

Reflections On Beauty, Miklos Nikolaus Legrady

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Post-Postmodernism And The Emergence Of Heterolinational Literatures, Mehdi Ghasemi

Contemporary Aesthetics (Journal Archive)

Following the challenge by Linda Hutcheon inviting readers to name the era after postmodernism, several scholars have attempted to conceptualize the aftermath of postmodernism through introducing some successors. To join the challenge, I also introduce “heterolinationalism” as another successor to postmodernism and draw upon some paradigms of heterolinational literatures, including postacademia, postnationalism and polyliterature, polyvocalism and plurilingualism, self-publishing, social media and multimediality as well as transtextuality and fanfiction.

The Aesthetic Impact Of The Garden Of Eden, David Fenner

Contemporary Aesthetics (Journal Archive)

No garden in the history of the world has had a greater impact on gardens and gardening than the Garden of Eden, as expressed in the Jewish, Christian, and Islamic religions, regardless of whether the Garden of Eden ever existed. Yet, given evidence in the texts of the stories of Eden of its unchanging nature, and given that all gardens are naturally dynamic, Eden does not qualify to be a true garden. In addition to the story’s impact on gardens and gardening, Eden is aesthetically impactful because it is from appreciation of the story as a morality tale that we …

Thinking With Film: On John Carvalho’S Reading Of Godard’S Le Mépris, Deborah Knight

Contemporary Aesthetics (Journal Archive)

In Thinking with Images, John Carvalho is especially interested in situations where we do not know what to think about a work of art — where it perplexes us, where we cannot find answers to the questions it raises. I will focus on Carvalho’s final chapter which discusses Jean-Luc Godard’s 1963 film, Le Mépris (Contempt), adapted from the novel by Alberto Moravia. I argue that Le Mépris is not primarily about its literary content involving the collapse of a marriage during the filming of an adaptation of Homer’s Odyssey. I recommend that instead we think about such …

More Thinking About Thinking With Images: A Response To Ivan Gaskell, Deborah Knight And Sonia Sedivy, John M. Carvalho

Contemporary Aesthetics (Journal Archive)

I want to start by thanking my critics for reading my book and coming to so many insightful comments and challenging observations about it. I especially want to thank Deborah Knight for suggesting a panel to discuss the book and for doing so much to realize it. There is so much to say about the intelligent and generous commentary offered by Ivan Gaskell, Deborah Knight, and Sonia Sedivy. Put briefly, in the short space below, I say my book thinks mostly about how and that artworks mean rather than what they mean, as Gaskell recommends. Knight’s remarks prompt me to …

John Carvalho’S Thinking With Images, An Enactivist Aesthetics, Sonia Sedivy

Contemporary Aesthetics (Journal Archive)

John Carvalho’s Thinking with Images, an Enactivist Aesthetics argues that puzzling artworks can draw us into a special activity – thinking when we don’t know what to think – which is valuable because it takes us beyond our skills and understanding. Enactivism is the theory of mind that best explains such thinking. The book illustrates this proposal with four chapters that detail Carvalho’s highly personal or individual encounters with enigmatic works of art. I raise two concerns. First, the four illustrative chapters say that they are enactivist, but they do not show this. The illustrative chapters detail considerations about …

Against Theory—Again (Though With Reservations), Ivan Gaskell

Contemporary Aesthetics (Journal Archive)

In Thinking with Images (2019), John Carvalho proposes an “aesthetics without theory,” a phrase to be taken rhetorically rather than literally, for he accepts that percipients of artworks bring a theoretical knowledge to their encounters. He seeks to balance appropriate theoretical knowledge, notably Gibson’s theory of affordances, with reliance on empirical engagement with artworks to produce what he terms an “enactivist aesthetics.” He explores this proposal through discussion of four case studies: works by Francis Bacon, Duane Michals, Marcel Duchamp, and Jean-Luc Godard. This overview challenges Carvalho’s concern with meaning above making and use; and his apparent reluctance to offer …

Editorial, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Symposium On Thinking With Images: An Enactivist Aesthetics By John Carvalho: Introduction, Editorial Office

Contemporary Aesthetics (Journal Archive)

The commentaries collected in this symposium were first developed at the “Author Meets Critics” session on John Carvalho’s Thinking with Images: An Enactivist Aesthetics at The American Society for Aesthetics Eastern Division Meeting in Philadelphia on April 17, 2021. We thank Deborah Knight for organizing the papers to be published as a symposium for Contemporary Aesthetics and all the authors for their contributions.

