Philosophy Commons^™

Wild Joy: An Exploration In Queer Spatial Dynamics, Kipper Thomas Reinsmith

Masters Theses

What does it mean to feel represented in a space?

What does a trans space look like?

How can we queer our interior spaces?

Our world is crafted by the many designers that have come before us. These systems, products, and spaces are built upon assumptions of the bodies that will use and occupy them—namely cisgender, able-bodied, straight folks.

Designing and creating objects as a trans person is an act of radical nature. To take up space, to design for trans luxury, for the sake of beauty, for joy itself, feels counterintuitive to the narratives we’ve been served: that of …

Emotional Factory, Yukun Cui

Masters Theses

该项目设想将上海一个历史悠久的仓库改造成一个创新的、以情感为主题的联合办公空间，超越传统的办公环境。在工作环境质量深刻影响生产力和幸福感的时代，该项目旨在创造一个协调身体、心理和情绪健康的空间。该设计融合了促进健康的元素，例如健身设施、美食和丰富的绿色植物，确保居住者在整个工作日中保持动力和灵感。该项目涉及个人与其环境之间的动态互动。认识到传统的办公室布局往往会限制移动和空间感知，我们的设计引入了一个固有的动态工作空间。灵活的布局，可调节的家具和可移动的隔板使空间能够适应各种活动和需求。互动元素和视觉刺激全天变化，鼓励探索和互动，而不需要持续的身体运动。使用不同的纹理、颜色和照明方案创造了一种多感官体验，使空间充满活力和不断变化的感觉。通过结合这些元素，该项目旨在重新定义现代工作空间，创造一个不仅能提高生产力，而且能丰富人类工作体验的环境。这种创新方法旨在为全球联合办公空间设定新标准，培养社区意识、创造力和幸福感。最终，该项目旨在创造一个开创性的环境，增强人类的工作体验，展示工作空间设计在广泛影响和改善情绪和心理健康方面的潜力。

Winter Solstice, Jingwen Cao

Masters Theses

For a long time, I have been thinking about what contemporary photography is, what its position is, and what the relationship is between artists and audiences. At the same time, I was developing my concepts and photographic directions and trying to make my work and my perspective on photography relevant. Winter Solstice includes a series of essays that locate my thinking and my work. Its title references the longest night of the year.

The position of photography has changed significantly over the past few decades. The way people read photos is also changing. Perhaps because of reverence for art and …

A Thesis, Or Digressions On Sculptural Practice: In Which, Concepts & Influences Thereof Are Explained, Set Forth, Catalogued, Or Divulged By Way Of Commentaries To A Poem, First Conceived By The Artist, Fed Through Chatg.P.T., And Re-Edited By The Artist, To Which Are Added, Annotated References, Impressions And Ruminations Thereof, Also Including Private Thoughts & Personal Accounts Of The Artist, Jaimie An

Masters Theses

This thesis is an exercise in, perhaps a futile, attempt to trace just some of the ideas, stories, and musings I might meander through in my process. It’s not quite a map, nor is it a neat catalogue; it is a haphazard collection of tickets and receipts from a travel abroad, carelessly tossed in a carry-on, only to be stashed upon returning home. These ideas are derived from much greater thinkers and authors than myself; I am a mere collector or a translator, if that, and not a very good one, for much is lost. I do not claim comprehensive …

Searching For The Hyperobject: Crystals As Transscalar Vehicles, Jay Costello

Masters Theses

When I touch the street outside my house, I'm touching Los Angeles—a contiguous vector of material bisecting a continent. A slab, a stone, dust and oil, a googolplex of tightly packed anisotropic particles... At nightfall, I sneak to the edge of the highway and break off a piece. 'What does it mean for a worm to be aware of the scale of the planet?' Bruno Latour's evocative questioning of scalar jumps prompts an existentialism that places me somewhere between the hyperlocal and the massively distributed. Like a cosmic traveler floating through the universe, I feel adrift. I look around, grasping …

I Am Becoming., Dai Asano

Masters Theses

This is a collection of essays documenting my grappling with the idea that time is always in motion. When you say now, it is not now anymore, but we are still in now, a new now. How can I stay in the now without being swept away by the current of time? Describing a film by Ozu Yasujiro, Deleuze writes, “The vase in Late Spring is interposed between the daughter’s half smile and the beginning of her tears. There is becoming, change, passage. But the form of what changes does not itself change does not pass on. This is time, …

Timeless Teachings & Unbridled Possibilities, Ruijie Tai

Masters Theses

I am looking at is process of TRANSLATING AND BRIDGING.

