Philosophy Commons^™

Reflections On Jianrong Liao’S Recent Book, Arnold Berleant’S Environmental Aesthetics And Everyday Aesthetics, Nie Chunhua

Contemporary Aesthetics (Journal Archive)

No abstract provided.

On Conversation, Its Modes, Pleasures, And Perils, Stephanie Ross

Contemporary Aesthetics (Journal Archive)

My goal is to explore the pleasures and perils of conversation. After acknowledging some insights from speech act theory and pragmatics, I turn to Paul Grice’s account of conversation as cooperative. I offer some proposals about what makes conversants well-suited and their exchanges pleasant and successful, examine conversational style, contrast in-person with online communication, and close by examining some practices that can undermine conversational exchange. I suggest that imbalances of power and the phenomenon of being talked at are especially destructive.

Time And Atmosphere, Mǎdǎlina Diaconu

Contemporary Aesthetics (Journal Archive)

Phenomenological investigation into atmospheres as spatial feelings has paid little attention thus far to their multifaceted temporality. Ambiances are not only situated but situational; they have an intermittent existence and modify time perception. Certain moods need time to evolve, and prolonged exposure to them may change their character. The passing of time itself generates atmospheres—ages are stereotypically associated with dominant moods, and seasonal rhythms influence well-being. Moreover, ambiances shape epochs and are socially contagious. While the idea that generations can be assigned a prevailing mood is not new, the terms Zeitgeist and Zeitzeichen have been framed by an idealist philosophy …

Poetic Lines And Social Thought, Adam Neikirk

Contemporary Aesthetics (Journal Archive)

This article draws connections between formal poetry and the capacity to imagine not just the actual world, but any possible world as essentially peopled and peopled with others: both human and nonhuman intelligences. Beginning with an anecdote from the fringes of science, the author goes on to identify the presence of social thought in Romantic literary worlds, citing canonical poems that rely on the recursion of metrical lines such as “Mont Blanc” (Percy Bysshe Shelley) and “Kubla Khan” (Samuel Taylor Coleridge). A theory of poetic lines is then proffered in which poetic invention is related strongly to the idea of …

Context And Form In Garden Classification, David Fenner

Contemporary Aesthetics (Journal Archive)

Correctly classifying a garden is important because it allows us to appreciate a garden for what it is, create maintenance agendas for gardens, compare gardens to others in appropriate ways, and meaningfully evaluate gardens. We may correctly classify a garden by first deciding on an appropriate taxonomic approach and, second, by fitting gardens into their appropriate taxa. The first is achieved through justifying the organizing schema by ensuring that it significantly meets the goals mentioned above, results in meaningful and satisfying garden appreciation, and is comprehensive in scope—the creation of this taxonomic approach necessarily includes reference to a garden’s context. …

Introduction, Gioia Laura Iannilli, Ossi Naukkarinen, Enrico Glerean

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Preserving Meaning In An Age Of Algorithms And Ai, David L. Hildebrand

Contemporary Aesthetics (Journal Archive)

New technologies not only surveil and collect data about us, they also change and alter the way we make or preserve meaning, including aesthetic meaning. Accordingly, the ways we consider, research, and educate aesthetics will have to adapt, at least insofar as it keeps a new range of technological dimensions in mind. To help imagine such dimensions, this paper examines the opportunities and challenges of technologies offering new ways of creating things while also nudging and “hypernudging” our actions. Such developments may initially seem trivial but they are changing our relationships with one another and with ourselves. After a brief, …

Human And Ai Perspectives On Academic Aesthetics, Gioia Laura Iannilli, Ossi Naukkarinen

Contemporary Aesthetics (Journal Archive)

The purpose of this article is to examine how current AI tools can be used in aesthetics research and teaching. We focus in particular on one theme: how traditional ways of describing the field of aesthetics as a whole could relate to descriptions made with the help of artificial intelligence. Describing the field and its main questions is unavoidable when we teach and research aesthetics; our question is, how can AI be used for that? Starting from a new meta-aesthetic tripartite model of aesthetics that we introduce, we raise a set of questions to pave the way to a more …

