Philosophy Commons^™

Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter

Seton Hall University Dissertations and Theses (ETDs)

Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …

Deconstructive Analysis Of "Six Characters In Search Of An Author ", Nathan L. Dahlberg

FUSION

This analysis applies deconstruction theory to Luigi Pirandello's Six Characters in Search of an Author, exploring diverse perspectives, fragmented reality, and language ambiguity. It emphasizes the dynamic nature of meaning and offers a fresh perspective on the play's complexity through visual representations and engaging discussions. It contributes to the discourse on deconstruction in World Literature.

This project was created in response to an assignment prompt that asked students to apply a literary theory to Pirandello's play. Students explored their chosen theory through visualizations of its major concepts using text and images. They then connected examples from the play to …

What Our Hearts Crave For: An Examination Of The Paradoxical Attraction To Dante’S Inferno, Ketzalt E. Marquez

Honors Projects

This paper serves to analyze and explain why audiences are attracted to stories with elements of Horror in them, using Dante’s Inferno as the vehicle for this conversation, as the Inferno’s setting is in the worse possible place imaginable. Horror narratives arise feelings of fear and disgust in its audiences through the use of monsters, as audiences relate to the fear and disgust the positive characters in the narratives are feeling because of the monster’s presence. Since these emotions arise in a safe space, such as in literature or film, where the source of the emotions is not endangering the …

The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins

Dissertations, Theses, and Capstone Projects

Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.

To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …

Vulgar Love: The Sicilian School And The New Aesthetic, Jason Collins

Vernacular: New Connections in Language, Literature, & Culture

Much consideration has been given in the last century to the Scuola Siciliana, or the Sicilian School, the first coterie of poets in an already developed but still emergent Italian vernacular, and this in spite of an almost complete lack of autograph copies of poetic works in the original language. A great deal of this scholarship or research has a taxonomic and theoretical approach to the works, their composition, and the atmosphere that fostered them, and oftentimes attempts to position the Sicilian School within the historiography of Italian literature (particularly as progenitors to the Tuscan poets and thus Dante, Petrarch, …

The Prince -- Brief Synopsis -- Powerpoint, Zach Davidson

Open Educational Resources

This is a very brief PowerPoint covering some key ideas in Machiavelli's THE PRINCE.

The Vanishing Line, Jacopo Mazzoni

Graduate School of Art Theses

This thesis is an exploratory effort to bridge the rift that political and monetary powers created between art and technology. In my practice, these socio-political motivations are exposed through the creation of non-utilitarian inventions that use different technologies as charged metaphors. I research mass media language and construct interactive pieces while borrowing strategies from the entertainment industry to make environmental, social, and political issues more palatable than documentary films or raw data could. In my work, technology is regarded as a semidivine entity with supernatural powers that can both elevate and reduce the human experience. My work functions differently according …

La Violenza Della Violenza, Babette Babich

Articles and Chapters in Academic Book Collections

Günther Anders, al pari di Hannah Arendt, fu un teorico del potere che sviluppò un’esplicita riflessione filosofica sulla violenza. Tuttavia, anche gli esperti delle sue opere trovano solitamente che le riflessioni di Anders sul potere (in tedesco Macht) implichino una certa difficoltà interpretativa, specialmente perché la sua scrittura è stilisticamente impegnativa, ma anche perché, in modo più decisivo, Anders scrisse sulla natura della tecnica, argomento inusuale per la maggior parte dei teorici della politica e dei filosofi. Questo interesse può essere riscontrato a cominciare dalle primissime riflessioni del filosofo tedesco sulla musica, e in tutti i suoi studi sull’essere umano …

Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935–1969, Raffaele Bedarida

Dissertations, Theses, and Capstone Projects

Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. I do not concentrate on the Italian art scene per se, or on the American reception of Italian shows. Through a transnational perspective, instead, I examine the role of art exhibitions, publications, and critical discourse aimed at American audiences. Inaugurated by the Fascist regime as a form of political propaganda, this form of cultural outreach to the United States continued after WWII as Italian museums, dealers, and critics aimed to vaunt the …

The Catholic Enlightenment. The Forgotten History Of A Global Movement, Ulrich Lehner

Ulrich L. Lehner

No abstract provided.