Qi, traditionally understood as the vital force that flows through and animates living beings and the environment, lies at the edge of our perceptual capabilities.

The notion that what we cannot "see" holds significant influence over our world suggests that there are aspects of reality and forces at play beyond our direct sensory experience. AI, with its capacity for analyzing vast amounts of data and recognizing patterns beyond human capability, offers a unique tool for exploring these unseen forces.

The potential of AI to perceive and understand Qi could open …

Embodied Abstractions: Identity And Representation In The Digital Era, Srikar Hari

Masters Theses

The digital image is a copy in motion. As it accelerates, it deteriorates.

It is a ghost of an image, a preview, a thumbnail, squeezed through

digital connections, resized, uploaded, downloaded, reformatted

and re-edited.

- Adapted from “In defense of the Poor Image” by Hito Steryel

With today’s digital technology, the image is no longer a stable

representation of the world, but a programmable database that

is updated in real time. It is not only part of a program, but it

contains its own operating code: the image is a program in itself.

Consequently, the image’s rhetoric has taken on …

“Touching The Untouchable”: Time As Material And The Fragmented Self In The Maximodern Era Shori V. Sims © 2024 Shori V. Sims All Rights Reserved Shorisims., Shori V. Sims

Masters Theses

In the conventional division of disciplines, film/video/moving images and stationary sculpture are categorized as formal and conceptual opposites. In my work and in this thesis, I am arguing that moving images constitute a form of sculpture in the style of assemblage by the manipulation of time around them. Yes, the image is flat and stationary on its own: but the cut of time which it represents exists multi-dimensionally (spatially and temporally) to be combined in a collage-like manner. In my practice, moving images constitute a form of assemblage that manipulates time and space in ways normally attributed to sculpture.

This …

V.1 Spring 2024, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2024 issue contains articles on rewilding in Southern Africa, digital folklore, the RISD Musem exhibition on Nancy Elizabeth Prophet "I Will Not Bend an Inch," student musings on Indian identity, queering domesticity and gender in China and Taiwan, interviews of RISD students, the second Black Biennial, displaced ceremonial objects, the defunct student club RISD Quickies and interdisciplinarity at RISD, a student's queer identity, and flirting with GPTs, along with student creative writing.

V.1 Winter 2024, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Winter 2024 issue is formatted as a calendar featuring images of current RISD students recreating scenes from historical photos taken at RISD.

World Spirit And The Apotheosis Of Artificial Superintelligence: A Speculative Design Proposal, Ian Gonsher

Scholarly Research

This essay puts forth a speculative design proposal for a device with affordances for talking to, and receiving responses from, God. We begin with an analysis and critique of the concept of God, framing this concept within an understanding of Hegelian Spirit (Geist) and technological evolution. In this context, Spirit, or World Spirit (Weltgeist), can be characterized as the aggregate consciousness of all people - as human consciousness itself: In the simplest terms, this immanent framing of the “mind of God” is culturally and socially constituted as the communication that people engage in with each other, in all the diverse …

V.1 Fall 2023, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2023 issue contains articles on bubbles, a performance at AS220 "Belated Avowal" by RISD MFA student Cat Ashley, sleeping and dreaming, interviews of RISD students, a critical review of Queen Elizabeth Olympic Park, movement experiments, a Jake Shore show at Providence student gallery Ladybug Providence, and George Orwell's book "Why I Write," along with creative writing on a variety of topics.

New Commandments, Jacob Sussman

Masters Theses

I reach into the earth, pull out mud-encrusted objects, and recombine them to define new meanings. With every object transposed, the past breaks down; new potentials form. “New Commandments” recombines historical symbolism through an intuitive building, destroying, and merging to reimagine or re-establish meaning.

The work critiques rites of passage, masculinity, and stereotypes by deconstructing how histories, ideologies, and preconceptions form.