Anticipation And Aesthetics After Automation, Tanya Ravn Ag

Contemporary Aesthetics (Journal Archive)

This paper explores generative technology’s ongoing aesthetic evolution through the lens of anticipation. It proposes anticipation as an alternative perspective to automation to understand the implications of generative technology in relation to aesthetic production and evolution. By focusing on anticipation, the discussion shifts from merely considering AI’s impact on aesthetics as instrumental to creative production to examining the anticipative behaviors and affective responses these technologies develop, engage, and cultivate through our interactions with them. Understanding generative technology as anticipatory highlights how deeply human and cultural expectations influence the design, recursive adaptation, and future anticipations of AI systems. Viewing our engagements …

Aesthetics In The Age Of Ai: A Methodological Self-Delineation, Anne Virginia Meindl

Contemporary Aesthetics (Journal Archive)

Current debates on AI entering aesthetic practices often take on a normative stance by evaluating the artistic status of AI art. This article seeks to develop a different perspective by referring back to the original descriptive meaning of ‘aisthesis’ and also to the origins of aesthetics as discourse on the senses and art. Introducing a Hegelian understanding of the artistic medium—as formally modeling a certain structure of consciousness rather than just as a neutral means of representation—this article provides a methodological starting point of an aesthetically engaged critique of AI’s implicit subject model. Rather than operating with abstract definitions of …

An Agent Or A Tool? Artificial Intelligence, Heidegger’S Robot And The Ignorant’S Toaster, David Holtgrave

Contemporary Aesthetics (Journal Archive)

Be it in art, aesthetics, or anywhere in or beyond academia, artificial intelligence, or AI, often is said to do a lot of stuff formerly done by humans. In this essay, I will argue that this line of thinking is to some extent misleading. On my account, it is still humans that do the same stuff, only by different means. Taking its employment and discussion in the arts as an example, I will set up and discuss what I call the ‘agent view’ of AI and show how, for those cases in which we typically attribute agency to AI, this …

The Mimesis Of Difference: A Deleuzian Study Of Generative Ai In Artistic Production, Jakub Mácha

Contemporary Aesthetics (Journal Archive)

This study uses the traditional concept of mimesis, reframed by Deleuze as a repetition of difference, to investigate art created by large language models (LLMs) or generative pretrained transformers (GPTs). The current rise of artificial intelligence (AI) is intensifying the mimetic repetition of the different. An AI system repeats carefully selected elements from its extensive training dataset. Rearranging these elements introduces differences in the mimetic repetition. Since the training dataset is updated over longer time frames, it is analogous to a static Platonic universe. Once AI can update its static elements with each repetition, it will become the true Dionysian …

Is Generative Ai In Aesthetics Really New?: The Visualist Perspective, Michalle Gal

Contemporary Aesthetics (Journal Archive)

The concept of AI in aesthetics is encountering interest as new algorithmic machines now generate visual works alongside philosophical discourse, sparking both enthusiasm and concern. Yet, this idea has deep roots, reflected in longstanding debates within the discipline. These discussions, which are similar to the new ones, have examined issues like the illusion of an image or object’s ontological stability; the nature of function and user control; distinctions between the natural and artificial, authenticity and forgery; the divide between handmade and mass-produced items; the challenges of readymade and indiscernibility in art; and the potential of ekphrasis. As a result, skepticism …

On Deepfakes And Dog Whistles: Thinking Aesthetically About Generative Ai, Maja Bak Herrie

Contemporary Aesthetics (Journal Archive)

This article focuses on the aesthetic dimensions of contemporary media created with generative AI, challenging traditional dichotomies of truth and falsehood, real and fake. It draws upon diverse examples including Samsung’s “Space Zoom” images of the moon, AI-driven political imagery, and the randomized aesthetics of Google’s Gemini. Additionally, it examines two artistic projects by Elisa Giardina Papa and Trevor Paglen. The article argues for an aesthetic analysis that goes beyond debates over authenticity, highlighting instead the inherent complexity and weirdness of these digital artifacts by exploring how AI reshapes perceptions of reality. By invoking, among other things, theories of agnotology, …

