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University of New Mexico

Spanish Theater

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Full-Text Articles in Latin American Languages and Societies

The Melodramatic Element In The Sainetes Of Carlos Arniches, Margaret Jones Dawson May 1955

The Melodramatic Element In The Sainetes Of Carlos Arniches, Margaret Jones Dawson

Spanish and Portuguese ETDs

Carlos Arniches y Barrera (1886-1943) is a dramatist who has been too long and too consistently neglected. From 1888 until his death in 1943 he was a successful playwright from the point of view of the box office, but the critics were inclined to dismiss him an as author of the despised genero chico, a lesser genre and hence unworthy of their attention. Most manuals of literature either ignore him completely or mention him briefly as one more author of short plays. The more generous devote a sentence or two of him.


The Influence Of Juan De La Cueva On The Dramatic Technique Of Miguel De Cervantes, Shirley Edelstein Mar 1954

The Influence Of Juan De La Cueva On The Dramatic Technique Of Miguel De Cervantes, Shirley Edelstein

Spanish and Portuguese ETDs

During the sixteenth century, the Spanish theater began to indicate the tendencies that the drama was to follow in the Golden Age, although there remained numerous vestiges of medieval drama, consisting principally of religious works called autos or misterios and secular works called farsas or juegos de escarnio. Juan del Encina (1468?-1529?), who is often referred to as the "Father of Spanish Drama," continued the medieval tradition in his works (called eglogas because shepherds usually figure in them), which are mainly religious in subject-matter. However, several are festive in nature and contain the first manifestations of the comic genre, …