As a queer person raised in-between Judaism and Christianity, social preconceptions and religious expectations festered my formation. Our choice is taken away at this moment of conception. To take back autonomy, I reimagine historical, and religious symbolism and transmute …

Postindustrial Playbook++, Maxwell Fertik

Masters Theses

There is no such thing as an undisrupted ecosystem. Every inch of the planet is impacted by industrial development and its chemical legacy has mutated the soil and water. As a response, this thesis is designed to promote abundant over extractive resources and visualize a post-industrial reality. It consists of a series of objects, writing and design research on the relationship of industry and ecosystem.

In many ways it is a playbook++, laying out possible strategies or “plays’’ for making do with what exists around us amid collapse.

Japanese knotweed (Reynoutria japonica)(ي'ڑ*), a plant that grows in the most degraded …

Home. Objects. Transitions., Fei Gao

Masters Theses

As migratory life challenges traditional understandings of "home," can domestic objects, materials, or substitutes transformed into portable art forms soothe migratory anxiety, navigate connections to home, and become alternatives to the ideal home?

This thesis is an investigation of the value of domestic objects as transitional markers of "home" and their ability to foster positive emotional connection among those whose lives are in flux migrating people. Based on British psychiatrist Donald W. Winnicott's research on "Transitional Objects" or "Transitional Phenomena" such objects not only represent "comfort objects" for infants but also foreshadow the many roles assigned by individuals throughout their …

Thingle Things: An Exploration Of The Imperfect, Jesse G. Groom

Masters Theses

I am fascinated by the “imperfect” and ask: What are these so-called flaws? Might they just be misalignments with the plane of expectations which coat our visual processing? The relationship between object and human has grown ever more assuming since the advent of industrial production methods. I posit that the efficiency and profit driven decisions which underly this scale and mode of making have subsequently forced matter into the molds of our whims with little allowance for evidence of disobedience. During the opportunity of my own fabrication practice, however, I can discover new possibilities for the typologies of the things …

Landscape De/Re-Construction Through Art, Manuel Gonzalez

Masters Theses

Contemporary landscape architecture practice and education primarily focus on ecological and technical interventions. The climate crisis we find ourselves in demands scientifically informed decisions and well-engineered execution of projects, but, more importantly, creativity and innovation.

The fine arts, which were once integral and foundational to design, are today largely unappreciated and appropriated. The spiritual power of Art, Aesthetics, and Beauty, explored at length through art history and theory, are often viewed as indulgent or secondary to execution. The gap between Art & Design has widened. As a result, designers face challenges in fostering in individuals the kind of care and …

Moving At The Speed Of Trust, Sun Ho Lee

Masters Theses

Moving at the Speed of Trust is a workbook of strategies — practices, definitions, and techniques — to nurture community-building in support of inbetweeners who live between power structures and cultures and are often left out. Inbetweeners are those individuals whose lives are in transition through recent immigration or forced translocation from Asia to America.

These strategies revolve around threads of trust: kin, giggles, vulnerability, and shared experience. With these threads, we can question power. We can preserve stories, expand the ways we connect, shift perspectives on what is “standard,” and cultivate a community rooted in understanding. To understand each …

The Meaning Of A Choice, Julie-Louise Zeitoun

Masters Theses

If you are disabled or disadvantaged, you will be dismissed and stifled. Few people will actively care for your struggles. As a person with autism, I was deeply fearful of the persecution I had faced throughout my life; it was a fear that followed me with terrifying determination. I desperately wanted to blend into society. So I designed myself to be devoid of any weakness, and productivity was the way I chose to conceal any difficulties I faced. It was a way to measure my success — a way to measure my normalcy.

Standard medical textiles are generic, cumbersome devices. …

Moretheless, Abdelghani Alnahawi

Masters Theses

material investigations becoming questions with interjections

Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor

Masters Theses

A comedian said, “American pie isn’t made out of apples, it’s made out of whatever you can get your fucking hands on.”1 With that, my work seeks to provide an honest representation of the infinite value of the everydayness and behavior of blackness ranging from trauma to beauty. Various mediums explore culture, class, collective memory, identity, and erasure. While resisting institutional and systemic boundaries between disciplines my practice actively seeks fluidity between media. The work often translates to (social) poetic-bricolage visualizations that combine gestures of assemblage, sculpture, installation, and painting. The work focuses on reflecting on how I see life …

Out In Thin Air, Daiqing Zhang

Masters Theses

My work often takes form in experience-charged installations underscored by phenomenology. The whys and hows behind the work mostly remain unspoken, since I would rather my work speak for itself. This writing project offered me the opportunity to comb through and tell the stories and thoughts that informed the work.

