Philosophy Commons^™

Situating A Badiouian Anthropocene In Hagiwara's Postnatural Poetry, Dean A. Brink

CLCWeb: Comparative Literature and Culture

In his article "Situating a Badiouian Anthropocene in Hagiwara's Postnatural Poetry" Dean A. Brink discusses the ecological dimension of the poetry of one of the founding voices in modern Japanese poetry, Sakutarō Hagiwara (1886-1942). Brink argues that Hagiwara developed a poetics characterized by engagements with nonhuman organisms and actants to situate the materiality of these actants in ways that diffuse the binary of "language" and "nature" and present a postnatural relationality that Bruno Latour describes. Drawing on the recent work of Alain Badiou, Brink explores materialist alternatives to representationalism—including the Lacanian triangle of the imaginary real and symbolic—by emphasizing human-nonhuman …

If You See Something, Say Something: A Look At Experimental Writing On Art, Charlotte Lucy Latham

Dissertations, Theses, and Capstone Projects

Signs all over New York City state, "If you see something, say something," but museum studies repeatedly find viewers do not attend to pictures, just as eye witness testimony is invariably skewed. Ways of seeing have been limited to known ways of discussing. Alternative approaches offer new insights. The first section, "Experiments in Art Writing," examines two texts: T.J. Clark's The Sight of Death, a journal of his daily visits looking at two Poussin paintings, for which he maintains the ambiguity of exploration and argues to keep visual images from their dissolution into political symbols; and, Charles Simic's Dime Store …

Agreeable Despair: Modernism And Melancholy, Derrick James Gentry

Dissertations, Theses, and Capstone Projects

This study considers a group of distinctly modernist philosophers for whom aesthetic and reflective practices represented a way out of the paralysis of a culture dominated by narrowly conceived philosophical values. These modernist philosophers, I argue, helped to give birth to mode of experimental writing that Robert Musil called "essayism." I begin in Chapter One with an account of Walter Benjamin's experimental concept of melancholy and its intersection with the avant-garde practices of French Surrealism. Chapter One begins to contrast Benjamin's concept of melancholy with Friedrich Nietzsche's therapeutic efforts to transform and overcome melancholy on both a personal and a …

Is Geoffrey Chaucer’S Tale Of Sir Thopas A Rape Narrative? Reading Thopas In Light Of The 1382 Statute Of Rapes, Kristin Bovaird-Abbo

Quidditas

Considering the tale’s placement between two narratives of violence—the Prioress’s Tale and the Tale of Melibee—it is surprising that the Tale of Sir Thopas has not merited more discussion of the potential for violence against feminine bodies. I argue that Chaucer the author introduces significant changes to the typical medieval romance, with the result that Thopas’s actions in the name of “love” conceal a rape narrative that engages late fourteenth-century debates as to what exactly constituted rape. As the transfer of property was a significant portion of such discussions, the 1382 Statute of Rapes prompted concerns about the ability …

Front Matter

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No abstract provided.

Allen D. Breck Award (2014)

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Kristin Bovaird-Abbo

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Causality In La Mort Le Roi Artu: Free Will, Accident, And Moral Failure, David S. King

Quidditas

The thirteenth-century French La Mort le Roi Artu indicates forthrightly how the Arthurian world comes to an end, but the text leaves less clear what motivates the disaster. Many critics attribute the cause to an external force, God or the goddess Fortune, that obliges Arthur and others to pursue their own destruction. A few offer greater insight into the nature of causality in the romance. They see the characters as exercising some degree of free will or even complete liberty. But these critics err in alienating the notion of free choice from moral concerns. In their reading, the heroes suffer …

The Intersection Of Music Philosophy, Performance And Genre In The Middle English Breton Lay Sir Orfeo, Lisa Myers

Quidditas

The Middle English romance Sir Orfeo is a dynamic and creative retelling of the classical Orpheus myth in which the wife of the English king, Orfeo, is abducted by fairies but eventually restored to her position and husband through Orfeo’s musical prowess. While any retelling of the Orpheus myth would necessarily contain references to music and would, therefore, likely use music as an important cue within the text, the poet of Sir Orfeo displays a sophisticated understanding of musical philosophy, composition and performance, as well as the Breton lay genre. The intersection of these elements all work together not only …

Full Issue

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Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg

