Museum Studies Commons^™

Morphological And Woodworking Technology Analysis Of Wooden Piles From The Molenvliet Canal, Mrt Jakarta Phase 2 Cp-202 Project, Central Jakarta, Aisyah F. Sugoro, R. Cecep Permana

International Review of Humanities Studies

The aim of this study is to determine the correlation between the wooden embankment structure (wooden beams, wooden piles, and wooden planks) in the embankment installation system and the geographical conditions of Batavia along Jalan Hayam Wuruk and Jalan Gajah Mada, where the embankment structure has shifted due to ground movement. The research stages consist of observation, description, and explanation or interpretation of the processed data. Based on the analysis of wooden piles from the Molenvliet Canal embankment structure, it can be concluded that 17^th century Batavian society applied a multi-stage pile production process, ranging from raw material selection, …

Illicit Origins, Public Displays: How Trafficking And Repatriation Reshaped Ancient Greek Pottery In Modern Museums, Alisha Bhandari

Honors College Theses

This thesis examines how illicit excavation, antiquities trafficking, and repatriation have reshaped the modern circulation and interpretation of ancient Greek pottery in museum collections. While Greek pottery has traditionally been studied through style, iconography, attribution, and artistic value, this project shifts attention to the modern systems that have determined how these objects were excavated, sold, displayed, and contested. Through a literature review and three case studies — the Aineta Aryballos, the Python Bell-Krater, and the Athena Kylix — this thesis argues that ancient Greek pottery should be understood not only as evidence of antiquity, but also as evidence of modern …

Artifacts As Ambassadors: How Archaeological Artifacts Dictate Modern Diplomatic Relations And Repatriation, Emma Boyd

Honors Papers and Posters

In this thesis, I examine and re-center the roles of archaeological artifacts and conceptions of ownership in global politics, drawing on debates about cultural heritage and diplomacy. This thesis will emphasize debates around ownership and repatriation, articulating their value in international relations and diplomacy between Western countries and postcolonial nations, as well as between federally recognized Native American Indigenous Tribes and the United States government. The thesis review takes the Elgin Marbles, arguably the most debated subject, as a model for my case study analysis. I will explore complications driven by conversations of repatriation. Overall, this thesis will propose theories …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

The Representation Of Indonesian National Identity In Syuhada Mosque, Kotabaru, Yogyakarta, Muthia Zahri Mardhiyah, Ali Akbar

International Review of Humanities Studies

This article examines the concept of national identity as embodied by the Syuhada Mosque, located in Kotabaru, Yogyakarta. Completed in 1952, the mosque was established as a monument to the independence of the Republic of Indonesia. This research addresses whether Syuhada Mosque genuinely represents national identity. The study aims to describe the architectural form of Syuhada Mosque and elucidate the representations of national identity embedded within its structure. The research methodology aligns with the framework proposed by Sharer and Ashmore, encompassing formulation, implementation, data collection, data processing, analysis, interpretation, and publication. Based on its historical background, the foundational ideas and …

Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski

Publications and Research

Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …

The Tests Of Time: An Examination Of Contemporary Indigenous Artwork On Display In Southern Museums, Gwendolyn R. Pfrenger

Honors Theses

This paper examines current practices in three Southern museums of varying sizes and missions as they relate to the curation and display of Indigenous art. Specifically, the paper aims to investigate the place of contemporary Native art in art and anthropology museums: How does display vary across the two disciplines? What is its role, now that cultural institutions are becoming more progressive and making a stronger push toward representing artists from minority groups? This is a fairly new area of study, especially for art history, so much of what is discussed here is drawn from art historians, anthropologists, and museum …