Prompting Aesthetic Ideologies Of Generative Text-To-Image Ai, Lotte Philipsen

Contemporary Aesthetics (Journal Archive)

In generative AI, text-to-image prompting has gained popularity, which calls for image theoretical attention. This article evokes critical image theory, developed by Norman Bryson and W. J. Thomas Mitchell in the 1980s and 1990s, which offers important, relevant nuances when analyzing contemporary AI image-tools. By investigating specific cases of text-to-image AI through this theoretical filter, the article demonstrates how certain aesthetic ideologies—especially perceptualism, the idea of natural images, and splitting and hierarchization of text and image—govern generative AI.

Beauty And The Bit: Ai-Driven Philosophical Aesthetics, Stefano De Giorgis, Aldo Gangemi

Contemporary Aesthetics (Journal Archive)

This paper presents a novel computational framework for formalizing and analyzing philosophical aesthetics discourse through the integration of knowledge representation techniques and large language models (LLMs). The framework introduces a structure based on four elements combining source texts, core ontology, knowledge graphs, and interpretative mappings to systematically capture both explicit content and implicit semantic relationships in aesthetics texts. Through a case study analyzing works by Dewey, Danto, and Sibley, we demonstrate how this approach enables the systematic reverse engineering of aesthetic analytical methods while maintaining semantic stability and interpretative clarity. The framework leverages human expert annotation alongside LLM capabilities to …

Appraiset: Discussions On A New Art Dataset, Thomas Şerban Von Davier, Max Van Kleek, Nigel Shadbolt Frs, Freng, Fbcs

Contemporary Aesthetics (Journal Archive)

Artificial intelligence (AI) applications in the arts have gained significant attention, particularly with the advent of generative AI. Researchers have explored AI’s capability to create art autonomously or in collaboration with artists, and AI’s role in curating, classifying, and applying aesthetic metrics to artwork. However, the opaque nature of proprietary algorithms used in these applications presents challenges for understanding AI’s influence on aesthetics. To address this, open-source data and code are essential for investigating how AI can develop its own aesthetic language. This paper introduces AppraiSet, an open art dataset containing evaluative metadata designed to support the field of …

Data Mining And Ai Visualization Of Key Terms From U.S. Supreme Court Cases From 1789 To 2022, Kory Blose, Heidi Biggs, Robbie Fraleigh, Luke Meeken, Eduardo Navas

Contemporary Aesthetics (Journal Archive)

In this paper, we take on the question of the potential risks of AI in aesthetics: What kind of risks does AI pose? To engage with this question, we focus on how generative AI models’ results consist of decontextualized content that does not always correspond with its historical context. From this standpoint, bias and misinterpretation pose major challenges in academic aesthetics because AI can be used both as a tool to make research more specific and precise and also for quick results that avoid in-depth research and on the surface may appear decisive and accurate. We set out to expose …

Returning Into The Deep Forest--A Methodological Practice Around Memory, Asianness, And Speech, Yu Ye

Masters Theses

">">The title of this thesis is borrowed from the Tang dynasty poem Deer Enclosure by Wang Wei: “Empty mountain, no one in sight—only the echo of voices. Returning sunlight slips into the deep forest, shining once more on moss.” I feel like my essay is responding to this kind of sensation: light does not shine head-on, but folds back, glancing sideways through dense branches, illuminating what is often overlooked. In that gesture of return—quiet, angled, persistent. This thesis unfolds in three chapters, each following a distinct path—image (Camera Lucida by Roland Barthes), movement (The Rings of Saturn by …

Echoes Of Longing, Mahalexmi Mohan

Masters Theses

Loss lingers like a shadow, a weight no time can lift. Longing becomes a silent scream, echoing within, unanswered. Internal pain festers in the quiet, where unhealed wounds weave themselves into the fabric of being. Each breath is both survival and surrender, a fragile balance between hope and the hollow ache of what was, what will never be, yet could be.