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Recent Publications, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Reflections On “Catching The Ghost: House Dance And Improvisational Mastery”, Renee Conroy

Contemporary Aesthetics (Journal Archive)

Contemporary Aesthetics recommends first reading Christian Kronsted’s article, “Catching the Ghost: House Dance and Improvisational Mastery,” appearing before this article.

This essay is a constructive response to Christian Kronsted’s “Catching the Ghost: House Dance and Improvisational Mastery,” in which he develops three topics introduced in his novel treatment of this club dance form. First, I consider the nature of the relationship between house dancing and house music. Second, I address the significance of “the vibe” in house culture. Third, I apply these reflections to Kronsted’s three puzzles of improvisational agency to demonstrate that an apt, aesthetic analysis of …

Architecture Emerging From Landscape: A Reading Of Spinoza In Landscape Architecture, Gokhan Balik

Contemporary Aesthetics (Journal Archive)

In what follows, Benedict de Spinoza’s ontology of immanence and monism is deployed as a means to launch a rethinking in between landscape and architecture. Public urban landscape, I suggest, is not a static and neutral construction, but a complex system of dynamic relationships within a continuous process of becoming and a generative field of non-oppressive, non-hegemonic power. This study focuses on two temporary structures by different European practices in the Royal Park of Kensington Gardens, in London. This study uses these works to ground a philosophy of radical immanence within our understanding of a contemporary world of landscape architectural …

Catching The Ghost: House Dance And Improvisational Mastery, Christian Kronsted

Contemporary Aesthetics (Journal Archive)

This article received the 2020 Outstanding Student Paper Award from the American Society for Aesthetics. Contemporary Aesthetics recommends reading Renee Conroy’s article, “Reflections on ‘Catching the Ghost: House Dance and Improvisational Mastery,’” following this article.

I interviewed seven expert house dancers regarding their improvisational practice and discovered several intriguing testimonial consistencies. House dancers articulated a feeling of simultaneously being in control and not in control of their movements. Furthermore, in peak moments of improvisation, interviewees were often surprised by their own capabilities. How do we award artistic credit to someone who is seemingly not aware of his or …

Baking As A Means Of Non-Verbal Expression: An Aesthetic Inquiry On Conventual Pastry, Maddalena Borsato

Contemporary Aesthetics (Journal Archive)

The aim of this essay is to philosophically explore the domain of conventual pastry by understanding baking as a form of aesthetic expression. I intend to investigate the aesthetic meaning of making sweets, both for the specificity of this taste and for the link between tacit knowledge and the meaning of gift through cloistering. From the very beginning of its production in the monasteries, pastry developed not only as an economic livelihood but also as a way to create a meaningful language beyond the so-called intellectual activities. The philosophical interest lies in the relationship of food practice with intimate …

Aesthetics From The Visual Artists’ Viewpoint, Dena Shottenkirk

Contemporary Aesthetics (Journal Archive)

How to characterize aesthetics has been revived with Bence Nanay’s Aesthetics as Philosophy of Perception. Reviewing criticisms made by Dustin Stokes, this paper makes the argument that Nanay’s problem is broader than what Stokes points to, as it involves the problem of property attribution and the difference between perceiving a property in a nonaesthetic situation and an aesthetic one. The latter context involves not attributing a property to an object, but rather the process of perceiving low-level features. The problem of how to characterize aesthetics is thus solved by looking at three things: recent research into gist perception, Gareth …

Authenticity, Universality, And Expression In Song: The Case Of Flamenco, Peter Manuel

Contemporary Aesthetics (Journal Archive)

This article explores questions of aesthetic expression and meaning in song, focusing in particular on the enigmatic dynamics involved in song’s combination of abstract and lyrical dimensions of import. These questions are especially overt and actively debated in flamenco, where an ideology of authenticity and suffering, akin to that in African-American genres such as blues or rap, implies that a singer must draw on certain profound biographical experiences rather than universal emotions. However, the accounts of various performers suggest alternate expressive processes in which singers of any background can use a certain sort of role-playing to generate actual emotions that …

Making Sense Of ‘Tropical’ Kitsch, Max Ryynänen, Anna-Sofia Sysser

Contemporary Aesthetics (Journal Archive)

The ‘tropical’ has not just been “imported” to Northern spas and travel agency advertisements. Plastic palm trees and inflatable pineapples echo tourism experiences, have roots in “feel-good” Americana, and belong to colonial imagery. The tropical is often portrayed in simplified ways, even though there is a huge diversity of cultures, inhabitants and landscapes within the tropical zone. Could the concept of kitsch help us to understand the construct of the tropical? Could the ‘tropical’ help us to understand kitsch? If one takes away the nearly deceased modern conception of kitsch as pretentious pseudo-art and concentrates on sentimental and/or sugared knickknacks …