Other Languages, Societies, and Cultures Commons^™

One School Year With Zora Neale Hurston: A September - June Timeline Unit For K - 8 Schools, Lana J. Miller

The Journal of Traditions & Beliefs

No abstract provided.

New Perspectives On Religion, Race, And Culture, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Pentecostalism In An African Context, Michael L. Zadell

The Journal of Traditions & Beliefs

No abstract provided.

Contemporary Conversations On Cross-Cultural Exchange, Jenni L. Shelton

The Journal of Traditions & Beliefs

No abstract provided.

Antonio T. De Nicolás: Poet Of Eternal Return, Christopher Key Chapple

Research Resources

This book includes essays in honor of Professor Antonio de Nicolas.

Italian And Spanish Influence On Selected Works Of Mexican Composers: María Grever, Ignacio Fernández Esperón “Tata Nacho,” And Agustín Lara, Manuel M. Castillo

Theses and Dissertations--Music

The last decades of the 19th Century and the first decades of the 20th Century encompass a revolutionary movement worldwide. The growth and advances throughout all disciplines of study and especially the collaboration across Literature, Music, Performing Arts, Culture and Politics became stronger and more evident than ever before.

As the Mexican Revolution (1910) developed in frightening fights, the country became increasingly insecure and violent. It was the duty of the living artist to create pathways to escape reality, embellishing the surroundings with its music, paintings and poetry. This climate is what paved the way to the bohemian living-style that …

For The Love Of Music: A Story Of Organizational Culture And Change, Malii Brown

Capstone Collection

For the Love of Music: A Story of Organizational Culture and Change is an examination of culture and possibilities for change at an organization that manages one top-tier, U.S. classical music orchestra. The research was carried out for the purpose of making and refining meaning from collective employee experiences at a canon cultural organization whose practices reflect and influence our society beyond the context of music. The inquiry at the heart of the work is, ‘How does the organizational culture of the subject organization, Orchestra, Inc.[1], affect its readiness for organizational change?’ The research methodology consisted of organizational culture assessments …

A Study Of The Musical Culture Of The Algonquin Indigenous Peoples Of North America, Corbin Clark

Senior Honors Theses

The study of the music of the indigenous peoples of North America has been a topic of research since the late nineteenth century. These studies have mainly focused on the American Indians that lived west of the Mississippi. The Native American groups that lived on the eastern border of North America, known as the Eastern Woodland American Indians, have received much less attention than these other groups. This project focuses on one of the groups associated with the Eastern Woodland tribes, the Algonquins. The purpose of this study is to research their musical culture by focusing on the musical instruments …

Treatment For Children With High Functioning Autism: A Comparison Of Social Stories To Musically Adapted Social Stories, Veronica M. Torres

Open Access Theses & Dissertations

The incorporation of music and social stories has been seldom tested, thus a study which uses a single-subject, alternating treatment design assesses the effects of standard social stories versus musically adapted social stories on the pragmatic abilities of an individual with high-functioning autism is presented. The goal of this project was to determine whether read social stories versus musically adapted social stories would be more beneficial in reducing problem behaviors in a child with high-functioning autism. Both types of social stories were implemented with the participant and the data supported the effectiveness of both treatments. Though the musically adapted social …

Werner Jaegerhuber's “Messe Folklorique Haitïenne”: A Conductor's Guide, Lauren Michelle Brandon Lindsey

Dissertations

Werner Jaegerhuber (1900-1953), a composer and leading ethnographer from Haiti, lived a life and career committed to bringing the folk music of Haiti to international recognition. His most significant work, Messe Folklorique Haïtienne, the background leading to its composition, performance of the work and a conductor’s analysis is the focus of this study. The folk music of Haiti consists primarily of Vodou melodies which are performed in Vodou ceremonies. Haiti’s long history of colonization, slavery, chronic economic struggle, African roots, and Catholic influence all play unique, but significant roles in the life of Werner Jaegerhuber and his passionate study. …

Tibetan Guozhuang In Diqing Autonomous Prefecture: A Comparative Musical Analysis, Christina Du Breuil

Independent Study Project (ISP) Collection

The song and dance traditions of the Tibetan peoples of Diqing Prefecture are numerous and varied. Of these traditions, Guozhuang is cited as one of the oldest and most centrally traditional pieces of folk heritage. However, Guozhuang varies even within Diqing Prefecture. This paper addresses the basic form and structure of Guozhuang as well as variations between Benzilan and Shangri-la Guozhuang, two places separated not only by geographical distance but also the encroachment of development on traditional culture.

Theories Of Culture, Identity, And Ethnomusicology: A Synthesis Of Popular Music, Cultural, And Communication Studies, Alyssa Santos

Communication Studies

No abstract provided.

