Modern Literature Commons^™

Acknowledgements/Image Credits, Molly Lynde-Recchia

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Notes On Contributors

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Orchards 52, Orchards 54, Orchards 57: The Doe, And Orchards 59 By Rainer Maria Rilke, Susanne Petermann

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Translated from the French by Susanne Petermann.

The Universe In Perspective, Commentator, And The Birth Of A Masterpiece By Yu Kwang-Chung, Hsinmei Lin

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Translated from the Chinese by Hsinmei Lin.

A Man Out Of Time: Aias 646-692 By Sophocles, Emily Anhalt

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Translated from the Greek by Emily Anhalt.

Enduring Scars By Ahmad Al-Safi Al-Najafi, B. N. Faraj

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Translated from the Arabic by B.N. Faraj.

A Community In The Open, An Autumnal Fossil, On Skeletons, And Orpheus At The Butcher Shop By Shiro Murano, Goro Takano

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Translated from the Japanese by Goro Takano.

My Bones, Journey, And Winds Of Betrayal: On Artaud's Van Gogh By Yoko Mihashi

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Translated from the Japanese by Steve Light.

The Visa By Hisham Al Gakh, Houssem Ben Lazreg

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Translated from the Arabic by Houssem Ben Lazreg.

Flared Skirt And The Healds By Arai Takako, Carol Hayes Dr, Rina Kikuchi

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Translated from the Japanese by Carol Hayes and Rina Kikuchi.

The Stranger By Charles Baudelaire, Kent Dixon

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Translated from the French by Kent Dixon.

A Poet's Eye: Poems By Princess Shikishi, Rose Bundy

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Translated from the Japanese by Rose Bundy.

Catullus 101, 48, 81, Samuel N. Rosenberg

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Translated from the Latin by Samuel N. Rosenberg.

Life's Fount By Hugo Von Hofmannsthal, William A. Ruleman Iii

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Translated from the German by William Ruleman.

Whether You See Me Or Not By Tan Xiaojing, Jun Tang

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Translated from the Chinese by Jun Tang.

Something Fills The Soul, On The Threshold Of Wishing, Time Utters It, And I Color My Name By Yousef El Qedra, Yasmin Snounu, Edward A. Morin

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Translated from the Arabic by Edward Morin, Yasminn Snounu, and Yasser Tabbaa.

I Am A Child Of The Sun By Fukushi Kōjirō, Joshua L. Solomon

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Translated from the Japanese by Joshua Solomon.

First Poem For Her And Poem For My Shadow By Marie-Célie Agnant, Corine Tachtiris

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Translated from the French by Corine Tachtiris.

In Jerusalem By Mahmoud Darwish, Uri Horesh

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Translated from the Arabic by Uri Horesh.

An Ocean Of Tears, The Chest, Between The Loss & The Delay, And How Do I Tell You I Love You? By Mariam Michtawi, Jake Gordon

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Translated from the Arabic by Jake Gordon.

Foreword

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Transference Vol. 3, Fall 2015

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The Origin And Development Of Tigrinya Language Publications (1886 - 1991) Volume One, Abraham Negash

Staff publications, research, and presentations

Tigrinya is a Semitic language spoken in Eritrea and in the Tigray Region of Northern Ethiopia. Tigrinya is one of the nine languages in Eritrea. It was one of Eritrea's official languages (along with Arabic) during the short-lived federation with Ethiopia (1952-1962). When Ethiopia officially annexed Eritrea in 1962, Amharic also formally replaced Tigrinya and Arabic; and was established as an official language by the imperial government of Ethiopia. In 1993, when Eritrea officially declared its independence through referendum. Tigrinya regained its status as a working language.

