Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- History of Art, Architecture, and Archaeology (7)
- Theory and Criticism (7)
- Other History of Art, Architecture, and Archaeology (6)
- Contemporary Art (3)
- Digital Humanities (3)
-
- Fine Arts (2)
- Anthropology (1)
- Art Practice (1)
- Art and Design (1)
- Communication (1)
- Film and Media Studies (1)
- History (1)
- Latin American Languages and Societies (1)
- Modern Literature (1)
- Museum Studies (1)
- Music (1)
- Painting (1)
- Philosophy (1)
- Photography (1)
- Religion (1)
- Social and Behavioral Sciences (1)
- Spanish and Portuguese Language and Literature (1)
- Visual Studies (1)
Articles 1 - 10 of 10
Full-Text Articles in Other Arts and Humanities
Antifascism And Wildness. “Partisan Ecologies” Between The Spanish Civil War And The Global Warming Era, Jaime Vindel
Antifascism And Wildness. “Partisan Ecologies” Between The Spanish Civil War And The Global Warming Era, Jaime Vindel
Artl@s Bulletin
This short essay uses the concept of “partisan ecologies” in order to analyse certain past and present chapters on the relationship between anti-fascism and nature. According to the Swedish eco- Marxist Andreas Malm, wilderness has not only represented an essentialist idea resulting from the projections of conservationist environmentalism about a supposedly untouched nature, but has also been one of the real spaces of a modern antagonism. Taking this theoretical point of departure, the text describes the Alpine Battalion of the Sierra del Guadarrama during the Spanish Civil War and its resonances in some contemporary events.
La Literatura Latinoamericana Frente Al Nuevo Milenio: Idas Y Vueltas Entre Lo Local Y Lo Global, Félix Terrones
La Literatura Latinoamericana Frente Al Nuevo Milenio: Idas Y Vueltas Entre Lo Local Y Lo Global, Félix Terrones
Artl@s Bulletin
Abordamos la literatura latinoamericana contemporánea en el ámbito global. En este sentido, nos detenemos en tres aspectos representativos. Primero, la emergencia de grupos como McOndo (Chile) y Crack (México), los cuales plantean una concepción y una práctica diferentes de la novela. Luego, la consagración internacional de la literatura de Roberto Bolaño, un autor que, hasta cierto punto, puede ser leído como heredero de cierta tradición novelesca latinoamericana. Finalmente, abordaremos la circulación internacional de la literatura latinoamericana en los últimos años, la cual no ha dejado de interrogar el caracter tanto nacional como latinoamericano.
Aesthetic Autopsy. Collective Memory And Trauma In Contemporary Art From Angola, Nadine Siegert
Aesthetic Autopsy. Collective Memory And Trauma In Contemporary Art From Angola, Nadine Siegert
Artl@s Bulletin
Angolan history is mainly a history of wars. After the long anti-colonial fight (1961 – 1974) that ended with the independence of the country in 1975, a civil war between the former independence movements started. In the 1980s, Angola was the venue for a proxy war between the Socialist bloc and Western countries, supporting the different protagonists fighting on Angolan territory. After the crumbling of cold war ideologies in 1989, the war continued as a struggle for political hegemony and access to natural resources until 2002, devastating lands, economy and social structures. These historical events might have led to trauma …
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Artl@s Bulletin
How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.
L'Histoire De L'Art Au Défi De La Mondialisation: Une Position Critique, Paula Barreiro López
L'Histoire De L'Art Au Défi De La Mondialisation: Une Position Critique, Paula Barreiro López
Artl@s Bulletin
Le défi de la mondialisation et de la “décolonisation” de nos pensées est désormais une préoccupation quotidienne pour la majorité des chercheurs en histoire de l’art. Il est trop tôt pour faire le bilan du fameux « Global turn », tournant d’autant plus timide qu’il se concrétise plus lentement dans les collections publiques et dans l’opinion que dans les livres. Mais nous avons voulu interroger, un peu partout dans le monde, des acteurs à l’écoute des nouvelles pratiques mondiales en histoire de l’art. Issus de milieux culturels et de traditions universitaires variées, de générations diverses, ils ont accepté de répondre …
Art History And The Global Challenge: A Critical Perspective, Jonathan Harris
Art History And The Global Challenge: A Critical Perspective, Jonathan Harris
Artl@s Bulletin
The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …
Art History And The Global Challenge: A Critical Perspective, Atreyee Gupta
Art History And The Global Challenge: A Critical Perspective, Atreyee Gupta
Artl@s Bulletin
The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …
Art History And The Global Challenge: A Critical Perspective, Nuria Rodríguez Ortega
Art History And The Global Challenge: A Critical Perspective, Nuria Rodríguez Ortega
Artl@s Bulletin
The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …
Art History And The Global Challenge: A Critical Perspective, Sven Spieker
Art History And The Global Challenge: A Critical Perspective, Sven Spieker
Artl@s Bulletin
The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …
L’Histoire Mondiale De L’Art, Au Défi D’Un Grand Récit, Béatrice Joyeux-Prunel
L’Histoire Mondiale De L’Art, Au Défi D’Un Grand Récit, Béatrice Joyeux-Prunel
Artl@s Bulletin
Pour proposer une « histoire mondiale », et pour faire honneur à toutes les productions issues de tous les continents, en particulier ceux qu’on avait méprisés, l’idéal serait d’articuler un récit lui-même mondial. Il nous faut un récit émancipé non seulement des hiérarchies propres au canon (ancien/moderne, beaux-arts/décoration, kitsch / classique), mais aussi un récit qui aille plus loin que la production de hiérarchies dont même le récit postcolonial a du mal à sortir (dominants/dominés). Comment produire un récit qui, en outre, connecte des collections « locales » et des collections « internationales » en gardant du lien entre les …