Rediscovering Ancient Greek Pigmentation, Cynthia-Rose Seeds

Departmental Honors & Graduate Capstone Projects

This thesis paper will discuss various questions relating to pre-Greco-Roman Ancient Greek paint pigments. In recent years discoveries of paint samples on Ancient Greek sculptures and architecture are becoming increasingly common, contradicting the stereotype that history has made of Ancient Greece having a pristine white aesthetic in their artwork. (Brinkmann, 2008) The various paint pigments that can be found throughout excavations in Greece, as well as the general history of pigments, create a new narrative when it comes to the art of Ancient Greece. Using various evidence such as pigment samples, artworks, textual primary sources, and scholarly research, this thesis …

Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon

Masters Theses

How do we engage with artwork that addresses complicated histories

of colonialism and political violence, specifically intangible and

incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote

Bravo, is named after and composed of the soil from a mass grave site

discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known

internationally for the femicide that has continued to haunt its streets and

peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film

Liminal cinematically documents the official exhumation of two mass graves

in the Ayacucho and Huánuco regions of the Andes highlands, where

thousands of …

Identifying Intangible And Biocultural Heritage Elements Toward Environmental Understanding: Engaging Stakeholders Through Art, Martha B. Lerski

Publications and Research

Grounded in a case study in Barbuda in the Caribbean, this research examines sustainability from the perspective of what arts and heritage can contribute to community engagement and local and broader understandings about the environment. This article documents a growing body of literature recognizing the role of arts and culture, including local knowledge and traditional ecological knowledge (TEK), in climate change endeavors. Art and TEK present expansive world views. Contextual information situates research done on the island of Barbuda pre- and post-Hurricane Irma. Visual arts workshops engaged community members in mixed methods research. Results documented cultural elements, particularly intangible and …

Unveiling Legacies: Exploring And Analyzing Cultural Artifacts In The Higbee Collection, Samantha Staller

Williams Honors College, Honors Research Projects

Anthropology and the Cummings Center to find ways to properly analyze an archaeological collection's artifacts to understand the overall significance of everything better. Before starting my research, I came up with the following questions: Can any artifacts be considered culturally affiliated? Is everything in the collection authentic? What is the overall background of the collection? Does this collection have any connection to Ohio history? Can anything in the collection be dated? Throughout the research, I will create an Excel inventory list to include qualitative and quantitative data from the artifacts to give insight into what is included in the Higbee …

Origins Of Art: Demystifying The Scheuring Icon Collection, Mikayla Klemp

The Journal of Purdue Undergraduate Research

No abstract provided.

Segundo Congreso Internacional De Iconografía Precolombina, 2023. Actas, Victòria Solanilla Demestre

Zea E-Books Collection

El objetivo de este II Congreso fue, como en el anterior, abrir un espacio de reflexión propositiva y multidisciplinaria para que, a partir de análisis de objetos plásticos u otras manifestaciones concretas, así como de documentos escritos, se pudiera replantear la importancia de la imagen y de la interpretación iconográfica como fuente de conocimiento de las culturas precolombinas. Es el momento de seguir aceptando nuevos enfoques pluridisciplinares o si se quiere más “humanísticos” que nos den una visión lo más completa posible, a través de la iconografía, del pasado precolombino tan rico en imágenes y símbolos.

Contribuciones de Luz Adriana …

Origin Stories., Danielle Deeley

Electronic Theses and Dissertations

This thesis is an investigation into the Peruvian pre-Columbian collection at the Speed Art Museum in Louisville, Kentucky. The Speed Art Museum acquired this collection in 1934 and it has largely remained unresearched for nearly a century after acquisition into the museum’s collection. This investigation is not an attempt to make broad characterizations of pre-Columbian ceramics. Nor is its goal to fill in all the gaps of the collection’s history. Instead, this thesis follows the evidence the collection presents: the physical attributes of the ceramics, the donor’s history, U.S. history, and information from the collection file provided by the Speed …

Túnicas Masculinas A Fines Del Horizonte Medio En La Costa Sur Central Del Perú, No Uno Sino Varios Estilos, Rommel Angeles Falcón

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Las excavaciones arqueológicas en Huaca Malena (valle bajo de Asia), en la costa sur central del Perú, han permitido recuperar una importante cantidad de textiles procedentes de tumbas y de contextos secundarios de fines del período Horizonte Medio (Siglos VIII-XI d.C.). Destaca la variedad de túnicas o uncus que permiten visualizar la vestimenta masculina de la época y conocer aspectos de su tecnología, iconografía y de las relaciones inter-regionales que se dieron durante el estado wari.