A Conductor’S Guide To The Poetic And Musical Style Of The Cante Jondo Based On The Work Of Mario Castelnuovo-Tedesco’S Romancero Gitano, Op.152, For Choir And Guitar With Selected Poems Of Federico Garcia Lorca’S Poema Del Cante Jondo, Elsa Patricia Ramierz-Hacker

Dissertations

Composers around the world have found the poetry of Federico García Lorca a source of inspiration for solo and choral works. Mario Castelnuovo- Tedesco used seven texts from Lorca’s Poema del Cante Jondo (Deep Song Poems) in his work Romancero Gitano, op. 152, for choir and guitar.

The purpose of this study is to provide a conductor’s guide to the poetic, historical, and musical structure of the cante jondo. Cante jondo or “deep song” is considered the most serious and profound collection of songs in Flamenco music. These songs express the history and landscape of the Andalucían region. Donn Phoren …

La Noche De Los Mayas: A Misunderstood Film And Its Music, Abderrahman Anzaldua

The Hilltop Review

The intention of this study is to explore and evaluate the film La Noche de los Mayas. I will research the making of the movie and what surrounded production in 1939. In addition to this, I will seek a perspective of the music of Revueltas and its relation with the film. With this research I intend to acknowledge the importance that this film had in its time, and expectantly decipher the enigma that impedes its popularity today compared to other films of the 'Golden Age' of cinema in Mexico.

The Barzakh Of Flamenco: Tracing The Spirituality, Locality And Musicality Of Flamenco From South Of The Strait Of Gibraltar, Tania Flores

Independent Study Project (ISP) Collection

Flamenco performance – which scholars often describe in terms of the three dimensions of cante, or singing, baile, or dance, and toque, or instrumentation – is a complex synthesis of cultural influences across several centuries. In discussing the evolution of flamenco, scholars typically begin with the history of the gitanos, the subgroup of the Romani or Gypsy people that settled in Spain. Drawing upon a large body of ethnographic, historic and scientific evidence, scholars agree that the gitanos originated in the northwestern regions of contemporary India and

Pakistan – specifically, Rajasthan and the Punjab region (Iovita 275; …

Like The Roar Of A Thousand Thunders: Instrumental Music And Creativity In Tibetan Buddhist Ritual, Eben Yonnetti

Independent Study Project (ISP) Collection

Tibetan Buddhism has numerous detailed and diverse traditions of ritual music that play an integral part in religious practices. Despite the prominence of such performances in Tibetan Buddhist life, spectators and researchers alike have frequently misunderstood them based purely on physical observation. As a religion that focuses on the cultivation and development of the mind, any analysis focusing only on physical description is significantly flawed. Music in Buddhist practice is at a base level a sound offering. On a higher level, however, it is much more. If done with the proper motivation, musical performance during ritual is a method to …

Aha! Vivat Homo Sapiens, Agnieszka Taborska, James Bewley, Szymon Bojko, Conrad Armstrong, Vincent Balistrieri, Heidi Bochain, Sarah Brown, Vale Bruck, Lily Burickson, Marin De Charette, Sarah Dungan, Edie Faig, Matthew Fairbank, Amy Feldman, Jon Fernandez, Hal Forsstrom, Andrea Hackman, Leon Imas, Sherman Kew, Lara Kurtaman, Bri Mcdonnell, Lauren Nassef, Jesse M. Ragan, Allen Spetnagel, Adam Stanforth, Jenny Vovolvski, Ariana White, Chris Yates

Programs

Program for the twelfth and final annual RISD Cabaret held in the Cellar at the top of the Waterman Building. View the Performance Recording.

Development Of An Interactive Multimedia Research Information System For The Archival Of The Music And Culture Of The Sliabh Luachra Area, Martina O'Neill

Theses

We are living in a world where communication is introducing much multiculturalism into society. Irish music is being mixed with music from all different cultures creating a worldwide acceptable type of "Irish Music\ As a result we are losing our true culture which is rooted in the Irish music and dance. This primary focus of this project was to set up an archival system to store the music of the Sliabh Luachra area. The music of the Sliabh Luachra area is a rich and rare heritage and was influenced greatly by the music of Padraig O’Keeffe, a renowned fiddle master …

Astonish Me! Recalling The Cabaret Spirit, Agnieszka Taborska, Dawn Danby, Ian Freeman, Eric Urban, Hyun Hee Cho, Marin De Charette, Matthew Cottam, Carolyn Gehrig, Matthew Heitel, Aimee Estilow, Sarah Rundlett, Robert Van Varick, Issak Tobin, Antoine Revoy, Lee Savage, Erica Wolf, Kevin Lang, Allison Brabee, Hyun-Suk Kim, Helen Lee, Marco Cimatti, Nicholas Fuhrer

Programs

Program for the 1999 RISD Wintersessoin Cabaret intiated by the "Image and Word" class in collaboration with students of RISD Cabaret 1998 and held at AS220. The presentation was conceived and performed in homage and celebration of past RISD Cabaret shows 1987-1998. Graphic Design: Ron Winter, Ji-Ho Sohn and Eric Urban.

