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2009

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Articles 91 - 96 of 96

Full-Text Articles in Other Arts and Humanities

One-Dimensional History, Denton L. Watson Jan 2009

One-Dimensional History, Denton L. Watson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I began attending the annual ADE conference on a regular basis in 2000. Since then, I have often wondered how many of you have been aware of my distinction? The lone black in a sea of white. Not the first, of course, just the lone one. Nevertheless, I have always reveled in my distinction, even though, to be truthful, I would have welcomed some company. My distinction, I am sure, has been due to the reality that I am one of just a tiny handful of black documentary editors, which has been the result of a combination of factors. I …

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Review Of The Eleanor Roosevelt Papers, Volume I: The Human Rights Years, 1945–1948; Allida M. Black, Editor; John F. Sears And Mary Jo Binker, Associate Editors; Craig Daigle And Michael Weeks, Assistant Editors, And Christopher Alhambra, Electronic Editor, Kathlleen Dalton Jan 2009

Review Of The Eleanor Roosevelt Papers, Volume I: The Human Rights Years, 1945–1948; Allida M. Black, Editor; John F. Sears And Mary Jo Binker, Associate Editors; Craig Daigle And Michael Weeks, Assistant Editors, And Christopher Alhambra, Electronic Editor, Kathlleen Dalton

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The publication of the first volume of the Eleanor Roosevelt Papers Project (ERPP), edited by Allida Black and her associates at George Washington University, is an event of the utmost significance to documentary editors and historians alike. Nothing like this pathbreaking volume exists in the ER literature, and this resource will forever change the research landscape. This volume stands for documentary editing at its best, and the larger ERPP itself, with its informative website and teacher training workshops, is a model of the highest editorial scholarship applied innovatively to the mission of public education.

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Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4: 2008-2009-Front Matter Jan 2009

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4: 2008-2009-Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter -- Officers -- Publication Committee -- Editorial Staff -- Table of Contents -- Contributors

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In Memoriam, Thomas E. Dulan, Charlene Bickford, Mary Jo Kline, Raymond W. Smock Jan 2009

In Memoriam, Thomas E. Dulan, Charlene Bickford, Mary Jo Kline, Raymond W. Smock

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Beverly Runge--Larry I. Bland--John Y. Simon

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Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell Jan 2009

Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell

University of Nebraska-Lincoln Libraries: Faculty Publications

In our current professional environment, there is a lot of energy and attention paid to the digital humanities and the dreamy new world it is ushering in, and it is becoming increasingly difficult to finance and publish large, sophisticated scholarly editions in print. Funding agencies are now demanding that editions be published in digital format, and the success of certain editorial projects in drawing in funds and attention--Ken Price's Walt Whitman Archive, for example--suggests that future developments in the field will likely require sophisticated engagement with computers.

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A Collection Of Micrographs: Where Science And Art Meet, Vuk Uskoković Jan 2009

A Collection Of Micrographs: Where Science And Art Meet, Vuk Uskoković

Pharmacy Faculty Articles and Research

Micrographs obtained using different instrumental techniques are presented with the purpose of demonstrating their artistic qualities. The quality of uniformity currently dominates the aesthetic assessment in scientific practice and is discussed in relation to the classical appreciation of the interplay between symmetry and asymmetry in arts. It is argued that scientific and artistic qualities have converged and inspired each other throughout millennia. With scientific discoveries and inventions enriching the world of communication, broadening the space for artistic creativity and making artistic products more accessible than ever, science inevitably influences artistic creativity. On the other hand, the importance of aesthetic principles …

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