Abstract

My work is deeply influenced by my experiences within a dysfunctional family structure and is explored through the relationship of emotional vulnerability and its effect on self-worth. Layered into the work is a confrontation with the scars, conflict …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

Gust, Stroll, Veil, Jungeun Park

Masters Theses

I witness the unsettling and chaotic moments of everyday life:

blood clots in fried eggs, a dead rat on my porch, mites crawling on our skin . . .

These quiet tragedies exist with almost brutal indifference!

We eat, digest, excrete. We menstruate. We parasitize. We coexist.

I seek the intersection of repulsion and wonder in my daily experience and body sensations, visualizing unseen stimuli. I employ veil as a strategy. It conceals yet reveals. Sometimes, it acts as a transparent layer, sharpening what lies beneath. Other times, it blurs colors and forms, rendering them ambiguous. Veil transforms, entices, and …

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …

I Don't Want To Talk About It, Margaryta Winkler

Masters Theses

This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …

Moving With Mountains, Matthew Freeman

Masters Theses

Bodily experiences with stones can produce an experience of the sublime. Through the act of traversing a stone, we can reorient our sense of scale and situatedness in nature. In this thesis, I invoke natural forces of great magnitude in an intimate context, making portable the expansion of thinking that occurs when we imagine ourselves on and as surfaces resembling landscapes.

I have developed my methodology through fieldwork in gorges, beaches and museums, culminating in a study of the conventions of Scholar’s stones and the aesthetics of the sublime. I define the sublime in historical and contemporary contexts by analysing …

The Dialectic Of Airless Space, Ophelia Arc

Masters Theses

The Dialectic of Airless Space is a cumulative, cross-disciplinary research project that explores ‘airless space’ as a somatic and psychological condition shaped by institutional environments. Unfolding over time through five interrelated books, the project weaves together writing, ephemera, textile sculpture, and drawing to archive the invisible architectures of bodily and mental experience.

Poiesis Of Care: The Aesthetic-Performative Value Of Delicacy, María Jesús Godoy Domínguez

Contemporary Aesthetics (Journal Archive)

In this paper, the ethics of care is addressed from an aesthetic perspective by analysing the poiesis of care, or care from the performative aspect of its physical execution. To this end, delicacy is understood as a sensitive property of care, an aesthetic language where the subject, assuming an active role, becomes an ‘artist’ in the everyday realm. The main thesis is that the subject is a caregiver who expresses delicacy in their everyday gestures and attitudes with the people and objects around them. To develop this idea, first, delicacy is conceptually characterized within the framework of modern aesthetics, while …

Contemporary Appropriation Of Confucian Aesthetics In China: Mao Zedong And Xi Jinping’S Political Discourses On Art And Morality, Eva Kit Wah Man

Contemporary Aesthetics (Journal Archive)

Mao Zedong’s thoughts on art and society delivered at the Yan’an Talks in the 1940s had a significant impact on the Chinese Communist Party’s art policies for decades. In 2014, Xi Jinping delivered the “Speech at the Forum on Literature and Art” in Beijing, which echoed Mao’s Yan’an Talks but was arrogated and idealized to emphasize the development of a strong China. His speech focused on boosting artists to celebrate Party-sanctioned morality, cultural heritage, and nationalist sentiment, and he stated that the main purpose of art was to infuse reality with optimism for the future. The ways both leaders appropriated …

V.1 Spring 2025, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2025 issue has the theme "Take It as a Sign" and features pieces on baby fever, spreadsheets and recording information, aura and technology, a trip to Horseshoe Bend, the new Art and Computation department at RISD, home and belonging, Illustration student projects related to sensitive experiences, red brick architecture in Providence, and technology and the English language, along with interviews of students in their studios, poetry, and other creative writing.

Art, Trauma, And The Aesthetics Of Paul Celan, Tania L. Abramson, Paul R. Abramson

Contemporary Aesthetics (Journal Archive)

No abstract provided.