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- CouRaGeouS Cuentos: A Journal of Counternarratives (608)
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Articles 241 - 270 of 615
Full-Text Articles in Modern Literature
The Have And The Have Nots, Tim Olson
The Have And The Have Nots, Tim Olson
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Alegria En Crear, Genesis Ruiz Hernandez
Alegria En Crear, Genesis Ruiz Hernandez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Ni De Aqui Ni De Alla, Jordan Pangelinan
Ni De Aqui Ni De Alla, Jordan Pangelinan
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Anitanais Mercado, Anitanais Mercado
Anitanais Mercado, Anitanais Mercado
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Yo Soy Quien Soy, Christy Wilson
Yo Soy Quien Soy, Christy Wilson
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Orchid Facsimile, Janie (Lan) Mendosa
Orchid Facsimile, Janie (Lan) Mendosa
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
What You Mean To Me, Maria I Navarro-Montes
What You Mean To Me, Maria I Navarro-Montes
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Thu Thi Hong, Jenica Huddleston
Thu Thi Hong, Jenica Huddleston
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
I Am Mien, Jordan Phanh
I Am Mien, Jordan Phanh
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Felicidad, Maria Fregoso Deanda
Felicidad, Maria Fregoso Deanda
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Memory, Julio Romero
Memory, Julio Romero
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Clothes, Miguel Ramos
Clothes, Miguel Ramos
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
La Nina Que Se Adapto, Jovanna Herrera
La Nina Que Se Adapto, Jovanna Herrera
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Lighter, Eliseo Casiano
Lighter, Eliseo Casiano
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Admission, Necahual .
Admission, Necahual .
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Dona Auza, Alex Godinez
Dona Auza, Alex Godinez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Last Day, P M
Last Day, P M
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Cada Vida, Adele Mora
Cada Vida, Adele Mora
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Curar, Ava Gaskell
Curar, Ava Gaskell
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
My Love For Soccer / Mi Amor Por El Futbol, Henri Jowaisas
My Love For Soccer / Mi Amor Por El Futbol, Henri Jowaisas
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Mil Millas, Andrea Merezko
Mil Millas, Andrea Merezko
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Hay Comida En La Casa, Nicole Velazquez
Hay Comida En La Casa, Nicole Velazquez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Cafecito De La Noche, Andrea Merezko
Cafecito De La Noche, Andrea Merezko
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Courageous Cuentos 2024 Community Award, Community Award
Courageous Cuentos 2024 Community Award, Community Award
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Somos Semillas, Marisol Ruiz, Nancy Perez
Somos Semillas, Marisol Ruiz, Nancy Perez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Full Issue, Front Matter 01
Full Issue, Front Matter 01
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Countering Dominant Narratives In Community: The Many Voices In Spoken Word Poetry, Natalie Raquel Acuña
Countering Dominant Narratives In Community: The Many Voices In Spoken Word Poetry, Natalie Raquel Acuña
Cal Poly Humboldt theses and projects
In this project I research the counternarratives within spoken word poetry by authors of color (i.e., Rafeef Ziadah, José Olivarez, and Denise Frohman) and how they resist the dominant narratives that are broadcast towards a larger audience. I analyze categories of counterstory through the following paired themes: immigration/citizenship, and joy/trauma. I delve into the heavy importance of community within my project in the realm of spoken word poetry. A lot of poetry is going against dominant narratives, community within this discourse gives a sense of belonging and relatability to the experience of the spoken word performers.
Anxieties About The Future: Ecocriticism And Dystopian Landscapes In The Three Stigmata Of Palmer Eldritch And Selected Fiction By Philip K. Dick, Nickolas Michael Sykora
Anxieties About The Future: Ecocriticism And Dystopian Landscapes In The Three Stigmata Of Palmer Eldritch And Selected Fiction By Philip K. Dick, Nickolas Michael Sykora
Cal Poly Humboldt theses and projects
In a literary analysis of selected fiction by Philip K Dick through an ecocritical framework, the focus of this study reveals the consequences of ecological destruction on futuristic societies reflecting the Anthropocene. Drawing correlations between various texts by the author, the separation of nature from humanity demonstrates how dystopian landscapes influence the identity of the characters in these settings and how dystopia serves as a prism which distorts or reflects what it means to be human. With this, ontology and artificial intelligence are analyzed as a notable facet of his literature which addresses the progress of innovation in society and …
Poems From The Interval: Violence In Ted Hughes’S Animal Still-Lifes
Poems From The Interval: Violence In Ted Hughes’S Animal Still-Lifes
The International Journal of Ecopsychology (IJE)
In his verbal still-lifes, Ted Hughes reverses the traditional dynamics of scopophilia by putting the human eye under the dying beast’s petrifying gaze. So doing, the poem entwines human and animal into an interval creature entangling human language and animal body, thriving between life and death, in a dimension akin to the bardo—in Tibetan, the “interval between two states” where the shaman is violently put to death by an animal demon to be resurrected as a new lifeform. Hence Hughes’s still-lifes are not only from the interval, but also for the interval period we are going through—the pivotal era known …