Latin American Languages and Societies Commons^™

Mama’S Got A Brand New Degree: Education And Changing Perceptions Of Femininity During The Mexican Revolution (1910-1917), Eden E. Baize

The Cardinal Edge

Bloody struggles, tense political debates, and general unease characterized Mexico in the early twentieth century. Under former president Porfirio Díaz, tensions grew as the lower classes pleaded for labor and land reform, culminating in a violent period of revolution from 1910 to 1917. As with all conflicts of this scale, the Mexican Revolution prompted the challenging of many long standing social conventions, specifically as they pertained to the role of government and the organization of social classes. With the restructuring of society already underway, many activists capitalized on the uncertainty of the era to push against the subjugation of women. …

Encounters At Manuscript Preparation: Inquiry In Conflict’S Aftermath, Stephen T. Sadlier

The Qualitative Report

This exercise of the researcher self explores relationships materializing in manuscript preparation, suggests that conflict-site research is more of a social and affective experience, from proposal to manuscript preparation, than most researchers realize. Outside of clinical and ameliorative approaches, little educational research focuses on ongoing, unresolved conflict. Even less sheds light on the experience of the conflict-site researcher. Here, I show how texts of other conflict-site writers accompanied my process of manuscript preparation, just as activist teachers I observed during the field work phase stood among peers when protesting and facing police repression. Correspondingly, I discuss an intertextual approach of …

A Displacement Of The Self: How Manuel Alvarez Bravo Uses Hair To Represent The Reassertion Of An Indigenous Feminine Identity In Postrevolutionary Mexico, Brooke Lashley

Augsburg Honors Review

Many artworks created during the Mexican Revolution (1910-1940) and in the years immediately following it contained nationalist themes that served to reinforce the importance of maintaining a traditional Mexican identity amongst the Mexican people. As a result, many Mexican artists questioned such traditional representations. This can be seen in images of Mexican women that depict them within the perimeters of an idealized traditional Mexican aesthetic. However, as a burgeoning feminist agenda arose, women were urged to present themselves as free from the oft-oppressing patriarchal traditions of Mexico's past. Now choosing between the ideologies of their pasts and promises of a …

Un “Viage”, Publicado En México, En 1835, Como Corolario Del Gran Fraude Lunar, Miguel A. Fernández Delgado Mafd

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El Gran Fraude Lunar (Great Moon Hoax), orquestado en los Estados Unidos, tuvo varias versiones en diferentes países e idiomas. El presente documento, es el reflejo de cómo fue recibido en México, en donde se celebró con otro cuento, aunque esta vez anónimo sin intentar hacerlo pasar por verídico.

The Colonial Remix: Power And Language In Colonial And Digital Spaces, Susana Aho

The Quiet Corner Interdisciplinary Journal

This paper maps the similarities between colonial and digital media histories, as well as the repercussions these similarities might have on constructions of power and language in a digital age. The colonial encounter in sixteenth century led to the eventual displacement of indigenous pictographic forms by Western alphabetic ones. However, the first years of encounter are also marked by experimentation in which these two forms were combined in unique ways, creating hybrid reading and writing methods. Similarly, digital platforms are able to combine previously separate media (photography, film, 3D animation, print design, maps, etc) in the same files and environments, …

Collective Amnesia, Boca Floja

South

A wide gap exists between the phenomenon of cultural appropriation and historical claim. How do you justify when you are 12 and at that age you have been programmed by an information structure and culture that has defined every identifying feature?

The migration phenomenon, the informal market, and the constant flow between the idealization of the First World in the northern corner and the underworld in the backyard, made it possible for me one day, while walking with my grandmother in a street market in Mexico, to stumble across a cassette tape with Ice Cube’s face on it that said …

Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley

The Quiet Corner Interdisciplinary Journal

This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …

Un Cuento Satírico En Medio Del Debate Sobre El Darwinismo En México, Miguel A. Fernández Delgado Mafd

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Charles Darwin's theory of biological evolution of species was accepted or rejected by Mexican scientists, including Gabino Barreda, representative of Comte's philosophy. It was also included by Justo Sierra in a history book for the Escuela Nacional Preparatoria, a decision which raised a lot of criticism from conservative groups. It is also discussed the implications of social Darwinism in the early Twentieth Century Mexico. The document we offer is a satire published in those years, which resembles the tone of Swift's Gulliver Travels.