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Full-Text Articles in Music Therapy
Implications Of Embodied Cognition And Schema Theory For Discerning Potential Meanings Of Improvised Rhythm, James Hiller
Implications Of Embodied Cognition And Schema Theory For Discerning Potential Meanings Of Improvised Rhythm, James Hiller
Books and Book Chapters by University of Dayton Faculty
Rhythm is an essential and therefore indispensable aspect of all music. Arguably, rhythmic elements are the most accessible of all the musical elements for clients in music therapy to produce and manipulate expressively (Hiller, 2011). Yet, theoretical understanding of rhythm and its use in musical expression is a neglected area of both music therapy (Bunt, 1994; Daveson & Skewes, 2002) and musicological inquiry (Gabrielsson, 1993; Kramer, 1988; Mead, 1999). However, the area of psychological investigation known as “embodied cognition” or “schema theory,” which has been constructively applied to composed tonal music, may prove fruitful in deepening our understanding of potential …