Latin American Languages and Societies Commons^™

Généalogies De L'Errance, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

The city narrative is Chamoiseau’s most original contribution to the west Indian worldview. Such writing is based on the poetics of creolity and on the memory of housing, visible in the ancestral hatred of dogs by municipal workers. It also builds up intertextual links which question both Cesairian Negritude and Glissant’s poetics. The historical memory of Chamoiseau’s characters and the intertextual links in his works transform his writings on townlife into a form of consolidation of a literary tradition which renews the genealogy of wandering life.

Patrick Chamoiseau Et La Poétique Du «Nomadismecirculaire», Samia Kassab-Charfi

Présence Francophone: Revue internationale de langue et de littérature

By advocating a fluid and metamorphic type of creolity, Patrick Chamoiseau has managed to distance himself from any claim to a particular identity. His latest poetics refute more than ever the elegy of origin and the celebration of race. In Glissant’s footsteps, he experiments with the notion of “circular nomadism”, which becomes a major rite of initiation for many of his characters. That same notion, at the heart of the amorous gravitation by which he unveils the treasures of his sentimenthèque, finally leads to an ethic of transformation, a kind of “eco-philosophy” where every exodus becomes an exordium, a new …

Poesía E Historicidad En Ernesto Cardenal Y Roberto Fernández Retamar, Alberto David Rivera Vaca

Doctoral Dissertations

This dissertation analyzes the meta-poetic and historicist thought in Ernesto Cardenal and Roberto Fernández Retamar’s poetry. The concept these poets have poetry is closely related to the historical moment of their times. They ponder about poetry and its function, poetic thought that is nourished by a historical consciousness. This close relationship between poetry and history inevitably includes sensitivity to the social situation in their respective countries and in Latin America. These poets seek to understand the concrete reality thus coming closer to the truth of things. The study shows that these poets, based on history and poetic thought, assume their …

La Voz Fall 2013, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies

La Voz

In this issue:

• Lewis Gordon
• TAULA Pablo Lapegna
• Working Groups
• Migrant Farm Workers

Latin-America, Mauricio E. Novoa

Student Publications

A poem describing the Prince George's County and Montgomery County Latin American communities in Maryland.

Fearless (Saturday): Michael Hannum, Michael W. Hannum

SURGE

In celebration of Alumni Homecoming Weekend and Hispanic Heritage Week, we proudly feature Michael Hannum, member of the Class of 2011, for his fearless commitment to fighting for social justice issues and his continued involvement in serving the Adams County community. Currently working with the Lincoln Intermediate Unit’s Migrant Education Program as a Recruitment Coordinator, Michael began finding his passion for helping identify families in the migrant community who need extra educational support when he was a first-year student just looking for something to do. [excerpt]

Are You Really Going To Eat That? Water, Power, And Bugs A La Tlaxcalteca, Jeanne Gillespie

JEANNE GILLESPIE

Narratives in Mesoamerica consistently used mytho-poetic data to frame their commentaries. For that reason, scholars must endeavor not only to understand the “facts” that Davies is seeking, but to also navigate the other organizing principles that frame historic narratives. It is not that these “details of fantasy” do not have significant historical value; it is that to understand these apparently fanciful components of the narrative, scholars must also understand the strategies and the rhetorical devices that the Amerindian narrators used to generate them. This study will examine an aspect of the rich and complex mytho-poetic data documenting the Battle of …

The Country Bleeds With A Laugh: Social Criticism Meets Horror Genre In José Mojica Marins’S “At Midnight I’Ll Take Your Soul (1963)”, Diana Anselmo-Sequeira

Diana Anselmo-Sequeira

Focused on Brazil’s first horror film, José Mojica Marins’s low-budget production "À Meia-Noite Levarei Sua Alma" (1963), this paper explores how Marins, a marginalized Cinema Novo director, used classical horror conventions as tools for political critique. An analysis of this cinematic landmark reveals that Marins’s homegrown horror intersected with Cinema Novo’s main themes, such as cannibalism, class asymmetries, Hollywood’s influence, rightwing censorship, and national identity. Poignantly self-aware, I argue that this campy horror film in fact worked through seminal tensions besieging Brazilian culture throughout the violent dictatorship years (1964-1985), namely the conflicts between urban and rural spaces, intellectuals and illiterates, …

« Banlieue Noire » : La Question Noire Dans La Littérature Urbaine Contemporaine, Stève Puig

Présence Francophone: Revue internationale de langue et de littérature

Just as the “beur” movement started to flourish in France in the 80’s and the 90’s, a new question has emerged in French society in the last decade: the “black question”, which deals with the place of Africans and Antilleans in French society today. At the same time, a new literary genre has emerged: urban literature, which largely tackles themes related to the presence of Afro-caribbean people in metropolitan France. This article seeks to analyze three urban novels which take place in France, and more specifically how characters situate themselves regarding their Frenchness as the French government attempted to redefine …

Mobilizing Insurgent Pasts Toward Decolonial Futures, Patrick Crowley

Electronic Thesis and Dissertation Repository

This project is an inquiry into modes of decolonial resistance that mobilize alternative relationships to the past against the modern/colonial writing of history from a Eurocentric perspective taken as universal. I contend that knowledges and memories rooted in non-Western cultural traditions have formed the epistemological basis for ongoing opposition to the hegemonic conception of history as the unfolding of global structural transformations on a single, homogenous timescale. I examine works by Frantz Fanon, Dipesh Chakrabarty, and Zapatista videomakers that expressly reject a Eurocentric, monotopic perspective of history. My objective is to demonstrate the decolonial efforts of intellectuals and ordinary people …