I have built a collection of documentation about the experience of having a sensitivity to moments of wonder in everyday life. These archives recorded sensuous imprints in life composed of mundane phenomena. In the collection there are images/footage of a glimpse of light leaking through cloud crevices; a brush of …

In The Air 2023, Students Of Risd, Risd Archives

All Student Newspapers

In the Air was a community-based photography and poetry zine that was designed to reflect student experiences and build community across majors on campus. The first and only issue is divided into four chapters that contain creative writing and student artwork: To Be in Love, School(ed), Observations, and Life.

V.1 Spring 2023, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2023 issue contains articles on storytelling, mapmaking, the instagram account @tihngs, a reception at the RISD Museum for artist Adam Silverman, the Battambang Market, technological transcendence, fairy tales and Kara Walker, artistic processes of grad students, David Hammons' piece Rock Head, developments in higher education, a platform used by a THAD class, and other student creative writing.

V.1 Winter 2023, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Winter 2023 issue has a theme of text, images, and communication. It contains written pieces that experiment with text and language, student visual art, and other work.

Resonance And Atmosphere In Architectural Aesthetics, Joona Markus Hulmi

Contemporary Aesthetics (Journal Archive)

The present paper is concerned with the experience of architecture as analyzed through the concepts of atmosphere and resonance. I suggest that the experience of architecture occurs by means of atmospheres that consist of numerous factors, including architectural qualities, interpersonal aspects, and the subject’s individual mind. Architecture may generate or foster atmospheres that are emotionally moving or meaningful, but also ones that are bland, indifferent, meaningless, or at least less meaningful than others. In particular, I examine how we understand atmospheres that are experienced as meaningful and emotionally moving in regard to the so-called resonance theory, as formulated by Hartmut …

The Speculative Artifact 2022, Students Of Risd, Risd Archives

All Student Newspapers

The Speculative Artifact was a student publication created for the Graphic Design seminar/studio Critical Issues Studio, taught by Anther Kiley in Fall 2022. The publication features designs and concepts for artifacts of the future created by students. Artifacts include language aids, a sex worker kit, food packaging, a garden pack, style-transferred furniture, a post-taste apartment, a maze sculpture, a personality magazine, animal-human cohabitation, signage, a friend-dating system, coding tech, a transhuman sticker book, and television programming with animal languages

Reshaping Aesthetics And Aesthetic Sensibility In A Hybrid Environment, Aleksandra Łukaszewicz, Jakub Petri

Contemporary Aesthetics (Journal Archive)

The contemporary environment in developed countries is highly urbanized and technologized. It is not only physical but also virtual, created with the use of cyber-techniques and the internet. The two layers of the environment are: the physical places, persons, objects, etc., and the virtual – electronically-emerged places, persons, and objects, etc. Therefore, it is correct to overcome the enforced conceptual dualism between what is virtual and what is physical, as proposed by Michal Ostrowicki (aka Sidey Myoo) in calling for the recognition of the hybrid status of reality, by pointing to symbiosis within the context of lived experience. This raises …

Living Aesthetics In China: Aesthetics As A New Direction, Liu Yuedi

Contemporary Aesthetics (Journal Archive)

Living Aesthetics (生活美学, Sheng-huo-mei-xue) is a popular key term in Chinese society and culture today. The aestheticization of living, originally rooted in Chinese soil, is authentic Chinese wisdom and now is being fully revitalized. Confucian aesthetics can be classified as Living Aesthetics, one based on emotion/feeling (qing). The philosophical interpretation of Confucianism from the viewpoint of Living Aesthetics can be better explained in its original context. In Confucius’s time, the unity of rites (li) and music (yue) were the backbone of Confucian aesthetics. But with the gradual decline of music in Chinese history, this …