Modern Literature Commons^™

Walt Whitman At The Aurora: A Model For Journalistic Attribution, Kevin Mcmullen, Stefan Schöberlein

Department of English: Faculty Publications

Relatively little manuscript material exists to definitively tie Walt Whitman to the bulk of the journalistic writing attributed to him, particularly the writing in the early years of his career. Because the vast majority of his early journalistic work was unsigned, attribution is most often based on the knowledge of Whitman’s involvement with a given paper, coupled with the identification of some sort of Whit- manic voice or tone in a given piece of writing. However, a writer’s style and tone are often affected by the form and context in which they are writing, meaning that Whitman’s journalistic voice is …

“This Damned Act”: Walt Whitman And The Fugitive Slave Law Of 1850, Kevin Mcmullen

Department of English: Faculty Publications

“THERE IS A SIN OF OMISSION often laid at [Walt] Whitman’s door by ardent humanitarians,” Clifton Furness wrote in 1928; “‘How is it,’ they say, ‘that a poet of democracy and humanitarianism did not express himself on the subjects of abolition, ill-treatment of slaves, the Missouri Compromise, and the national issues leading up to the Civil War?’”1 For all his expansiveness of both form and content, Whitman was indeed, on certain key matters, a poet of omission. As Kenneth M. Price, Martin Klammer, Ed Folsom, and others have demonstrated, the poet repeatedly grappled with issues of slavery and race in …

Batman’S Animated Brain(S): Paper Presented To The Batman In Popular Culture Conference, Lisa Kort-Butler

Department of Sociology: Presentations

I was in the beginning stages of a project on the social story of the brain (and a neuroscience more broadly), when a Google image search brought me a purchasable phrenology of Batman, then a Batman-themed Heart and Brain cartoon of the Brain choosing the cape-and-cowl.1 A quick search of “Batman brain” yielded something interesting: various pieces on the psychology of Batman (e.g., Langley 2012), Zehr’s (2008) work on Bruce Wayne’s training plans and injuries, the science fictions of Batman comics in the post-World War II era (Barr 2008; e.g., Detective Comics, Vol. 1, No. 210, 1954), going back to …

Adventure Book Club: Charlie And The Chocolate Factory, Rose Wehrman

Honors Program: Expanded Learning Clubs

An afterschool book club, through these lesson plans, is exploring Roald Dahl's Charlie and the Chocolate Factory. The integration of hands-on activities serves to help students connect to the story, think critically, and build interdisciplinary skills.

"The Tyrant Father": Leslie Stephen And Masculine Influences On Virginia Woolf And Her Novel, To The Lighthouse, Anya Graubard

Honors Program: Senior Projects (Public)

This paper examines the volatile yet nurturing relationship between Virginia Woolf and her father, Leslie Stephen. It specifically considers the effects of three male “tyrants” in Woolf’s childhood, including not only her father but also her two half-brothers, who abused her sexually. Analysis of the dynamics of these relationships provides insight into Woolf’s lifelong battle with mental illness and helps us to understand the complicated relationships she had as an adult with men and women.

In her letters, diaries, and memoir essays, Woolf reveals how she drew from her own experiences of childhood to write her most famous novel, To …

Handling George Eliot’S Fiction, Peter J. Capuano

Department of English: Faculty Publications

An argument that George Eliot was a novelist intellectually, philosophically, and aesthetically ahead of the majority of her peers thankfully needs no defense two hundred years after her birth. This lofty status, however, does not mean that Eliot was impervious to the cultural preoccupations of her time. Quite the contrary. A central contention of this essay is that Eliot, despite her imposing intellectual reputation, engaged with her culture’s popular interest in human hands in ways that profoundly affected her fiction. As I have argued elsewhere,¹ the Victorians became highly cognizant of the physicality of their hands in large part …

Review: Architectural Involutions: Writing, Staging, And Building Space, C. 1435–1650. Mimi Yiu., Kelly Stage

Department of English: Faculty Publications

Mimi Yiu’s Architectural Involutions is an expansive, impressive, and largely interdisciplinary study. Many recent books have touched on related topics—probably most relevantly Henry Turner’s The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580–1630—but this one reads from architecture and space forward rather than seeks answers about the theater foremost. The book’s main focus is to theorize the “inward journey” made possible by modes of understanding, building, and reading space in early modern Europe, although England is central to much of the work’s concerns. As Yiu explains in her introduction, the book “suggests a method for spatial mapping …

“Marie” And “An Unusual Recourse”: English Translations Of German Early Romantic Stories, Meghan Leadabrand

Honors Program: Senior Projects (Public)