The Cabaret Of Dead Souls: Harvesting Russian History, Agnieszka Taborska, Jake Mahaffy, Szymon Bojko, Gella Alhassid, So-Hee Cheong, Matthew Cottam, Dawn Danby, Lorreine Fedor, Andrew Gardner, Carl Henschel, Michael Hoard, Kevin Lang, Eric Leichner, Michael Libby, April Lin, Pia Restina, Markus Reyes, James Sanders, Nicholas Scappaticci, Brett Shagen, Michael Shih, Aika Tong, Araby Williams

Programs

Program for the eleventh annual RISD Cabaret held in the Cellar at the top of the Waterman Building. Graphic design: Mia Moran, Matt Murphy, James Wynn and Katia Popova.View the Performance Recording.

The Beat Generation, Agnieszka Taborska, Paula Hunter, Steven L. Jobe, James O. Barnhill, Helen Lee, Joshua Waldman, Nishira Fitzgerald, Brendan Meilman, Ismael Lawall, Zach Pitt-Smith, Kevin Walker, Tamara Carroll, Rhon Porter, Maleese Schick, Rhody Azcueta, Kevin Umbricht, Matthew Curry, Jee-Eun Kim, Michelle Lee, Marisa Nealon, Karelle Levi, Hilary Riley, Simon Potter, Antoinette Le Vaillant

Programs

Program for the tenth annual RISD Cabaret held in the Waterman Building, top floor coinciding "with the fiftieth anniversary of the year when Allen Ginsburg, William Burroughs and Jack Kerouac first met and started a movement which changed the face of postwar American and influenced the 1960s as well as the subculture of the '70s and '80s." Program, poster and tickets designed by Antoinette le Vaillant. View the Performance Recording.

Ubu Roi, Agnieszka Taborska, Sylvie Toux, Joseph Silva, Marisa Nealon, Jeremy Siew, Matt Desmith, Helen Lee, Roslyn Wiria, Janine L. Burt, Matt Moreau, Jessica Guarino, Kathy Leung, Jennifer Norton, Mutsuko Kasai, Raoul Kim, Simon Potter, Jenny Tu, Pei-Ju Chuang

Programs

Program for the nineth annual RISD Cabaret held in the Waterman Building commemorating the 100th anniversary of the premier of Alfred Jarry's 1896 play, "Ubu Roi". Graphic design: Matt DeSmith and Vivian Law.View the Performance Recording.

Hoppla! Here Comes Grosz, Agnieszka Taborska, Szymon Bojko, Marc Cannon, Denise Emerson, Aurora Gist-Yochum, Alex Hart, Arthur Jones, Laleh Khorramian, Scott King, Maki Koto, Sarah Kreiger, Ricahrd Lloyd, Luciana Mallozzi, Michael Mckenna, Pilar Newton, Heidi Sawyer, Jasmine Winkler, Sue Yoo, Heather Henson, David Medina, Doug Kim, Tara Markus, Hugh Watson, Yoon Cho, Yu-Kyung Chung, Arthur Jones, Polly Spencer

Programs

Program for the eighth annual RISD Cabaret held in Cellar at the top of the Waterman Building. Publicity, posters, cartoons and program designed by Yoon Cho, Yu-Kyung Chung,Arther Jones, Scott King, Richard Lloyd and Polly Spencer. View the Performance Recording.

The Life And Times Of Joseph Beuys, Agnieszka Taborska, Marcin Gizycki, Mark Snyder, Margaret Lewis, Julie Strandberg, Maki Koto, Yvonne Roe, Sven Armster, Ting-Ting Lee, Luciana Mallozzi, Lucinda Wolf, Christine Pellicano, James Bewley, Leah Smith, Matthew Saam, Dawn Marie Caulfield, Ellen Godena, Catherine Warner, Roy Fabian, Shirly Whong, Scott King, Megan Mclarney, Lucinda Wolfe, Andrew Feder

Programs

Program for the seventh annual RISD Cabaret held in the Waterman Building. Graphic design: Mark Snyder; program editor: Margaret Lewis; program photography: Marcin Gizycki. View the Performance Recording.

