Modern Literature Commons^™

Music And Me, Salvador Jacobo

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

There’S A Bigger Picture To Everything, Salvador Jacobo

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Re-Membering El Monte, Frank Escalante

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Moving To The Outskirts, Jose Perez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Mi Madrecita Querida, Jaime Navarro

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Madrecita Querida, Jaime Navarro

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

The Sound Of Oldies, Andrea Merezko

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Entry 1, Angelie -

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

For My People, Irma Rodriguez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Til Death Do Us Part, Trenton Dukes

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Love Is Joy And Pain., Davion Holman

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

My Life Is An Obstacle, Alberto Carbajal

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Pressure To Be, Trenton Dukes

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

I Come From..., Steven Corotan

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Mi Pasado No Lo Vences, Jorge Rico

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

In My Moment, The Moment That Stands Out, In My Moment…, Manuel Lopez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Tortillas, Miles Banda Davila

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Camino A Los Solares De Mi Abuelo, Antonio Barajas

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Untitled, Misael Anguiano

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

I Am From, Irma Rodriguez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Memories Fade, Samuel Nault

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Troje, Erandi Hernández Aguilar

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Front Matter, Courageous Cuentos

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Full Issue, Courageous Cuentos

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Madwoman Makings: The Modern Girl As An Object Of Fear And Fascination In Unno Jūza’S "Mrs. Hirumi's Refrigeration Bag", Eliza Joy Mortimer

University Honors Theses

This thesis argues that Unno Jūza's 1937 short story "Mrs. Hirumi's Refrigeration Bag" uses the sensational tropes of deviant detective fiction to both stage and interrogate interwar Japanese anxieties around gender, science, and modernity. Focusing on the figure of Mrs. Hirumi—a scientifically empowered and sexually assertive female plastic surgeon who dismembers and cryogenically preserves her husband—the author reads her as a radical iteration of the Japanese Modern Girl character. By drawing on scholarship on deviant detective fiction, imperial modernity, and Kazue Harada's concept of (re)productivity, this thesis demonstrates how the short story both reproduces misogynistic criminological discourse and unsettles heteronormative …

Las Filipinas: The Persistence Of Spain In Jessica Hagedorn's Dogeaters, Blake Seana Locklin

CLCWeb: Comparative Literature and Culture

This essay argues for the significance of the legacy of Spain in Jessica Hagedorn's Dogeaters. Critical analyses have explored many aspects of the novel's portrayal of relations between the Philippines and the United States, a more recent colonizer whose influence on politics and culture is prominent in Dogeaters. The effects of Spanish colonization are more subtle in the novel, but pervade its representation of characters, language, and society. While highlighting the fragmentation of individual and national identities, Dogeaters depicts a Philippines in which many social and political problems have roots in the Spanish colonial era. Building on the …

Ideology And Iconography In Gustav Machatý’S Ecstasy (1933), Karl E. Toepfer

Open Educational Resources

This essay discusses the cinematic construction of sexual ecstatic experience in Gustav Machaty's 1933 film Ecstasy. Sergei Eisenstein's theory of cinematic montage governs the shapes the way the filmmakers organize the representation of erotic desire and rapture. But the film also shows affinity with the Czech "Poetist" movement of the 1920s in constructing a guiding view of ecstatic experience. The essay analyzes many images in the film, and concludes with an application of montage theory of ecstatic cinema to the consumption of erotic videos and internet imagery.

Ayer Y Hoy De España En Guinea Ecuatorial. Construcción De La Colonia Africana Y Sus Consecuencias En La Actualidad A Través De Las Voces Femeninas En La Literatura En Español, Jesús Ponte Bernal

University of Kentucky Doctoral Dissertations

Equatorial Guinea was a Spanish colony until 1968. Despite this, it has never received much attention from the Iberian Peninsula, so its literature and history remain unknown to much of the Spanish-speaking population. This has been due to historical factors, such as the Franco dictatorship, which classified everything related to the African colony as confidential, but also due to the racial exclusion experienced by the Black population throughout history. Generally, only some Equatorial Guinean male authors have managed to carve out a place for themselves in the cultural canon.

This study analyzes eight books whose plots take place in Equatorial …

When To Bite Back: Queerness, Resistance, And Reclamation Of The Monstrous Identity In Andrew Joseph White’S Hell Followed With Us, Aster J. Mehigan Mx.

English

Who gets the right to define morality? Who gets to define what is monstrous? Frankenstein’s Creature, the vampires of Lost Boys, The Craft’s head witch Nancy Downs; these characters follow a pattern through the decades of those alienated from society, in this case being written with queer subtext, being deemed as monstrous. These queer monsters become the villains of the story, causing chaos, death and destruction in their wake, seeking revenge against a world that ostracizes them. The 2022 dystopian YA horror of Hell Followed With Us by Andrew Joseph White challenges the villanized monstrous identity through its transgender protagonist …

The Making Of Jewish-American Progress In Gertrude Stein’S, The Making Of Americans: Being A History Of A Family’S Progress, Rochel L. Gasson

Electronic Theses and Dissertations

This dissertation provides a comprehensive reading of Gertrude Stein’s The Making of Americans (TMOA), situating the novel at the intersection of literary modernism, Jewish American identity, and feminist thought. It argues that Stein reconceives American progress not as linear advancement but as a recursive, relational, and culturally grounded process. Through experimental form, repetitive syntax, and a sustained present tense, TMOA dramatizes the psychological and social complexities of immigrant families navigating assimilation while maintaining heritage. Characters such as the Old Man, his son, and the Dehning and Herland families reveal generational tensions, moral labor, and the ambivalences of upward …