This project consists of English translations of two German early Romantic stories, “Marie” (1798) by Sophie Mereau and “Seltner Ausweg” (1823) by Luise Brachmann, as well as an introductory discussion of the authors, their significance in the Jena Circle of Romantic writers, and the translation process. The introduction incorporates research on both Mereau and Brachmann and German early Romanticism, as well as some research on translation theory. Overall, the project aims to make “Marie” and “Seltner Ausweg,” which have not previously been translated, available to an English-speaking audience and to highlight the work of two little known Romantic women writers. …

The Victorian Body, Peter J. Capuano

Department of English: Faculty Publications

The nineteenth century is extremely important for the study of embodiment because it is the period in which the modern body, as we currently understand it, was most thoroughly explored. This was the era when modern medical models of the body were developed and disseminated, when modern political relations to the body were instantiated, and when modern identities in relation to class, race, and gender were inscribed. While questions about the distinctions between personhood and the body were studied by the ancients, nineteenth-century developments in technology, economics, medicine, and science rendered such categories newly important for Britons who were the …

Willa Cather On A “New World Novelist”: A Newly-Discovered 1920 Vanity Fair Essay, Melissa J. Homestead

Department of English: Faculty Publications

The ability to quote from and publish Willa Cather’s letters is a relatively recent development for scholars. However, the republication of her critical prose began shortly after her death, when Cather’s partner, Edith Lewis, appointed literary executor in her will, facilitated the publication of Willa Cather on Writing: Critical Studies on Writing as an Art (1949). In line with Cather’s own approach to her early career, which she often dismissed or mischaracterized, this volume collected only her critical prose published from 1920 forward, including magazine essays, prefaces, and one previously unpublished fragment. This volume supplemented Cather’s own collection encompassing critical …

“Always Up Against”: A Study Of Veteran Wpas And Social Resilience, Shari J. Stenberg, Deborah Minter

Department of English: Faculty Publications

This essay reports on an interview-based study of ten veteran WPAs, whose three decades of service spans neoliberalism’s growing influence on universities. Our findings trace their enactment of social resilience, a dynamic, relational process that allowed them, even in the face of constraint, to act and to preserve key commitments.

Like most compositionists, and especially WPAs, we feel the restrictive impact of austerity. This sense is reflected in a growing body of research in our field, and most recently in a CCC special issue, where Jonathan Alexander reminds us that “one of the things we know about writing and the …

From A Distance “You Might Mistake Her For A Man”: A Closer Reading Of Gender And Character Action In Jane Eyre, The Law And The Lady, And A Brilliant Woman, Gabrielle Kirilloff, Peter J. Capuano, Julius Fredrick, Matthew L. Jockers

Department of English: Faculty Publications

This research examines and contributes to recent work by Matthew Jockers and Gabi Kirilloff on the relationship between gender and action in the nineteenth-century novel. Jockers and Kirilloff use dependency parsing to extract verb and gendered pronoun pairs (“he said,” “she walked,” etc.). They then build a classification model to predict the gender of a pronoun based on the verb being performed. This present study examines the novels that were categorized as outliers by the classification model to gain a better understanding of the way the observed trends function at the level of individual narratives. We argue that while the …

The Relevance And Resiliency Of The Humanities, Stephen C. Behrendt

Department of English: Faculty Publications

Discussion has grown increasingly urgent among those involved in the humanities; threats to funding for the National Endowment for the Humanities and the National Endowment for the Arts are only the most highly visible indicators of what many call a “war on the humanities.” The issue is a familiar one. With everyone’s finances under increasing stress, there is mounting pressure to “cut back on nonessentials,” and among both educational institutions and the broader public community, the humanities seem easy targets for the cutters and the pruners. There’s a general sense that the humanities are not very useful when it comes …

Anatomía Comparada De La Representación De La Muerte En La Literatura Española Transatlántica Durante El Ocaso De La Edad Media Y El Renacimiento, Miguel Ángel Albújar Escuredo

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

The main goal of this project is to dissect how death is represented during the Late Middle Ages, the Renaissance and the beginning of the phenomenon of colonization of America carried out by the Spanish Empire, all of it by means of reviewing the representations in Spanish literary works of those times. This is accomplished by comparing works diachronically in order to reveal the main thematic variations between them. To that effect, representative models are taken from the literary canon in Spanish that involves texts since the Late Middle Ages until the first modernity, also known as the Renaissance. This …

Foreword To D.W. Robertson, Jr., Uncollected Essays, Paul A. Olson

Department of English: Faculty Publications

During the late summer of 1992, I received a call from Darryl Gless, a professor of Renaissance literature at the University of North Carolina and my former student, asking me if it would be all right if he and other people looking after the literary remains of D. W. Robertson would send me a package of published and unpublished articles that Robertson had left behind upon his death in July of that year. Gless had been a friend of Dr. and Mrs. Robertson in Chapel Hill, visiting with them frequently while trying a bit to look after their well-being in …