Auctor In Fabula: Umberto Eco And The Intentio Of Foucault's Pendulum, Douglas Stephens Iv

Senior Honors Theses

Umberto Eco’s 1988 novel Foucault’s Pendulum weaves together a wide range of philosophical and literary threads. Many of these threads find their other ends in Eco’s nonfiction works, which focus primarily on the question of interpretation and the source of meaning. The novel, which follows three distinctly overinterpretive characters as they descend into ruin, has been read by some as a retraction or parody of Eco’s own position. However, if Foucault’s Pendulum is indeed polemical, it must be taken as an argument against the mindset which Eco has termed the “hermetic”. Through an examination of his larger theoretical body, including …

Maquiavelo Y El Crecimiento Como Fin (Telos) Del Estado, William J. Connell

William Connell

La Muerte, La Memoria Y La Filosofía Existencial En La Literatura Testimonial Pos-Dictatorial De Primo Levi, Jorge Semprún Y Jacobo Timerman, Andrew Mcnair

Senior Theses and Projects

What effect does the ubiquity of death in a traumatic experience have on an individual's memory and soul, and how is this manifested in one's written testimony? Through the analysis of their philosophical introspection, the testimonies of Primo Levi's The Drowned and the Saved, Jorge Semprún's Literature or Life, and Jacobo Timerman's Prisoner Without a Name, Cell Without a Number meditate on the atrocities they experienced during Levi and Semprún's incarceration under the Nazi regime in Europe between 1942 and 1945, and Timerman's imprisonment under the regime of Jorge Rafael Videla in Argentina between 1976 and 1983. The …

Intersections In Immanence: Spinoza, Deleuze, Negri, Abigail Lowe

Department of English: Dissertations, Theses, and Student Research

The connection between French philosopher Gilles Deleuze and Italian political theorist Antonio Negri has drawn attention in academic publications over the last decade. For both thinkers, the philosophical concept of immanence is central to how both respectively conceptualize the world. However, in order to consider their work with regard to a metaphysical grounding, one may benefit from turning to each thinker’s engagement with Jewish Dutch philosopher Baruch Spinoza whose immanent ontology, or monism, was indeed his Ethics. This essay concentrates on drawing out an ontological distinction between the philosophical projects of Deleuze and Negri by way of a close reading …

Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera

Modern Languages and Literatures Annual Graduate Conference

In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.

Dante’S Understanding Of The Two Ends Of Human Desire And The Relationship Between Philosophy And Theology, Jason Aleksander

Faculty Publications

I discuss Dante’s understanding that human existence is “ordered by two final goals” and how this understanding defines philosophy’s and theology’s respective scopes of authority in guiding human conduct. I show that, while Dante devalues the philosophical authority associated with the traditional Aristotelian emphasis on the significance of contemplative activity, he does so in order to highlight philosophy’s ethico-political authority to guide human conduct toward its “earthly beatitude.” Moreover, I argue that, although Dante subordinates earthly beatitude to spiritual beatitude, he nonetheless maintains that philosophy’s authority to reveal a path to spiritual beatitude requires its fundamental independence from theology.

Teoria E Pratica In Un "Tempo Devastato E Vile", Maurizio Vito

Maurizio Vito

No abstract provided.

A Discursive Construct Of Xxi Century: The New Italian Epic, Maurizio Vito

Maurizio Vito

No abstract provided.

Spettri Di Wu Ming, Maurizio Vito

Maurizio Vito

No abstract provided.

Epica Moderna E New Italian Epic, Maurizio Vito

Maurizio Vito

No abstract provided.

Ch 2 The Political Agency: The Helmsman, Maurizio Vito

Maurizio Vito

No abstract provided.

Ch 1 The Sea, The Land, The Community, The Individual, Maurizio Vito

Maurizio Vito

My dissertation analyzes the political unconscious of the metaphors of sea and land in works that range from Hesiod to Carl Schmitt, it is a study of how these metaphors, singly and in the interplay between them, are scattered through a wide variety of discourses. It examines the influence that cultural contexts exert on the allegorization of sea and land from ancient Greeks and Romans (Alcaeus, Virgil, Horace, first chapter) to the Italian Renaissance epic (Orlando Furioso and Gerusalemme Liberata, second chapter), and in the “Mediterranean question.” While the third chapter analyzes how nomos – a notion that concerns lawmaking …

Ch 3: Sea And Land: Domains Of Power, Maurizio Vito

Maurizio Vito

No abstract provided.

San Francesco D'Assisi E Santa Caterina Da Siena. La Loro Influenza Sulla Letteratura, La Cultura, La Religione E L'Arte Italiana Dei Primordi, Ann-Frances Hamill

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Examines the works and thoughts of two Italian saints: Saint Francis of Assisi (1181-1226) and Saint Catherine of Siena (1347-1380). Explores the common ideological denominator in the works of these major figures and analyzes their impact on Italian society and culture.