College of Graduate Studies: Theses & Dissertations

This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …

The Pilgrim’S Intuitive Cognition In Pèlerinage De La Vie Humaine, David Strong

Quidditas

This article maintains that the Pilgrim in Guillaume de Deguileville’s allegorical dream vision, Pèlerinage de la vie humaine, acquires a previously unrecognized importance through his cognitive abilities. Each personified figure’s significance depends not upon a general introduction, but the Pilgrim’s ability to identify those traits unique to their person. This mode of intellection mirrors the late Scholastic epistemology of intuitive cognition as championed by John Duns Scotus and William of Ockham. This theory allows the Pilgrim to grasp a particular object’s certitude without relying upon universals. Since this philosophy extols intellectual surety, it serves as a framework for interpreting the …

Visual Representations Of Prester John And His Kingdom, Michael E. Brooks

Quidditas

The mythical figure of the priest-king known to late medieval and early modern Europeans as Prester John fascinated literate Europeans for many centuries. Historians have weighed in on textual depictions of the legendary figure, but visual interpretations by European artists of the physical appearance of this eastern potentate have not been examined in any significant depth. These portrayals primarily took the form of map and book illustrations, and this essay examines the evolving visual representations that European artists developed of Prester John. In general, there was a gradual evolution over time in European artistic depictions of the legendary Prester John, …

Public Shaming: Milton And The English People, Courtney O. Carlisle

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“Public Shaming: Milton and the English People” discusses the role of shame and its performance in John Milton’s First and Second Defence of the People of England. As Milton attempts to shame Salmasius and More, he focuses on bodies and their relationship to shame. For Milton, shame should be morally productive—it is meant to produce a sense of self-consciousness and an appropriate moral awareness. Milton argues that Salmasius and More are shameless and therefore not self-conscious or morally aware. Involved with shame and self-consciousness is a profound awareness of one’s body and its relationship to others and to the environment. …

The End Of An Era: John E. Wills Jr’S 1688: A Global History As A Capstone, Nikolas O. Hoel

Quidditas

When designing a course, an appropriate question is how to end it. What great primary or secondary source will send students off into the larger academic world, outside the immediate class at hand with a better understanding of the period they had just been studying? The quandary is important in every medieval or early modern course; for example, does one end the medieval survey with Dante or Petrarch, or even Erasmus? The necessity for a capstone is no less great in classes that are entitled “England to 1688,” which populate many university course catalogues today. Many monographs and articles have …

Resolving Exeter Book Riddles 74 And 33: Stormy Allomorphs Of Water, Thomas Klein, William F. Klein, David Delehanty

Quidditas

The following article argues that the idea of the allomorph is a productive way to view two “transformation” riddles from the Old English collection of riddles in the Exeter Book. In the view of the authors, Riddles 74 and 33 should both be solved generally as “water,” and specifically as “in the form of a thunderstorm.” Both riddles dramatize the multiple forms that water may take, and meditate on the divinely-ordained grandeur of the storm and the particular paradox of a thing being both immensely violent and necessary for life on earth. Understanding how these riddles play out these truths …

Was Frederick Barbarossa The First Holy Roman Emperor?, Thomas Renna

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Frederick Barbarossa (1152-90) was the first German emperor—later to be called the Holy Roman Emperor—who gave considerable attention to the three terms of the imperial title. His own registers and contemporary chronicles reveal frequent references to the three components of both his title and the Holy Roman Empire. I argue that Barbarossa was the first to attempt to integrate them into the German traditions of the empire, in particular the method of electing the king of the Romans, the historical ties with Charlemagne, and the concept of the empire as an amalgam of smaller principalities. He was the first to …

John Bale’S Kynge Johan As English Nationalist Propaganda, G. D. George

Quidditas

John Bale is generally associated with the English Reformation rather than the Tudor government. It may be that Bale’s well-know protestant polemics tend to overshadow his place in Thomas Cromwell’s propaganda machine, and that Bale’s Kynge Johan is more a propaganda piece for the Tudor monarchy than it is just another of his Protestant dramas..