Archaeological excavations at Huaca Malena (lower Asia valley), on the south central coast of Peru, have allowed the recovery of a significant amount of …

Moche-Wari Textiles From Huaca Del Sol, Moche Influence In The Middle Horizon, Amy Oakland

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This paper analyzes a selection of textiles excavated in 2013 in the destroyed late Middle Horizon (AD 800-1000) cemetery on Huaca del Sol, Huacas de Moche in the Moche Valley of northern Peru. The Huaca Sol textile group was woven with local, Moche style S-spun cotton yarns between AD 888-1050, calibrated radiocarbon dates along with a small number of Wari textiles, late Moche and Wari ceramics and ceramics in Casma and Cajamarca styles. Textile structure and design provide the basis for reconstruction into complete garment types known to other Middle Horizon collections on the central and southern coast where Moche …

An Examination Of An Inka(?) Aksu In The Collections Of The Textile Museum, Shelley Burian

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This paper presents the preliminary results and conclusions from an examination of an exceedingly rare example of a weft-face and tapestry-woven aksu in the collections of The Textile Museum. Patterned with figurative butterflies, the garment closely resembles those depicted by Felipe Guaman Poma de Ayala in several of his illustrations of ceremonies and elite women. Its features present challenges for determining its dates and the level of social status it represents or confers. The similarity between the aksu’s butterflies and those in a checkerboard unku in the Field Museum provides suggestive evidence for its use in an official state setting. …

Inka Khipus, Thread Wrappings And Subject Markers, Lucrezia Milillo

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This work aims to contribute to our current understanding of how information was organized in khipus, Andean colourful knotted cords used as writing. If the idea that khipu signs could work as a flow chart was common in the last two decades, it is not until the notion of kayte as subject marker was elaborated by Sabine Hyland on the basis of Julio C. Tello's notes that the theory could be discussed on more empirical grounds. So far, the term “kayte” applied to needlework bundles, pompons or tufts attached to the beginning of the primary cord. In this work, the …

Evidencias De Tecnología Textil En Un Basural Del Santuario De Pachacamac, Rommel Angeles Falcón, Susana Abad, Janet Oshiro

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Recientes excavaciones arqueológicas en el santuario arqueológico de Pachacamac, valle de Lurín, Costa Central del Perú, permitieron identificar un denso basural del período Inca (Siglos XV-XVI) que contenía una importante cantidad de elementos relacionados a la actividad textil: husos, piruros, ovillos, espadas, estacas y peines, entre otros que permiten visualizar la cadena operativa que se realizaba en el santuario de Pachacamac.

Recent archaeological investigations in the archeological site of Pachacamac (Lurin Valley, Central Coast of Peru) allowed us to identify a dense Inca garbage dump (XV-XVI centuries) that contained an important amount of textile artifacts: spindles, piruros, balls, swords, stakes …

Equivalencias Entre La Indumentaria De Mesoamérica Y De La Zona Andina, Victòria Solanilla Demestre

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Al igual que en Jornadas anteriores presenté signos comunes en los textiles, mi interés sigue siendo buscar paralelismos y/o significados parecidos o iguales entre las dos principales zonas culturales de América precolombina: Mesoamérica y la Zona Andina, ya que creo firmemente que hubo contactos entre ellas. En esta ocasión trataré el tema de las equivalencias en las indumentarias, que creo necesitará igualmente diferenciarlas fuentes de información, como hice en anteriores ocasiones. En Mesoamérica, es preceptiva la consulta de las fuentes escritas; y en este caso las dibujadas, pues serán las principales. Además, recurriremos al estudio de las figurillas de arcilla …

