Modern Literature Commons^™

Self As Religion In Noviolet Bulawayo's We Need New Names, Lauren Randall

Best Integrated Writing

In this essay, Lauren shows how a breakdown in the belief in the Christian God in NoViolet Bulawayo’s novel We Need New Names leads to the protagonist’s renewal of faith in herself. As the world around her implodes and modern-day Zimbabwe collapses under the political regime of Robert Mugabe (who is never named in the novel but whose baleful influence is nevertheless assumed), “Bulawayo juxtaposes human endurance and the absence of a helpful god to achieve commentary on Darling’s fortitude and resilience.” The essay presents several original insights and offers a sensitive and highly nuanced picture of the divided colonial …

Self-Destructive Educationin Tsitsi Dangarembga’S Nervous Conditions, Sarah Miller

Best Integrated Writing

In this essay, Sarah examines Tsitsi Dangarembga’s 1988 novel Nervous Conditions, set during the colonial period in Rhodesia (now Zimbabwe). She argues that the novel portrays education in an ambivalent light: while it serves as a vehicle of liberation and progress for the black Rhodesian characters, it also reveals to them the injustices of colonial occupation. The essay uses excellent textual examples and good support from secondary sources to convincingly advance this thesis. I believe that Sarah makes us rethink the function of education in a critical light; when viewed in the African colonial context, education becomes a tool for …

Best Integrated Writing 2018 - Complete Edition

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. The journal is published annually by the Wright State University Department of English Language and Literatures.

Review: Architectural Involutions: Writing, Staging, And Building Space, C. 1435–1650. Mimi Yiu., Kelly Stage

Department of English: Faculty Publications

Mimi Yiu’s Architectural Involutions is an expansive, impressive, and largely interdisciplinary study. Many recent books have touched on related topics—probably most relevantly Henry Turner’s The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580–1630—but this one reads from architecture and space forward rather than seeks answers about the theater foremost. The book’s main focus is to theorize the “inward journey” made possible by modes of understanding, building, and reading space in early modern Europe, although England is central to much of the work’s concerns. As Yiu explains in her introduction, the book “suggests a method for spatial mapping …

La Ciudad Como Espacio De La Marginalidad: Un Acercamiento Crítico A Un Oso Rojo, Mariana Pensa

South East Coastal Conference on Languages & Literatures (SECCLL)

Nos proponemos realizar un análisis del film argentino Un oso rojo (2002, dirigido por Israel Adrián Caetano). Un punto de entrada para el análisis nos remite al concepto mismo de lo que es una ciudad, tal como Lewis Mumford lo expone en su canónico artículo “What is a city?”. Si la ciudad se constituye, al decir de Mumford, en espacio simbólico de “unidad colectiva”, en donde los hombres realizan sus actividades mas “útiles”, las preguntas a las que nos llevan estos conceptos serán ¿cuál es el estatuto de una ciudad recorrida por la violencia? ¿Cómo el espacio refiere y significa …

Seccll Conference Program 2018, Georgia Southern University

South East Coastal Conference on Languages & Literatures (SECCLL)

Conference Program

“Marie” And “An Unusual Recourse”: English Translations Of German Early Romantic Stories, Meghan Leadabrand

Honors Program: Senior Projects (Public)

This project consists of English translations of two German early Romantic stories, “Marie” (1798) by Sophie Mereau and “Seltner Ausweg” (1823) by Luise Brachmann, as well as an introductory discussion of the authors, their significance in the Jena Circle of Romantic writers, and the translation process. The introduction incorporates research on both Mereau and Brachmann and German early Romanticism, as well as some research on translation theory. Overall, the project aims to make “Marie” and “Seltner Ausweg,” which have not previously been translated, available to an English-speaking audience and to highlight the work of two little known Romantic women writers. …

The Witty And Hilarious Stories Of Shum Fre-Hans - ተረካብ ዘረባ ሽም ፍረሓንስ, Abraham Negash

Symposium on Eritrean Literature

Before the beginning of written literature, the stories told by people known for their wisdom and intellect in their villages were passed from generation to generation by word of mouth.

However, as time went by and the tellers of Eritrean folklore passed away and the rest of society became nonchalant, the meaning and pleasurable messages started to fade away from the memory of society. If those stories had been written down, they would have enriched and contributed immensely to the development of Eritrean language, culture, and literature.

Considering that a lot has been said and narrated in different regions on …

The Victorian Body, Peter J. Capuano

Department of English: Faculty Publications

The nineteenth century is extremely important for the study of embodiment because it is the period in which the modern body, as we currently understand it, was most thoroughly explored. This was the era when modern medical models of the body were developed and disseminated, when modern political relations to the body were instantiated, and when modern identities in relation to class, race, and gender were inscribed. While questions about the distinctions between personhood and the body were studied by the ancients, nineteenth-century developments in technology, economics, medicine, and science rendered such categories newly important for Britons who were the …

Willa Cather On A “New World Novelist”: A Newly-Discovered 1920 Vanity Fair Essay, Melissa J. Homestead

Department of English: Faculty Publications

The ability to quote from and publish Willa Cather’s letters is a relatively recent development for scholars. However, the republication of her critical prose began shortly after her death, when Cather’s partner, Edith Lewis, appointed literary executor in her will, facilitated the publication of Willa Cather on Writing: Critical Studies on Writing as an Art (1949). In line with Cather’s own approach to her early career, which she often dismissed or mischaracterized, this volume collected only her critical prose published from 1920 forward, including magazine essays, prefaces, and one previously unpublished fragment. This volume supplemented Cather’s own collection encompassing critical …

In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick

Publications and Research

No abstract provided.