Biopolitical Masochism In Marina Abramović’S The Artist Is Present, Jaime Brunton

Department of English: Faculty Publications

This essay analyzes The Artist Is Present, Marina Abramović’s heavily mediatized 2010 performance at New York’s Museum of Modern Art, through the lenses of Freudian and Deleuzean concepts of masochism, specifically with respect to how the masochistic tendencies of this performance may be read in the current context of biopolitics. The essay seeks answers to questions of political import that many critical analyses of Abramović’s performance, which focus on details of the performer’s personal history, have not adequately addressed. Drawing on the documentary film Marina Abramović: The Artist Is Present (2012) that follows Abramović through the conceptualization and enactment …

Changing Publishing Ecologies: A Landscape Study Of New University Presses And Academic-Led Publishing: A Report To Jisc, Janneke Adema, Graham Stone, Chris Keene

Copyright, Fair Use, Scholarly Communication, etc.

Introduction

A new wave of university presses is emerging. Common characteristics are that they are open access (OA), digital first, library-based, and they often offer a smaller set of services than a traditional publisher, blurring the line between publisher and platform. In tandem, a small but notable number of academics and researchers have set up their own publishing initiatives, often demonstrating an innovative or unique approach either in workflow, peer review, technology or business model.

These new publishing initiatives have a potentially disruptive effect on the scholarly communication environment, providing new avenues for the dissemination of research outputs and acting …

The Composing, Editing, And Publication Of Willa Cather’S Obscure Destinies Stories, Melissa J. Homestead

Department of English: Faculty Publications

In 1998, Willa Cather’s 1932 short story collection Obscure Destinies appeared as the fourth volume of the Willa Cather Scholarly Edition (WCSE). As the editors would explain in an essay reflecting on the “The Issue of Authority in a Scholarly Edition,” Cather “habitually sought to exert her authority over the full process governing the preparation and presentation of her novels: from drafting and revising the text to shaping the physical appearance of the published books.” In line with that sense of Cather’s authority, the WCSE chose and continues to choose the first edition of each work as book form as …

The Role Of George Henry Lewes In George Eliot’S Career: A Reconsideration, Beverley Rilett

Department of English: Faculty Publications

This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by fostering the mystery of her authorship; by managing her finances; by negotiating her publishing contracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them. By reconsidering each element of Lewes’s devotion separately, Rilett challenges the prevailing construction of the Eliot–Lewes relationship as the ideal partnership of …

Melodrama, Masochism, And Biopolitical Encounters In The Fosters, Jaime Brunton

Department of English: Faculty Publications

Since the television drama The Fosters, which centers on the daily struggles of two lesbian moms (Stef Foster and Lena Adams) and their multi-ethnic family of foster and adoptive children, debuted on ABC Family in 2013, the show has garnered numerous awards and nominations. . . . The Fosters has struck a chord with American television audiences and critics. While part of the show’s appeal no doubt rests in its representations of LGBTQ people and people of color (as its awards suggest) and its dealing with topical issues such as gay marriage and racial profiling, it also worth noting …

Yet More Cather-Knopf Correspondence, Melissa J. Homestead

Department of English: Faculty Publications

Some years ago many of us were excited by the discovery of a cache of Willa Cather’s correspondence with publisher Alfred A. Knopf that had been in the hands of Peter Prescott, one of the succession of would-be biographers of Knopf. He died before he completed it. These letters are now held in the Barbara Dobkin Collection in New York City. Before these materials came to light, researchers, including the editors of the Willa Cather Scholarly Edition, had relied on a strange and fragmentary “memoir” Knopf wrote of his relationship with Cather based on his correspondence files with her, and …

George Eliot In Romantic Biofiction, Beverley Rilett

Department of English: Faculty Publications

Dinitia Smith’s The Honeymoon is the first complete biofiction of the woman enduringly known by her masculine pen name, George Eliot. It tells the story of a precocious provincial English girl who challenges the conventions of her middleclass upbringing as she pursues a writing career in Victorian London, moves in with an alreadymarried man, becomes one of the greatest living British novelists, and then marries John Cross, a man twenty years her junior whom she’d long called “nephew.” Whether or not Eliot’s brief marriage to Cross constituted a “happy ending” depends on how you interpret the harrowing incident that took …

Capitalismo, Esquizofrenia E Raça: O Negro E O Pensamento Negro Na Modernidade Ocidental, Ingrid Robyn

Department of Modern Languages and Literatures: Faculty Publications

Mbembe, Achille. Crítica da razão negra. 1. ed. Lisboa: Antígona, 2014. Tradução de Marta Lança.