Entre Lo Simbólico Y Lo Material. Textiles Moche Para La Eternidad, Arabel Fernández López

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Una revisión de distintas evidencias materiales provenientes principalmente de contextos funerarios de personajes de la élite gobernante mochica, así como de las imágenes plasmadas en la cerámica, metales y arte mural policromo, dejan entrever aspectos poco conocidos sobre el rol que cumplió la textilería en esta sociedad (100 – 850 d. C.), revelando una serie de temas simbólicos vinculados a los mitos y ritos que formaron parte de la cosmovisión andina mochica que, además, se fundieron con la propuesta ideológica impuesta por la clase gobernante. Las evidencias y contextos registrados durante las excavaciones arqueológicas permiten sostener que, en los distintos …

Behind The Scenes In Museum Collecting: The Destinies Of Henry Wellcome’S Pre-Hispanic Textiles, Penelope Dransart

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

In this article, I explore the sale of pre-Hispanic textiles from Andean countries, especially Peru, demonstrating networks between collectors, auction houses and researchers. Sir Henry S. Wellcome (1856-1936) was a North American pharmaceutical entrepreneur. After transferring his commercial interests to London in 1880, he bought textiles and other antiquities at auctions. I outline the activities of Wellcome staff in registering the textiles in Wellcome’s store at Willesden, London. Textiles which preserve Wellcome labels now in the Museum of Archaeology and Anthropology, University of Cambridge, and the National Museums of Liverpool are described. I examine the case of a distinctive Wari …

Las Warakas (Hondas) De Arena Blanca, Cerro Colorado Y Wari Kayan En La Península De Paracas: Nuevos Datos E Interpretaciones, Jessica Lévy Contreras, Ann H. Peters

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Las hondas o warakas halladas en la Península de Paracas, contextos mortuorios que datan del final del Formativo Tardío a inicios del Periodo Intermedio Temprano, 400 a.C. – 250 d.C., ofrecen datos inéditos para entender mejor su confección, uso y función simbólica. A partir del estudio de los registros gráficos y fotográficos de las excavaciones de la tumba T.27 en Arena Blanca, realizadas por Engel y Bischof en 1959, hemos desarrollado un nuevo estudio de sus materiales, tanto para la recuperación de los datos como para su puesta en valor, teniendo en cuenta las problemáticas arqueológicas actuales. Hemos comparado los …

Un Rompecabezas Textil En Las Colecciones Del Mudec: Conservación Y Exposición De Una Prenda Chuquibamba, Carolina Orsini, Cinzia Oliva

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

En este artículo presentamos las estrategias adoptadas para conservar un textil de estilo Chuquibamba procedente del mercado anticuario. La pieza había sido reconstruida al azar para darle un aspecto “integro” y facilitar su venta. Las intervenciones permitieron reconstruir su aspecto original y proponer una hipótesis sobre su función.

In this paper we present the strategies adopted to conserve a Chuquibamba textile circulating in the antique market. The piece had been reconstructed randomly to give it an “intact” appearance and facilitate its sale. The interventions made it possible to reconstruct its original appearance and to do some conjectures about its function.

Metamorfosis Del Huipil De Chicahuaxtla A Través Del Tiempo, Yatahli Otilia Rosas Sandoval, Hector Manuel Meneses Lozano

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

El estudio sistemático de los tejidos que resguardan los museos suelen realizarse por personas ajenas a las comunidades de origen de dichas piezas. Este trabajo presenta un acercamiento entre el Colectivo Llana Huaricnn conformado por tejedoras de la localidad de San Andrés Chicahuaxtla en Oaxaca, México, y el Museo Textil de Oaxaca, con la intención de mirar en conjunto las características técnicas de un grupo de huipiles resguardados tanto por el Colectivo, como por el Museo. El trabajo en conjunto permitió desarrollar una ficha técnica que incluyera información relevante para ambas partes involucradas. El resultado final permite cuestionar las prácticas …