Antonio Preciado And The Afro Presence In Ecuadorian Literature, Rebecca Gail Howes

Doctoral Dissertations

This dissertation examines the literary trajectory of Antonio Preciado Bedoya (1941), a major Afroecuadorian writer, poet and diplomat whose work spans more than 50 years. Although relatively unknown outside of Ecuador, this dissertation will address that lack of recognition by studying his work in the more general context of the African Diaspora. It will reflect upon Preciado’s re-definition of Ecuadorian identity in the new millennium. Preciado is a poet who portrays the Afro presence as central to the national experience of ethnic diversity and the construction of a pluricultural Ecuador. He emphasizes that Afroecuadorians be recognized as an integral component …

La Voz Spring 2013 Issue Two, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies

La Voz

In this issue:

• Favianna Rodriguez
• Pia Barros
• Javier Diaz
• TAULA

El Esclavo Y El Letrado: Máscaras De La Auto-Representación En La Temprana Narrativa Antiesclavista Cubana, Maria A. Aguilar-Dornelles

Languages, Literatures and Cultures Faculty Scholarship

Los tres textos aquí discutidos, Autobiografía de un esclavo,Francisco y Sab,narran la experiencia de la esclavitud desde la perspectiva del esclavo.Sinembargo, laperspectiva del narrador de Autobiografía de un esclavopermite establecer una distancia ideológica con la imagen del esclavo creada por Suárez y Romero y Gómez de Avellaneda. A pesar de que Autobiografíafue editada y alterada para adecuarla a la norma lingüística de la ciudad letrada, es posible identificar estrategias de negociación y desafío a la autoridad de los intelectuales que intentaron controlar sus condiciones de emisión y difusión.A este respecto, elnarradorno enfatiza lavictimizacióndel esclavo, como síhacen Suárez y Romero y …

La Voz Spring 2013, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies

La Voz

In this issue:

• Rigoberta Menchu Tum
• Migrant Farm Workers
• CTLatinoNews
• Curtis Acosta
• Tinker Field Research Grants

Que Se Sepa: Perspectives From The Puerto Rican Diaspora In Hartford, Christina T. Williams

Senior Theses and Projects

Que Se Sepa focuses on the perspectives of individuals of Puerto Rican descent living in the Diaspora here in the city of Hartford, Connecticut. These individuals represent a community that comprises of first, second, and third generation Puerto Ricans. Through discussions surrounding the topics of food, religion, politics, race, language, and music/arts, Que Se Sepa presents an array of perspectives regarding experiences both in Hartford’s Puerto Rican Diaspora and in Puerto Rico.

Que Se Sepa is two things: an effort to promote dialogue and a personal journey. Que Se Sepa the dialogue gives direct agency to a community. Within the …

Blessed Are The Peacemakers: Transnational Alliance, Protective Accompaniment And The Presbyterian Church Of Colombia, Michael C. Brasher

FIU Electronic Theses and Dissertations

The purpose of this thesis was to explore how Christian networks enable strategies of transnational alliance, whereby groups in different nations strive to strengthen one another’s leverage and credibility in order to resolve conflicts and elaborate new possibilities. This research does so by analyzing the case of the Presbyterian Church of Colombia (IPC). The project examines the historical development of the IPC from the initial missionary period of the 1850s until the present. Specifically, the purpose of the study was to consider how the historical struggle to articulate autonomy and equality vis-à-vis the U.S. Presbyterians (PCUSA) and paternalist models of …

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 1 Of 2), Sarah Aponte, Dania Diaz

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Remapping Nature: Motherhood, Autonomy, And Anti-Mining Activism In Íntag, Ecuador, Ellicott K. Dandy

Honors Theses

This honors thesis explores the social changes that women engaged in anti-mining activism bring to a region in rural Ecuador. I discuss the ways in which they incorporate their activist techniques into everyday life, using their status as mothers to access public discourses of environmentalism, and ultimately rewrite gender roles locally. Framing the mining conflict as a catalyst for social change, I draw parallels between this movement and indigenous politics in Ecuador, propose new interpretations of the mestizo ethnic identity and assimilation in the Spanish Empire, and finally, make the case for a nature-centric cultural analysis in anthropology.

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 2 Of 2), Sarah Aponte, Dania Diag

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono

Art Faculty Articles and Research

A review of Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall.

Chicano Art & Artists, Lauren L. Gallow

Lauren L. Gallow

The Latino American Experience: The American Mosaic is the first-ever database dedicated to the history and culture of Latinos—the largest, fastest-growing minority group in the United States. The Latino American Experience: The American Mosaic explores the rich heritage and current culture of Mexicans, Puerto Ricans, Guatemalans, Cubans, Dominicans, Colombians, Ecuadorians, and other Hispanic cultures in the United States—an estimated 44 million individuals who have formed unique, self-sufficient, and vibrant communities across the nation. These entries focus on Chicano/a artists and artworks from the late 20th century.