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2012

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Articles 91 - 99 of 99

Full-Text Articles in Other Languages, Societies, and Cultures

Rethinking The Canon: Nonconformist Soviet Classics In Post-Soviet Perspective, Alexander Zholkovsky Jan 2012

Rethinking The Canon: Nonconformist Soviet Classics In Post-Soviet Perspective, Alexander Zholkovsky

Russian Culture

In the four-plus decades since Stalin's death, the Soviet literary canon has undergone a series of changes. Thus, Fedor Dostoyevsky, Konstantin Leontiev, and Apollon Grigoriev, seen in all their complexity, gradually resumed their pride of place in nineteenth-century literary history, while Gogol was allowed to be more of a conservative thinker and modernist stylist than during the period of High Stalinism. Twentieth-century literature welcomed back the early Vladimir Maiakovsky, then all of Aleksandr Blok (previously represented in the Soviet canon only by his The Twelve), and finally the entire Silver Age. The list of writers now rehabilitated, republished, and "recognized" …

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The Aesthetic Code Of Russian Postmodernism, Mark Lipovetsky Jan 2012

The Aesthetic Code Of Russian Postmodernism, Mark Lipovetsky

Russian Culture

Postmodernist discourse has become central to literary criticism in the 1990s. Unlike many other literary discourses, it was never formally announced, yet beginning in the late 1980s (with Mikhail Epstein’s articles) it took over almost all literary publications and effectively led to a new polarization of literary forces. If, during the first years of Perestroika, literary and cultural factions were divided primarily along political lines, with Western liberal sympathizers and anti-Communists on one side, and nationalist defenders of Communism on the other, then by the middle of the 1990s debate about postmodernism had split the liberals into those who sided …

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Russian Literature In The Christian Context, Boris Paramonov Jan 2012

Russian Literature In The Christian Context, Boris Paramonov

Russian Culture

In examining Russia’s cultural history one encounters an incontestable fact: the literary nature of its spirituality. At the same time, Russian literature is distinguished by its high caliber. If one examines Russia’s cultural significance in the context of the Western world, or generally attempts to evaluate the nation’s achievements on a Western European scale, one finds that Russian literature stands out with particular distinction. The West places Leo Tolstoy and Dostoyevsky on a par with Shakespeare, while Chekhov’s plays enjoy a popularity comparable with the Bard’s in the sheer number of theatrical performances, even in England, where Chekhov’s Western renown …

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Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot Jan 2012

Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot

Russian Culture

This essay concerns Russian art in the second half of the twentieth century, yet any such description requires constant reference to the Russian avant-garde and the Soviet art system. The country's isolation made Soviet art such a specific, aesthetic, and particularly institutional phenomenon that it becomes critical to any understanding of art in the post-Stalinist period.

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The Russian Cinematic Culture, Oksana Bulgakova Jan 2012

The Russian Cinematic Culture, Oksana Bulgakova

Russian Culture

The cinema has always been subject to keen scrutiny by Russia's rulers. As early as the beginning of this century Russia's last czar, Nikolai Romanov, attempted to nationalize this new and, in his view, threatening medium: "I have always insisted that these cinema-booths are dangerous institutions. Any number of bandits could commit God knows what crimes there, yet they say the people go in droves to watch all kinds of rubbish; I don't know what to do about these places." The plan for a government monopoly over cinema, which would ensure control of production and consumption and thereby protect the …

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Russian Architecture Between Anorexia And Bulimia, Vladimir Paperny Jan 2012

Russian Architecture Between Anorexia And Bulimia, Vladimir Paperny

Russian Culture

The Russian visual sensibilities (if there is such thing) are formed by two contrasting influences. On the one hand, there is a natural attraction to decorative surfaces, to richness of colors and shapes. Historians tell us that in the 10 th century Prince Vladimir decided to convert to Christianity mainly because of the visual experience his emissaries had had in Constantinople: “The Greeks led us to the building where they worship their God,” they wrote to the Prince, “and we knew not whether we were in heaven or on earth. For on earth there is no such splendor or such …

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The Art Of Dissent: Parody, Travesty And Irony In Late Soviet Culture, Dmitri N. Shalin Jan 2012

The Art Of Dissent: Parody, Travesty And Irony In Late Soviet Culture, Dmitri N. Shalin

Russian Culture

Irony is the favorite tool of Russian postmodernists fighting discourse totalitarianism. They wield it like a crowbar to pry open in the simulacrum, to tear down the Potemkin portable villages built by forced discursive labor. Every new blow the ironist strikes against the official reality reaffirms his intonational freedom amidst the most coercive discourse. An ultimate weapon of the spiritual proletariat, irony proves to the intellectual that he is a subject rather than an object of discourse. Alas, ironic vigil takes its toll. The self busily disclaiming identity with itself loses track of what it really is. It knows not …

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Beyond Practice And Constraint: Toward Situating Female Sexual Agency On St. Croix, Usvi, Jamae F. Morris Jan 2012

Beyond Practice And Constraint: Toward Situating Female Sexual Agency On St. Croix, Usvi, Jamae F. Morris

USF Tampa Graduate Theses and Dissertations

Women are shaped by the social structure, but they are not simply passive products. They act. They respond. They pursue. This holds true for many aspects of women's complex and dynamic lives, including their sexual health. Daily, women negotiate social expectations, individual proclivities and desires, and the need to provide for themselves and their families. Through the use of ethnographic methodology, focusing on three major social pillars--the regulation of the female body, the organization of social space, and the structuring of gender--this investigation, based on the island of St. Croix, USVI, seeks to offer an ethnographic assessment of women's attempts …

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Painting Puertorriqueñidad: The Jíbaro As A Symbol Of Creole Nationalism In Puerto Rican Art Before And After 1898, Jeffrey L. Boe Jan 2012

Painting Puertorriqueñidad: The Jíbaro As A Symbol Of Creole Nationalism In Puerto Rican Art Before And After 1898, Jeffrey L. Boe

USF Tampa Graduate Theses and Dissertations

In the three decades surrounding the Spanish-American war (1880-1910), three prominent Puerto Rican artists, Francisco Oller (1833-1917), Manuel E. Jordan (1853-1919), and Ramón Frade (1875-1954) created a group of paintings depicting "el jíbaro," the rural Puerto Rican farm worker, in a way that can be appropriately labeled "nationalistic." Using a set of motifs involving clothes, customs, domestic architecture and agricultural practices unique to rural Puerto Rico, they contributed to the imagination of a communal identity for creoles at the turn of the century. ("Creole" here refers to individuals of Spanish heritage, born on the island of Puerto Rico.) …

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