Estudio, Análisis E Intervención De Las Sandalias Procedentes De La Colección Frissell, Oaxaca, Gloria Martha Sánchez Valenzuela, Amaranta González Hurtado

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

La colección Frissell es considerada como uno de los acervos más importantes del estado de Oaxaca y la más rica en arte zapoteco; aun cuando la mayor parte del conjunto está constituido por piezas de cerámica precolombina, esta también cuenta con algunos objetos de origen orgánico como fragmentos textiles y sandalias, de los que lamentablemente se desconoce su procedencia exacta; sin embargo, gracias al análisis realizado a su técnica de factura se presupone que son de origen prehispánico y que pudieron ser extraídos de alguna cueva de los alrededores del Valle de Oaxaca. En total, la colección cuenta con cinco …

Tradición E Innovación En Los Textiles Aymaras Del Departamento De La Paz: La Aykata, Agustín Daniel Leonardo Miranda Cossío

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

La presente propuesta muestra la vigencia del tejido tradicional de textiles en zonas cercanas y en las ciudades de La Paz y El Alto. La información fue obtenida de tejedores que habitan en la ciudad – área rural y frecuentan la ciudad por motivos de cargos comunales o comercio de tejidos como medio de subsistencia. El paulatino desplazamiento de las piezas textiles tejidas a mano en los centros urbanos de Bolivia ha llevado a creer que este arte está menguando; si bien es cierto que su uso se ha restringido a las fiestas o ceremonias particulares, la presencia del textil …

Tejidos Kallawaya – Folclor Regional O Reflejos De Procesos De Etnicización, Eva Fischer

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

En mi aporte analizaré dos tipos de figuras y sus contextos, las que muestran entre sí una estrecha relación y simultáneamente diferencias profundas: el diseño llamado corte grande o kurti, y las figuras denominadas curandero, Kallawaya. El primer diseño va bajo la rúbrica de los diseños “abstractos” y el segundo bajo aquella de los diseños figurativos. Antes de aparecer en los tejidos, ambos debían transformarse en figuras de memoria en el sentido de Assmann (2000). Los dos diseños y sus contextos, percibidos como reflejos de etapas específicas de procesos más largos y complejos, permiten explorar, por lo menos en parte, …

Diseño Textil Y Vestimentario Tradicional De Los Pueblos De Canchis (Cuzco), Nathalie Santisteban-D.

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Este estudio trata sobre el diseño decorativo e iconográfico textil y vestimentario tradicional de los pueblos de San Pablo, de Tinta y de Marangani de la provincia de Canchis (Cuzco, Perú). El sistema vestimentario indígena tradicional de estos pueblos está conformado por piezas vestimentarias tejidas, unkuña y poncho, que permiten identificar el grupo étnico y el lugar de procedencia de los portadores. Las otras piezas vestimentarias están adornadas suntuosamente por el bordado con máquina de coser. El vestido indígena tradicional de estos pueblos es famoso por el bordado con máquina. Este estudio busca dar a conocer que en los pueblos …

Watu, Chumbe Y Cobija. Patrones Textiles En La Alta Amazonía Peruana. Movilidad, Persistencias Y Transformaciones En El Largo Tiempo, María Elena Del Solar

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

La convivencia de dos formas de producción textil, organizadas a partir de técnicas y necesidades histórica y culturalmente modeladas, constituyen lo cotidiano en la mayoría de comunidades tejedoras del territorio andino. Ambas modalidades, el telar de cintura de origen prehispánico y el telar de pedal de tipo español, producen tejidos desde lógicas diversas que testimonian sobre aspectos centrales de la vida de las sociedades andinas, en una suerte de diagnóstico socio cultural e histórico. En este artículo se presentan algunas características constantes, así como peculiares, en los patrones textiles del grupo kichwa lamista del piedemonte amazónico, zona montañosa del nororiente …