The Big Yes And The Little No, Agnieszka Taborska, Steven L. Jobe, David L. Campbell, Christopher F. Lowery, Paul Phillips, Elsie T. Hill, Priscilla Yeh, Adele Abide, Miriam Borchherdt, Dawn Marie Caulfield, Mimi Chung, Daniela Fiss, Hector Gonzalez, Akiko Hamazaki, Sarah R. Kreiger, Luciana L. Mallozzi, Ervin Ramos, Katherine Sheehan, Vanessa Sterbenz, Bruce Jason Tennis, Antanas Vainius, Andrea Winter, Julie Wollaeger, Ofra Yacobi

Programs

Program for the sixth annual RISD Cabaret held in the cellar at the top of the Waterman Building. Design and layout by Nonie Close. View the Performance Recording.

Tabou, Agnieszka Taborska, Julie Strandberg, Vivienne Cho, Jennifer Delventhal, Yvonne Roe, Yutaka Sho, Tamira Estes, Rosanna Garcia, Mariví González, Diana Brozek, Stephanie Hall, Jennifer Hayward, Dawn Marie, Michelle Regan, James O. Barnhill, Nonie Close, David Duvall, Jay Haon, Christopher Schaie, Michael Weiss, Jeff Southard, Candice Goldfarb, Charity Macdonald, Jennifer Delvanthal, Sylvie Toux, Gabriel Albarelo, Erika Munro, Aaron Abroff, Jay Haon, Olexa, Ian Smith, Ming Gale

Programs

Program for the fifth annual RISD Cabaret held in the Waterman Building. Design and layout by Nonie Close. View the Performance Recording.

The Unknown And Awakening Europe, Agnieszka Taborska, Borys Pugacz-Muraszkiewicz, Daniel Kraft, James O. Barnhill, Paul Andrejco, Bo Joseph, Christopher Kazlauskas, Ralph Kelliher, Timothy Mcelreath, Sol Armada, Carrie Bloomston, Alice Gould, Courtney Herman-Taylor, Renée Venditti, Treva Offutt, Mylene Santos, Dawn Caulfield, Joshua Wood, Carrie Caldfield, Gabriella Norton, Adriana Spurr, Hunter Marshall

Programs

Program for the fourth annual RISD Cabaret held in the Cellar at the top of the Waterman Building. Design by Daniel Kraft. View the Performance Recording.

The Ox On The Roof (Le Boeuf Sur Le Toit), Agnieszka Taborska, Aleksander F. Wierzbicki, Malcom Coelho, Lucy Bourgealt, John Donalds, Georgy Harvey, Michael J. Townsend, Rene Dimanche Jr., Mila Hermanovski, Marly J. Rogers, Susan Becker, Treva Offutt, Christopher Watts, Michael A. Tashji, Sol Armada, Mark Borok, George Page, Sean P. Oakes, Edward L. Guttman, Susan Unger, Timothy Mcelreath, Michael Wodkowski, Carsten Stehr, Julie Grass, Andrea Dassow, Julianna Ellman, Lynn Jaworski, Donna Lavalle, Judith Ribicoff, Vivienne Cho, Matthew Mcguire

Programs

Program for the third annual RISD Cabaret held in the Cellar of the Providence Art Club. Design and layout by Treva Offutt. View the Performance Recording.

Vienna, Paris, Berlin: The Golden Age Of European Cabaret, Agnieszka Taborska, William Damkoehler, Anne Johnson, Susan Sellers, Georgie Stout, Mark Borok, Michael Zimmerman, Bill Gold, Charles Oestreicher, Edward Guttman, Caroline Provost, Ed Hemingway, Holly Heerens, Eugene Mollica, Susan Unger, Michelle Talbot, Sarah Bishop, Malcom Coelho, Heather Frith, Charles Baudelaire, Paul Verlaine, Jacques Prevert, Don Keefer, Emliy Cohen, Martha Crawford, Susan Becker, Hanns Eisler, Molly Komacker, Vivienne Cho, Carsten Stehr

Programs

Program for the second annual RISD Cabaret held in the Cellar in the Pit. Design and layout by Anne Johnson, Susan Sellers and Georgie Stout.

View the Performance Recording.

From St. Petersburg To Krushchev's Boot, James O. Barnhill, Justin Kerr, Edward Guttman, Caroline Provost, Jennifer Bull, Marguerite White, Nancy Bach, Steve Overman, Josh Pearson, Jean Wasil, Mark Borok, Vivienne Cho, Karen Frishmann, Heather Firth, Lisa Hurwitz, Treva Offutt, Beth Whitney, Sarah Bishop, Richard Ross, Cara Reische, Walter Clarke, Rene Dimanche Jr., David Ross, Malcom Coelho, Andrew Sklar, Michael Wodkowski, Susan Ockerse, Paul Scagnetti, Martha Crawford, Holly Su Heerens

Programs

Program for the first annual RISD Cabaret held in Memorial Hall. Design and layout by Justin Kerr.

View the Performance Recording.