Crítica da razão negra, de Achille Mbembe (original em francês pela editora La Découverte, 2013), é um desses livros que nasceu já clássico: clássico não no sentido de antigo, ou imune à passagem do tempo, mas no sentido borgeano de ter sido escolhido por uma comunidade de leitores como leitura obrigatória. E o livro é, de fato, leitura obrigatória não apenas para aqueles que se interessam pela questão do “negro”,1 mas para todos aqueles que, de alguma forma, se interessam pela relação entre raça …

Review: Shakespeare’S Stage Traffic: Imitation, Borrowing And Competition In Renaissance Theatre. Janet Clare., Kelly Stage

Department of English: Faculty Publications

Shakespeare’s Stage Traffic is a fit title for Janet Clare’s investigation of Shakespeare and his theatrical environment. While her subtitle outlines the key practices that underpin her readings of Shakespeare’s plays, their co-texts, and their competition, the idea of traffic best encapsulates the complexity of the relationships that Clare charts. As she writes, Shakespeare’s Stage Traffic may enable “a more conjoined critical study of the plays of the early modern stage — one that will take into account the networks of influence, exchange, and competition of stage traffic that make up the matrix essential for talent to flourish” (267). Her …

Willa Cather Editing Sarah Orne Jewett, Melissa J. Homestead

Department of English: Faculty Publications

“In reading over a package of letters from Sarah Orne Jewett,” Willa Cather wrote in her preface to the Mayflower Edition of The Best Stories of Sarah Orne Jewett (1925), “I find this observation: ‘The thing that teases the mind over and over for years, and at last gets itself down rightly on paper—whether little or great, it belongs to Literature.” Cather’s private letters and her public statements in the form of essays, interviews, and speeches testify abundantly that Jewett had teased Cather’s mind over and over in the years following her friend and mentor’s death in 1909. Furthermore, as …

Nebraska's Wedding Crasher, Jennine Capó Crucet

Department of English: Faculty Publications

My building thinks of itself as Lincoln's premier wedding venue. I was not told this when I signed the lease. A glitch of duct work sends the sounds of every single party straight through the exhaust fan of my apartment's bathroom, so loud and clear that I can hear the names of everyone in the wedding party as they are announced -- not just in the bathroom, but from the living room. I can hear when people are clapping, can hear the claps as individual sonic events: I can almost always make out the crisp echo of the last person …

Palpable Hits: Popular Music Forms And Teaching Early Modern Poetry, Stephen M. Buhler

Department of English: Faculty Publications

Recent pedagogical scholarship has engaged strenuously with the use of YouTube and other online platforms in the literature classroom. Stephen O’Neill, for one, champions video-sharing and similar media “in the interests of fostering various experiential, collaborative and peer-learning scenarios,” especially in tandem with the “array of Shakespeare content, which can potentially illuminate and deepen [learners’] understanding of the text and its diverse contexts” (190). In this essay, I discuss the advantages of sharing for this purpose online materials that have been developed by artists, instructors, students, and others—specifically, materials with a musical orientation. Along the way, I shall explain my …

"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal

Department of English: Dissertations, Theses, and Student Research

This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …

Biopolitical Education: The Edukators And The Politics Of The Immanent Outside, Roland K. Vegso, Marco Abel

Department of English: Faculty Publications

The article examines the relationship of biopower and cinema through the analysis of a specific film, Hans Weingartner’s The Edukators (2004). It argues that in the age of biopower, resistance to power cannot be conceived of in terms of a radical outside to power. Rather, biopolitical resistance must take place on the terrain of this power itself, that is, within the field of life. Therefore, what we call the “viral” politics of The Edukators must be interpreted precisely in this context. The film argues that the exhaustion of political paradigms inherited from the past century forces us to take the …

George Henry Lewes, The Real Man Of Science Behind George Eliot’S Fictional Pedants, Beverley Rilett

Department of English: Faculty Publications

This paper demonstrates that George Eliot drew on George Henry Lewes’s actual experience as an emerging scientist in her depiction of two fictional scholars, Edward Casaubon of Middlemarch and Proteus Merman, a lesser-known character from the chapter entitled “How We Encourage Research” in her final work, Impressions of Theophrastus Such. After Thomas Huxley published a devastating review of Lewes’s first book of science, Comte’s Philosophy of the Sciences, the evidence suggests that Lewes became highly focused on disproving his critics and earning lasting recognition as a scientist, a feat he expected to achieve with his five-volume series, Problems …