“Always Up Against”: A Study Of Veteran Wpas And Social Resilience, Shari J. Stenberg, Deborah Minter

Department of English: Faculty Publications

This essay reports on an interview-based study of ten veteran WPAs, whose three decades of service spans neoliberalism’s growing influence on universities. Our findings trace their enactment of social resilience, a dynamic, relational process that allowed them, even in the face of constraint, to act and to preserve key commitments.

Like most compositionists, and especially WPAs, we feel the restrictive impact of austerity. This sense is reflected in a growing body of research in our field, and most recently in a CCC special issue, where Jonathan Alexander reminds us that “one of the things we know about writing and the …

From A Distance “You Might Mistake Her For A Man”: A Closer Reading Of Gender And Character Action In Jane Eyre, The Law And The Lady, And A Brilliant Woman, Gabrielle Kirilloff, Peter J. Capuano, Julius Fredrick, Matthew L. Jockers

Department of English: Faculty Publications

This research examines and contributes to recent work by Matthew Jockers and Gabi Kirilloff on the relationship between gender and action in the nineteenth-century novel. Jockers and Kirilloff use dependency parsing to extract verb and gendered pronoun pairs (“he said,” “she walked,” etc.). They then build a classification model to predict the gender of a pronoun based on the verb being performed. This present study examines the novels that were categorized as outliers by the classification model to gain a better understanding of the way the observed trends function at the level of individual narratives. We argue that while the …

Representations Of García Lorca In American Poetry: Articulating And Floating Metaphor Of The Historical Connections Between Spain And The United States, Carlos Aguasaco

Publications and Research

No abstract provided.

Notes On Contributors

Transference

No abstract provided.

To Fabullus (Invitation) By Catullus, Ranald A. Barnicot

Transference

Translated from Latin by Ranald Barnicot

In Jerusalem By Tamim Al-Barghouti, Houssem Ben Lazreg

Transference

Translated from Arabic by Houssem Ben Lazreg

Gina, Steamers On The Havel, I Made My Landing On An Island Where..., And Both Day And Evening Now Began To Seep By Georg Heym, William A. Ruleman Iii

Transference

Translated from German by William Ruleman

Poor Rutebeuf By Rutebeuf/ Leo Ferré, Roger Greenwald

Transference

Translated from French by Roger Greenwald

Standing And The Ninth Floor Again: The Military Hospital By Sghaier Ouled Ahmed, Hager Ben Driss

Transference

Translated from Arabic by Hager Ben Driss

Excerpts From And Here's The Song By Hélène Sanguinetti, Ann Cefola

Transference

Translated from French by Ann Cefola

Woe To Those... By Jakob Van Hoddis And Mystery And Crime And Elderly Couple By Yaak Karsunke, Gregory Divers

Transference

Translated from German by Gregory Divers

Four Love Poems From One Hundred Poems Of The Dharma Gate By Jakuzen, Stephen D. Miller, Patrick Donnelly

Transference

Translated from Japanese and Chinese by Stephen D. Miller and Patrick Donnelly

Four Poems From Sonnets Pour Hélène By Pierre De Ronsard, Ann Lauinger

Transference

Translated from French by Ann Lauinger.

Excerpts From The Clutter Of Words By Suzanne Alaywan, Nina Youkhanna

Transference

Translated from Arabic by Nina Youkhanna

Foreword, Molly Lynde-Recchia

Transference

No abstract provided.

Transference Vol. 5, Fall 2017

Transference

No abstract provided.

The Relevance And Resiliency Of The Humanities, Stephen C. Behrendt

Department of English: Faculty Publications

Discussion has grown increasingly urgent among those involved in the humanities; threats to funding for the National Endowment for the Humanities and the National Endowment for the Arts are only the most highly visible indicators of what many call a “war on the humanities.” The issue is a familiar one. With everyone’s finances under increasing stress, there is mounting pressure to “cut back on nonessentials,” and among both educational institutions and the broader public community, the humanities seem easy targets for the cutters and the pruners. There’s a general sense that the humanities are not very useful when it comes …

Foreword To D.W. Robertson, Jr., Uncollected Essays, Paul A. Olson

Department of English: Faculty Publications

During the late summer of 1992, I received a call from Darryl Gless, a professor of Renaissance literature at the University of North Carolina and my former student, asking me if it would be all right if he and other people looking after the literary remains of D. W. Robertson would send me a package of published and unpublished articles that Robertson had left behind upon his death in July of that year. Gless had been a friend of Dr. and Mrs. Robertson in Chapel Hill, visiting with them frequently while trying a bit to look after their well-being in …

Biopolitical Masochism In Marina Abramović’S The Artist Is Present, Jaime Brunton

Department of English: Faculty Publications

This essay analyzes The Artist Is Present, Marina Abramović’s heavily mediatized 2010 performance at New York’s Museum of Modern Art, through the lenses of Freudian and Deleuzean concepts of masochism, specifically with respect to how the masochistic tendencies of this performance may be read in the current context of biopolitics. The essay seeks answers to questions of political import that many critical analyses of Abramović’s performance, which focus on details of the performer’s personal history, have not adequately addressed. Drawing on the documentary film Marina Abramović: The Artist Is Present (2012) that follows Abramović through the conceptualization and enactment …