Tigrinya has its own alphabet of 32 letters adopted from Ge'ez, a language …

Biopolitical Education: The Edukators And The Politics Of The Immanent Outside, Roland K. Vegso, Marco Abel

Department of English: Faculty Publications

The article examines the relationship of biopower and cinema through the analysis of a specific film, Hans Weingartner’s The Edukators (2004). It argues that in the age of biopower, resistance to power cannot be conceived of in terms of a radical outside to power. Rather, biopolitical resistance must take place on the terrain of this power itself, that is, within the field of life. Therefore, what we call the “viral” politics of The Edukators must be interpreted precisely in this context. The film argues that the exhaustion of political paradigms inherited from the past century forces us to take the …

George Henry Lewes, The Real Man Of Science Behind George Eliot’S Fictional Pedants, Beverley Rilett

Department of English: Faculty Publications

This paper demonstrates that George Eliot drew on George Henry Lewes’s actual experience as an emerging scientist in her depiction of two fictional scholars, Edward Casaubon of Middlemarch and Proteus Merman, a lesser-known character from the chapter entitled “How We Encourage Research” in her final work, Impressions of Theophrastus Such. After Thomas Huxley published a devastating review of Lewes’s first book of science, Comte’s Philosophy of the Sciences, the evidence suggests that Lewes became highly focused on disproving his critics and earning lasting recognition as a scientist, a feat he expected to achieve with his five-volume series, Problems …

Buried In Plain Sight: Unearthing Willa Cather’S Allusion To Thomas William Parsons’S “The Sculptor’S Funeral”, Melissa J. Homestead

Department of English: Faculty Publications

In January 1905, Willa Cather’s story “The Sculptor’s Funeral” appeared in McClure’s Magazine and shortly thereafter in her first book of fiction, The Troll Garden, a collection of stories about art and artists. In the story, the body of sculptor Harvey Merrick arrives in his hometown of Sand City, Kansas, on a train from Boston, accompanied by his friend and former student, Henry Steavens. Cather criticism has long been concerned with identifying real-world prototypes for characters and situations in her fiction, and two such prototypes have been unearthed for “The Sculptor’s Funeral.” First, the return by train of the …

The Transatlantic Village: The Rise And Fall Of The Epistolary Friendship Of Catharine Maria Sedgwick And Mary Russell Mitford, Melissa J. Homestead

Department of English: Faculty Publications

In June 1830, the American novelist and short-story writer Catharine Maria Sedgwick used the imminent London publication of her novel Clarence as a pretext for initiating a correspondence with the British author Mary Russell Mitford. In her first letter to Mitford, Sedgwick addressed her as “My dear Miss Mitford,” a violation of epistolary decorum in a letter to someone to whom she had not been introduced (FOMRM, 155).¹ As Sedgwick protested, however, “I cannot employ the formal address of a stranger towards one who has inspired the vivid feeling of intimate acquaintance, a deep and affectionate interest in …

Courtly Connections: Anthony Sherley’S Relation Of His Travels (1613) In A Global Context, Kaya Sahin, Julia Schleck

Department of English: Faculty Publications

This article revisits Anthony Sherley’s Relation of his travels into Persia (1613), reading the text within the larger context of early modern Eurasia. It highlights the ways in which at least one European traveler sought and found not alterity, but commensurable structures, social roles, political ideologies, and personal motivations in the Islamic polities to the east and emphasized these connections to his European readers. Furthermore, in making the case that Sherley’s narrative is informed by local actors in Safavid Persia, it maintains that a certain level of Eastern knowledge is present within Western texts from this period and awaits scholarly …

Networking With Middleton And Jonson: Theater, Law, And Social Documents, Kelly Stage

Department of English: Faculty Publications

In the lines above, the lawyer Tangle seems to be listing the tools of his trade, various legal documents he uses regularly. However, the list names more than just documents; it also labels the stream of blood trickling out of Tangle’s arm as he is forced into a purgative healing. Quieto, a lawyer-cum-healer, prescribes a bloodletting because Tangle’s long association with ink has infected him and the only way to cure him of poisonous legal practice is to drain him. Quieto confirms his diagnosis with the protagonist, Phoenix, who looks into the basin catching the blood and exclaims “This, why …

Courtly Connections: Anthony Sherley’S Relation Of His Trauels (1613) In A Global Context, Julia Schleck, Kaya Sahin

Department of English: Faculty Publications

Despite various attempts by literary theorists and historians to find more integrative ways of studying early modern societies and cultures, fairly essentialist notions of the difference between Europe and the rest of the world continue to persist in scholarship. The assumption of fundamental differences then leads to a search for sundry misperceptions, misunderstandings, mischaracterizations, and other skewed representations in early modern texts, particularly in those produced by European travelers. Similarly, studies on cultural, ideological, religious, and intellectual exchanges have not always been able to transcend approaches that solely focus on encounters, a word that sometimes implies haphazard meetings and difficult …