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Aesthetics

2003

Articles 61 - 67 of 67

Full-Text Articles in Philosophy

Poiesis And Art-Making: A Way Of Letting-Be, Derek H. Whitehead Ph.D. Jan 2003

Poiesis And Art-Making: A Way Of Letting-Be, Derek H. Whitehead Ph.D.

Contemporary Aesthetics (Journal Archive)

This article is both philosophical and practical in its intent. It endeavors to bring into focus an idea with an Ancient Greek lineage, poiesis, and determine whether it may revitalise our thinking about the 'making' of art. The art-making considered in this paper will concentrate exclusively on Western art and its historical and contemporary manifestations. I suggest that poiesis - that which "pro-duces or leads (a thing) into being'" - may enable practitioners in the varying art forms, and aestheticians who reflect upon them, to come to a deeper sense of how artworks work: that they realize themselves inter-dependently …

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An Exchange On Disinterestedness, Ronald Hepburn Jan 2003

An Exchange On Disinterestedness, Ronald Hepburn

Contemporary Aesthetics (Journal Archive)

The idea of aesthetic disinterestedness has been a central concept in aesthetics since the late eighteenth century. This exchange offers a contemporary reconsideration of disinterestedness from different sides of the question.

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Multiple Inheritance And Film Identity: A Reply To Dilworth, Aaron Smuts Jan 2003

Multiple Inheritance And Film Identity: A Reply To Dilworth, Aaron Smuts

Contemporary Aesthetics (Journal Archive)

I argue that Dilworth has not shown the type / token theory of film identity to be non-viable, since there is no reason to think that a single object cannot be a token of two types. Even if we assume a single inheritance view of types, Dilworth's argument runs into other problems. Dilworth does not provide any convincing argument for why intentions are necessary for identifying film and why production history alone will not suffice for identifying hardly conceivable forgeries. Intention is not necessary for distinguishing between fakes and the real thing, nor is it necessary to differentiate between two …

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Ariadne Revisited, John Dilworth Jan 2003

Ariadne Revisited, John Dilworth

Contemporary Aesthetics (Journal Archive)

My article, "Ariadne at the Movies," provided a detailed, double film counter-example to the claim that films are types. Here I defend my views against various criticisms provided by Aaron Smuts. The defense includes some necessary clarification of the Ariadne article's broader theoretical structure and background, as well as some additional anti-type arguments to further withstand his criticisms.

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Two Monsters In Search Of A Concept, Robert Yanal Jan 2003

Two Monsters In Search Of A Concept, Robert Yanal

Contemporary Aesthetics (Journal Archive)

What is a monster? At least three concepts have been proposed: Aristotle thinks a monster to be a "mistake of purpose" in nature; Noël Carroll thinks a monster to be a scientifically impossible being that arouses disgust and fear; Cynthia Freeland thinks a monster to be an evil being. Thus a two-headed calf is an Aristotelian monster; a werewolf a monster on Carroll's definition; and Norman Bates of Hitchcock's Psycho a monster on Freeland's concept. These have no interesting overlaps. My project is to discuss Norman Bates and Mark Lewis (of Michael Powell's Peeping Tom). Bates and Lewis are monsters, …

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Reflecting The Pacific, Wolfgang Welsch Jan 2003

Reflecting The Pacific, Wolfgang Welsch

Contemporary Aesthetics (Journal Archive)

The title of my article has a double meaning: on the one hand, I intend to reflect the Pacific Ocean in the sense of mirroring it; and on the other, of course, also to think about this mirroring, to reflect on it.

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What Reflections Of Eden Do We Find In A Garden?: An Analysis Of Illusionary Constructs That Seek To Establish Identity With The 'Ideal' Garden, Olga Kirov Jan 2003

What Reflections Of Eden Do We Find In A Garden?: An Analysis Of Illusionary Constructs That Seek To Establish Identity With The 'Ideal' Garden, Olga Kirov

Theses : Honours

Gardens are retreats that offer sanctuary from the tensions of modern life, Spiritual needs have stirred the Western psyche the most to embellish myths that account for the inconsistency of life. The original myth of the Garden of Eden has represented the ideal paradigm between imperfect nature and human nature, accounting for human frailty and anxious yearnings for a utopian perspective. In attempt to improve human nature, throughout time humans have aspired to transform or improve the natural environment, thus making every garden an image. As an art form, that draws on the past as it looks to the future, …

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