Delno C. West Award Winner (2014)

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David Strong

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

Course Syllabus (Fa13) Coli 211 Literature & Psychology: "Power, The Subject, And Technological Rationality", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description and Objectives:

In this course, we will examine mechanisms of power and the processes by which these produce categories of subjectivity. Theoretically speaking, we will begin by considering these processes at the level of society and then dwell on their human experience at the level of the psyche. Here, we will aim to discover processes by which the subject reproduces conditions of domination by power at the level of psychic experience. Power-practices assume their condition of possibility by positing, on the one hand, that the category of the subject is a priori existent and, on the other, that …

To The Jew First: A Socio-Historical And Biblical-Theological Analysis Of The Pauline Teaching Of `Election' In Light Of Second Temple Jewish Patterns Of Thought, Anthony Thornhill

Doctoral Dissertations and Projects

Paul's "doctrine" of election has remained a controversial and enigmatic topic for centuries. Few studies, however, have approached Paul's doctrine through the context of Second Temple Judaism. This study examines Paul's view of election through the lens of Second Temple Jewish texts written prior to 70 CE. In doing so, it is argued that the best framework through which to view Paul's discussion of election is through a primarily corporate model of election. While such a model is rooted in Judaism, Paul departs from his Jewish contemporaries in arguing that the locus of election is in God's Messiah, Jesus.

Intersections In Immanence: Spinoza, Deleuze, Negri, Abigail Lowe

Department of English: Dissertations, Theses, and Student Research

The connection between French philosopher Gilles Deleuze and Italian political theorist Antonio Negri has drawn attention in academic publications over the last decade. For both thinkers, the philosophical concept of immanence is central to how both respectively conceptualize the world. However, in order to consider their work with regard to a metaphysical grounding, one may benefit from turning to each thinker’s engagement with Jewish Dutch philosopher Baruch Spinoza whose immanent ontology, or monism, was indeed his Ethics. This essay concentrates on drawing out an ontological distinction between the philosophical projects of Deleuze and Negri by way of a close reading …

Infanticide And The Anxious Silence Of “Language As Such”, Kevin Godbout

Modern Languages and Literatures Annual Graduate Conference

No abstract provided.

Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera

Modern Languages and Literatures Annual Graduate Conference

In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.

Front Matter

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No abstract provided.

On Reading Julian Of Norwich, Luke William Mills

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This essay focuses on Julian’s intended audience, claiming that it is more limited than one might at first assume. This leads to a discussion of Julian’s use of paradox, her abrupt changes in modes of discourse, and the conclusion that unless her work is read according to the Augustinian rubric of love, it will be misunderstood.

Teaching Witchcraft In The Digital Age: Adventures In An Online Village, Jennifer Mcnabb

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Perhaps nothing is more valued in the modern classroom than student engagement. Pedagogical strategies and exercises for encouraging active learning are both wide-ranging and plentiful. Among the most popular at present is Barnard College’s Reacting to the Past (RTTP) role-playing games: “Reacting to the Past (RTTP) consists of elaborate games, set in the past, in which students are assigned roles informed by classic texts in the history of ideas. Class sessions are run entirely by students; instructors advise and guide students and grade their oral and written work. It seeks to draw students into the past, promote engagement with big …

Full Issue

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Human Rights And Literature (Fall 2013), Robert D. Tobin

Syllabi

In this class, we will be reading literary and cultural documents to contemplate the concept of "human rights". What rights do all humans have, simply by virtue of being human? Who counts as human? Do current understandings of human rights exclude some people? Do humans have more rights than other species? How do questions of gender and sexuality fit into the discussion of human rights?

As we seek to answer these questions, we will trace the development of human rights discourses from the Enlightenment to the present, looking at literature from a variety of cultures and human rights documents from …

Delno C. West Award (2013)

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Ginger L. Smoak

The Delno C. West Award recognizes the most distinguished paper presented by a senior scholar at the annual Rocky Mountain Medieval and Renaissance Association conference.

“Nothing But Sit, And Sit, And Eat, And Eat”: The Cantankerous Teacher In The Taming Of The Shrew, Eric L. De Barros

Quidditas

By definition, all comedies must end by praising and/or celebrating the elimination of a serious threat to the patriarchy order, and Shakespeare sets up the final scene of The Taming of the Shrew, one of his earliest comedies, to do just that. In short, by the time we reach Lucentio and Bianca’s wedding banquet, Petruccio has effectively tamed Katherine of her shrewishness. However, despite this scene of and cause for celebration, Petruccio remains oddly dissatisfied, as he responds to Lucentio’s encouragement of the sitting, chatting, and eating appropriate to such a festive occasion with these mood-killing words: “Nothing but …